{"id":76416,"date":"2024-06-24T22:24:25","date_gmt":"2024-06-25T02:24:25","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=76416"},"modified":"2024-06-24T22:24:25","modified_gmt":"2024-06-25T02:24:25","slug":"a-national-ban-on-performance-exclusivity-clauses-posting-recordings-on-websites-artist-visa-news-nausea-updates-your-contract-playlist","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=76416","title":{"rendered":"\u2022 A National Ban on Performance Exclusivity Clauses\u00a0\u00a0 \u2022 Posting Recordings on Websites \u2022 Artist Visa News, Nausea &amp; Updates\u00a0 \u2022 Your Contract Playlist\u00a0 \u00a0\u00a0"},"content":{"rendered":"<p style=\"text-align: center\"><span style=\"color: #800080;font-size: 26pt;font-family: 'times new roman', times, serif\"><strong>LAW &amp; DISORDER<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"color: #800080;font-family: 'times new roman', times, serif;font-size: 18pt\"><strong>Performing Arts Division<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"color: #800080;font-family: 'times new roman', times, serif;font-size: 18pt\"><strong>June 25, 2024 <\/strong><\/span><strong style=\"color: #800080;font-family: 'times new roman', times, serif;font-size: 18pt\">\u00a0<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-67505 aligncenter\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2022\/06\/Angry-peacock.jpg\" alt=\"\" width=\"200\" height=\"300\" \/><\/p>\n<h2 style=\"text-align: center\"><span style=\"color: #800080\"><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 26pt\">INSIDE THIS ISSUE:<\/span><\/strong><\/span><\/h2>\n<h2 style=\"text-align: center\"><span style=\"color: #800080;font-size: 18pt\"><strong><span style=\"font-family: 'times new roman', times, serif\">\u2022 A National Ban on Performance Exclusivity Clauses\u00a0\u00a0<\/span><\/strong><\/span><\/h2>\n<h2 style=\"text-align: center\"><span style=\"color: #800080;font-size: 18pt\"><strong><span style=\"font-family: 'times new roman', times, serif\">\u2022 Posting Recordings on Websites<\/span><\/strong><\/span><\/h2>\n<h2 style=\"text-align: center\"><span style=\"color: #800080;font-size: 18pt\"><strong><span style=\"font-family: 'times new roman', times, serif\">\u2022 Artist Visa News, Nausea &amp; Updates\u00a0<\/span><\/strong><\/span><\/h2>\n<h2 style=\"text-align: center\"><span style=\"color: #800080;font-size: 18pt\"><strong><span style=\"font-family: 'times new roman', times, serif\">\u2022 Your Contract Playlist\u00a0 \u00a0\u00a0<\/span><\/strong><\/span><\/h2>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: center\"><span style=\"font-family: 'times new roman', times, serif;font-size: 26pt\"><strong><span style=\"color: #800080\">Legal Issue of the Month:<\/span><\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"color: #800080;font-family: 'times new roman', times, serif;font-size: 18pt\">Will a New National Ban on Non-Compete Agreements\u00a0Also Apply to Performance Exclusivity Clauses?\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-76417 \" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Judges.jpg\" alt=\"\" width=\"259\" height=\"214\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Judges.jpg 1200w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Judges-300x248.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Judges-1024x847.jpg 1024w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Judges-768x635.jpg 768w\" sizes=\"(max-width: 259px) 100vw, 259px\" \/><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">You may recall (or not, that\u2019s ok, too) that in our last newsletter we discussed that on April 23, 2024, the Federal Trade Commission (FTC) issued a nation-wide ruling banning non-compete clauses in all employment contracts, regardless whether an individual is hired as an actual \u201cemployee\u201d or as an independent contractor, paid or unpaid, an intern, or a sub-contractor hired to provide service to another party\u2019s client or customer.\u00a0You can read the announcement <a href=\"https:\/\/www.ftc.gov\/news-events\/news\/press-releases\/2024\/04\/ftc-announces-rule-banning-noncompetes\" target=\"_blank\" rel=\"noopener noreferrer\" data-link-type=\"web\">HERE<\/a>.<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">Further review and analysis have shown that this new ruling, should it go into effect, will also prohibit venues and presenters from including any language in their engagement agreements restricting or prohibiting where an artist can perform before or after an artist\u2019s performance. In other words, should the Grunion Run Performing Arts Center engage the Willy Tugger Jazz Band, they could not prohibit the band from performing two days later at the Annual Grunion Run Mayonnaise Festival where admission is free. Of course, regardless of the future contractual enforceability of a performance exclusivity clause, any artist who actually did this would be hammering a nail deep into the coffin of their touring career.\u00a0<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">Whilst the official effective date has yet to be announced, unless the new regulation is pre-empted by a lawsuit or other judicial action, then the ruling will likely go into effect sometime in Fall 2024.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p style=\"text-align: center\"><span style=\"font-family: 'times new roman', times, serif;font-size: 26pt;color: #800080\"><strong>Dear Law and Disorder:<\/strong> <\/span><\/p>\n<p style=\"text-align: left\"><span style=\"font-family: 'times new roman', times, serif;font-size: 18pt;color: #800080\">Actual questions we get asked\u00a0<\/span><span style=\"font-family: 'times new roman', times, serif;font-size: 18pt;color: #800080\">and the answers people actually don\u2019t want<\/span><\/p>\n<hr \/>\n<p style=\"text-align: center\"><strong><span style=\"font-family: 'times new roman', times, serif\">\u201cWith thanks, your friendly, neighbourhood car thief\u201d<\/span><\/strong><\/p>\n<p><img decoding=\"async\" class=\"alignleft\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2022\/12\/Typingontoilet.jpg\" \/><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">Dear Law &amp; Disorder:<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\"><em>I want to post a video on my website that I found on the internet that would be perfect for my new project. I will give full credit to the musician, including the musician\u2019s original link, would this be legal? And can you please specify on what full credit means.<\/em><\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">A \u201ccopyright\u201d is literally the right to make copies. A copyright \u201cinfringement\u201d is when you make a copy of something without the owner\u2019s permission. Almost everything you can find on the internet (photos, images, videos, text, etc.) is someone else\u2019s property. Part of the challenge of understanding digital rights is that the ease with which we can download and copy materials on the internet tends to make us forget that copying any materials without permission is still copyright infringement. Without question, many people post pictures, videos, and other materials and are more than happy to have others repost and share them; but that decision is entirely up to the person who owns the materials. In other words, just because a car is parked on the street, doesn\u2019t mean it&#8217;s free for the taking. As for giving \u201cfull credit,\u201d that\u2019s like stealing a car, but leaving a thank you note on the owner\u2019s door. It doesn\u2019t make it any less a crime.<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">If you want to get actual permission to post a video, photograph, or any other copyrighted material on your website, then you need to get permission (aka \u201ca license\u201d) from the owner\u2014which may or may not be the artist. The better option would be for you to post a link to the video rather than post the video itself. In other words, you would be inviting your readers to go to YouTube or the artist\u2019s own website to view the video. This way, the owner can control whether or not they want the video to be shared.<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">And now, the part you\u2019ve all been waiting for\u2026\u2026<\/span><\/p>\n<hr \/>\n<h2 style=\"text-align: center\"><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 26pt;color: #800080\">Artist Visa News, Nausea <\/span><