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INDUSTRY EVENTS AND CONFERENCES
Trade shows, seminars, events and conferences about the business of the performing arts
July 16-29, 2023 Arlington, VA Piano Technicians Guild Convention
July 31 - August 3, 2023 Pittsburgh, PA International Association of Venue Managers Conference
August 16-18, 2023 Riverside, CA Association of California Symphony Orchestras Conference
August 20-23, 2023 Tokyo, Japan InterNoise Conference 2023
August 23-25, 2023 Huddersfield, United Kingdom Audio Engineering Society International Conference (Spacial & Immersive Audio)
September 5-8, 2023 Seattle, WA Western Arts Alliance Conference
September 6-8, 2023 Hasselt, Belgium Audio Engineering Society International Conference (Audio Education)
September 18-21, 2023 Quito, Ecuador Audio Engineering Society Latin American Conference
October 12-14, 2023 Charleston, SC National Association for Campus Activities Convention
October 16-19, 2023 Beaverton, OR Arts Northwest Annual Conference
October 19-21, 2023 Little Rock, AR National Association for Campus Activities Convention
October 19-22, 2023 Ottowa, ON Society for Ethnomusicology Conference
October 25-26, 2023 New York, NY National Association of Broadcasters Show
October 25-27, 2023 New York, NY Audio Engineering Society 155th Convention
October 26-28, 2023 Miami, FL College Music Society National Conference
October 26-28, 2023 Syracuse, NY National Association for Campus Activities Convention
November 3-5, 2023 Raleigh, NC National Council of Acoustical Consultants Conference
November 4-8, 2023 Ottowa, ON Canadian Arts Presenting Association
November 9-12, 2023 Denver, CO American Musicological Society Annual Conference
November 9-12, 2023 Denver, CO Society for Music Theory Annual Meeting
November 16-18, 2023 Riverside, CA National Association for Campus Activities Convention
November 17-21, 2023 Scottsdale, AZ National Association of Schools of Music Annual Meeting
December 4-8, 2023 Sydney, Australia Acoustical Society of America 185th Meeting
January 3-6, 2024 Phoenix, AZ National Opera Association Annual Convention
January 4-6, 2024 New York, NY International Conductors Guild
January 9-11, 2024 New York, NY International Society for the Performing Arts
January 12-16, 2024 New York, NY Arts Presenters Conference
January 18-21, 2024 New York, NY Chamber Music America
January 24-27, 2024 Spokane, WA American Choral Directors Association Northwestern Region Conference
January 25-28, 2024 Anaheim, CA National Association of Music Merchants Show
January 29 - February 1, 2024 Las Vegas, NV International Ticketing Association Annual Conference
February 7-10, 2024 Omaha, NE American Choral Directors Association Midwestern Region Conference
February 21-24, 2024 Louisville, KY American Choral Directors Association Southern Region Conference
February 27 - March 2, 2024 Denver, CO American Choral Directors Association Southwestern Region Conference
February 28 - March 2, 2024 Providence, RI American Choral Directors Association Eastern Region Conference
February 28 - March 2, 2024 Cincinnati, OH Music Library Association Annual Meeting
March 6-9, 2024 Pasadena, CA American Choral Directors Association Western Region Conference
March 6-10, 2024 Washington, DC American Bandmasters Association Annual Convention
March 16-20, 2024 Atlanta, GA Music Teachers National Association National Conference
March 20-23, 2024 Louisville, KY Suzuki Association of the Americas Conference
March 20-23, 2024 Louisville, KY American String Teachers Association National Conference
March 20-23, 2024 Seattle, WA US Institute for Theatre Technology Annual Conference
April 4-6, 2024 Des Moines, IA National Association for Campus Activities National Convention
April 13-17, 2024 Las Vegas, NV National Association of Broadcasters Show
April 30 - May 3, 2024 Perth, Australia International Society for the Performing Arts
May 13-17, 2024 Ottowa, ON Acoustical Society of America 186th Meeting
June 3-8, 2024 Los Angeles, CA Opera America
June 6-8, 2024 Atlanta, GA Chorus America Conference
June 16-19, 2024 Orlando, FL American Harp Society Conference
June 17-22, 2024 Fullerton, CA Guitar Foundation of America Convention
June 20-22, 2024 Chicago, IL Theatre Communications Group National Conference
June 28 - July 2, 2024 Knoxville, TN National Association of Teachers of Singing Conference
June 30 - July 4, 2024 San Francisco, CA American Guild of Organists
July 21-25, 2024 Flagstaff, AZ International Double Reed Society Annual Conference
July 31 - August 4, 2024 Dublin, Ireland ClarinetFest Conference 2024
August 1-4, 2024 San Antonio, TX National Flute Association Conference
October 17-26, 2024 Virtual Society for Ethnomusicology Conference
November 7-9, 2024 Washington, DC College Music Society National Conference
November 7-10, 2024 Jacksonville, FL Society for Music Theory Annual Meeting
November 11-16, 2024 Montréal, QC CINARS (International Exchange for the Performing Arts) 
November 14-17, 2024 Chicago, IL American Musicological Society Annual Conference
November 22-26, 2024 Chicago, IL National Association of Schools of Music Annual Meeting
February 26 - March 2, 2025 Chattanooga, TN American Bandmasters Association Annual Convention
March 5-8, 2025 Columbus, OH US Institute for Theatre Technology Annual Conference
March 15-19, 2025 Minneapolis, MN Music Teachers National Association National Conference
May 19-23, 2025 New Orleans, LA Acoustical Society of America 188th Meeting
June 17-20, 2025 Chicago, IL Dance/USA Annual Conference
August 7-10, 2025 Atlanta, GA National Flute Association Conference
October 23-26, 2025 Atlanta, GA Society for Ethnomusicology Conference
October 30 - November 1, 2025 Spokane, WA College Music Society National Conference
November 4-9, 2025 Minneapolis, MN American Musicological Society Annual Conference
November 6-9, 2025 Minneapolis, MN Society for Music Theory Annual Meeting
March 18-21, 2026 Long Beach, CA US Institute for Theatre Technology Annual Conference

Ask Edna
Edna Landau’s blog
Edna LandauEdna Landau—doyenne of the music business, long-time managing director of IMG Artists and director of career development at the Colburn Conservatory of Music in Los Angeles—writes Ask Edna exclusively for MusicalAmerica.com to provide invaluable advice to music students and young professional artists. Read more about Edna’s impact on the performing arts.

Send your questions to Edna Landau at AskEdna@MusicalAmerica.com and she’ll answer through Ask Edna. Click the links below to read Edna’s recent columns on the critical aspects of launching and managing and professional music career.

Arts Administration

Career Etiquette

Communicating with Your Audience

Finding a Manager

For Chamber Music Ensembles

Listening to Your Inner Voice

Managing Your Own Career

Publicity and Promotion

The Orchestral World

When It Comes to Recording

During Edna’s 23 years as managing director of IMG Artists, she personally looked after the career of violinist, Itzhak Perlman and launched the careers of musicians such as pianists Evgeny Kissin and Lang Lang, violinist Hilary Hahn, and conductors Franz Welser-Mõst and Alan Gilbert.

Edna believes young musicians can grow their own careers, with “hard work, blind faith, passion for the cause, incessant networking and a vision that refuse[s] to be tarnished by naysayers.”

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All material found in the Press Releases section is provided by parties entirely independent of Musical America, which is not responsible for content.

Press Releases

Amore Opera Celebrates 10Th Anniversary with Six Productions for the 2018-19 Season

November 19, 2018 | By Allison Abbott
Publicity Associate, Hemsing Associates

Giacomo Meyerbeer’s Rarity “L’Étoile du Nord,” Not Produced in the U.S. Since 1883

A Children’s Version of Gilbert & Sullivan’s “Iolanthe”& A Holiday Offering of

Scrooge & Gilbert & Sullivan” With Book & New Lyrics by Nathan Hull

Other Productions To Include Puccini’s “Bohème,” Mozart’s “Così,”& Verdi’s “Ballo”

November 19, 2018, New York City—To celebrate the founding of Amore Opera in 2009, Artistic Director Nathan Hull has programmed six main-stage opera productions this season. Over the past decade, Amore has created a niche for itself in New York City’s cultural realm, offering lively stagings of opera classics, neglected gems of the repertoire, appealing children’s fare, and ever-popular Gilbert & Sullivan presentations in the well-appointed and intimate 200-seat Riverside Theatre at Riverside Church, 91 Claremont Avenue, (near 121st Street,) New York, NY  10027.

For tickets at $45 adults; $35 seniors/students/children under 12; $35 - $25 partial view; $35 - $25 for All-Kids “Iolanthe;” $150 adult season pass and $115 senior season pass (includes any four productions); $130 New Year’s Eve Dinner & Gala, please visit www.amoreopera.org or call 1 866-811-4111.

Heralded as “an important tradition and a gift to the New York cultural scene,” by Classical Music Editor Zachary Woolfe of The New York Times, Amore has built a loyal following among opera lovers of all ages. Thanks to having inherited numerous sets and thousands of costumes from Amato Opera, Amore is able to offer fully-staged productions featuring a 30-member orchestra. Each year, Mr. Hull gives a platform to rising star singers, guest conductors, designers, directors, and, by maintaining a children’s choir, offers opportunities for new opera aficionados and performers. In November 2017, in an interview for Operawire, Mr. Hull explained: “I’m really keen on educating the next generation of people on opera and classical music in general.” In an effort to give more singers a chance to participate in a fully-staged live operatic production, Amore usually assigns several singers to each role, so the cast rotates with each performance.

“Much love and effort were lavished on the production,” wrote James R. Oestreich in The New York Times about a rarely performed sequel to Mozart’s Die Zauberflöte called Das Labyrinth, with libretto by Mozart’s collaborator Schikaneder and music by Peter von Winter. And, Classical Singer Magazine recently exclaimed, “All is not lost!  The Amore Opera Takes Over!!”

 

AMORE OPERA 2018- 2019 SEASON

Giacomo Puccini’s La Bohème – December 21 – 30, 2018

During the 2018 holiday season, starting Friday evening, December 21, 2018, 7:30 p.m., Amore will present Puccini’s  La Bohème in eight performances, co-directed by Nathan Hull and Iris Karlin, conducted by Scott Jackson Wiley, featuring set design by Richard Cerullo and costumes by Cynthia Psoras. The rotating cast includes, in the role of Mimí: sopranos Rachel Hippert, Iris Karlin, Michelle Pretto, and Dilara Unsal; Rodolfo: tenors José Heredia, Adam Hershkowitz, Thomas Massey, and Riad Ymeri; Musetta: sopranos Katrin Bulke,

Miriam Chaudoir, Cassandra Douglas, and Elisabeth Slaten; and Marcello: baritones Robert Garner, Jonathan Green, Jesse Malgieri, and Gustavo Morales. 

The schedule of performances for La Bohème is as follows: Friday evening, December 21, 2018, 7:30 pm; Saturday afternoon, December 22, 2018, 2:30 pm; Saturday evening, December 22, 2018,7:30 pm;  Sunday afternoon, December 23, 2018,2:30 pm; Friday evening, December 28, 2018; 7:30 pm; Saturday afternoon, December 29, 2018; 2:30 pm; Sunday evening, December 30, 7:30 pm. and on New Year’s Eve, Monday, December 31, 7:30 pm (see below for details on the New Year’s Eve Gala.) 

Scrooge & Gilbert & Sullivan—December 27 – 30, 2018

Artistic Director Nathan Hull has recast the classic Dickens tale A Christmas Carol by writing a new book and lyrics and including musical highlights from 11 operettas of William S. Gilbert and Arthur S. Sullivan, including The Mikado, Pirates of Penzance, and H.M.S. Pinafore.  Performed for the first time by Amore last year, Scrooge & Gilbert & Sullivan was an instant hit with audiences and promises to become an annual holiday tradition.  The production, directed by Mr. Hull and conducted by Elizabeth Hastings, features costumes by Cynthia Psoras. The cast includes, as Scrooge, baritones Ray Calderon & Martin Everall; in the role of Jacob Marley, baritone Jay Stephenson; as the Ghost of Christmas Present, soprano Alexis Cregger; and, as Tiny Tim, boy soprano Leo Kogan. Scrooge & Gilbert & Sullivan has been produced by many groups around the country.

Performances are as follows: Thursday evening, December 27, 2018, 7:30 pm; Friday afternoon, December 28, 2018,  2:30 pm; Saturday evening, December 29, 2018; 7:30 pm; and Sunday afternoon, December 30, 2018, 2:30 pm.

New Year’s Eve Gala—December 31, 2018, 7:30 pm till 2 am, January 1, 2019

Amore Opera will ring in the New Year with a special 10th Anniversary Gala at the Riverside Theatre. The evening’s musical highlight will be a fully staged production of Puccini’s La Bohème, with a lavish dinner served during the first intermission and dessert during the second intermission. The cast will take a bow just in time for a midnight champagne toast. This is then followed by a New Year’s concert featuring operas, and operettas, musical theatre. Tickets at $130, including all food and drink, are available for purchase at www.amoreopera.org/NewYearsEve.

 

SPRING 2019 (Each production’s cast to be announced at a later date.)

Wolfgang Amadeus Mozart’s Cosí fan tutte—March 15-24, 2019

A charming new two-hour English version of Mozart’s Cosí, directed by Nathan Hull and conducted by José Alejandro Guzmán, will be presented in the spring. The schedule follows: Friday evening, March 15, 2019,   7:30 pm; Saturday evening, March 16, 7:30 pm; Sunday afternoon, March 17, 2:30 pm; Thursday evening, March 21, 7:30 pm; Friday evening, March 22, 7:30 pm; and Sunday afternoon, March 24, 2:30 pm.

Giacomo Meyerbeer’s L’Étoile du Nord—March 19-23, 2019

In the spring of 2019, Amore Opera will unveil a new production of Giacomo Meyerbeer’s unjustly neglected L’Étoile du Nord. As part of its mission to discover and present hidden gems of the operatic repertoire, Amore again brings a long-forgotten work to New York, last performed at the Brooklyn Academy of Music in 1883. Known mostly for the diva coloratura aria “Grand Air de Catherine” in modern times, L’Étoile du Nord relates the tumultuous love story of Peter the Great of Russia and Catherine, a cantinière for opposing Finnish forces.

Giacomo Meyerbeer enjoyed incredible popularity during his lifetime, blazing the path for the integration of music and theatricality that would continue to develop in the works of Verdi, Wagner, and Puccini. Best known for his large-scale works Robert le Diable, les Huguenots, and l’Africaine, all with librettos by the highly popular French dramatist Eugène Scribe, the German-born Jewish composer Meyerbeer established the great tradition of French “Grand Opéra.”

His fame was such that as a young composer Richard Wagner initially sought his help and approval, but later on, Wagner, the critic, began a vitriolic anti-Semitic campaign against him, prompted by extreme envy. Wagner successfully influenced public opinion, causing Meyerbeer’s works to fall out favor and later to be suppressed by the Nazi Regime. Fortunately, there is now renewed interest in mounting his operas in Europe, and Amore is pleased to stage L’Étoile du Nord in New York.

Amore has made it a priority to present unusual operas nearly every season; some of its  ambitious productions have included the American debut of the 1826 opera I due Figaro by Mercadante;  Das Labyrinth by Peter von Winter and libretto by Schikaneder, which was the American debut of the 1798 Magic Flute, Part II;  Kálmán’s The Circus Princess in its first New York production since 1927; and, three works by Donizetti, Poliuto in the first American production since 1859, the 1827 work Olivo e Pasquale in its American debut, and La Zingara, the American debut of the 1822 opera.

Directed by Mr. Hull and conducted by Richard Cordova, L’Étoile du Nord will be performed as follows: Tuesday evening, March 19, 2019, 7:30 pm; Wednesday evening, March 20, 7:30 pm; Saturday afternoon, March 23, 2:30 pm; and  Saturday evening, March 23, 7:30 pm

Giuseppe Verdi’s Un ballo in maschera—May 31-June 16, 2019

Gilbert & Sullivan’s IolantheSaturday morning, June 11, 2019, 11 am & Saturday morning, June 18, 2019, 11 am

To close out the season, Amore Opera will continue to expand its foray into Giuseppe Verdi’s rich catalogue, with a production of the beloved opera Un ballo in maschera, directed by Nathan Hull and conducted by Douglas Martin. Additionally, Amore will present its annual Gilbert & Sullivan children’s production, this year offering two Saturday morning performances of  Iolanthe, directed by Nathan Hull and conducted by Iris Karlin. These productions tailor Gilbert & Sullivan classics to young singers’ abilities and cast children in all

roles, with the hope of instilling in them a lasting curiosity and love for the operatic art form. Last year’s production of Gilbert & Sullivan’s The Pirates of Penzance was presented by WQXR as a Family Concert in New York’s Greene Space and is still available on the WQXR website: http://www.thegreenespace.org/story/wqxr-family-concert-pirates-penzance/

Un ballo in maschera will be performed Friday evening, May 31, 2019, 7:30 pm; Saturday afternoon, June 1, 2:30 pm; Saturday evening, June 1, 7:30 pm; Sunday afternoon, June 2, 2:30 pm; Thursday evening, June 6, 7:30 pm;  Friday evening, June 7, 7:30 pm; Saturday afternoon, June 8, 2:30 pm; Saturday evening, June 8,  7:30 pm; Saturday afternoon, June 15, 2:30 pm; Saturday evening, June 15, 7:30 pm; and Sunday afternoon, June 16, 2:30 pm.

All-Kids Iolanthe performances take place on two consecutive Saturday mornings, June 8, 2019, and June 15, both at 11 am.

The Amore season is sponsored in part by a generous grant from Brian Hinchcliffe.

 

For further information, please contact Hemsing Associates at (212) 772-1132 or visit www.hemsingpr.com.
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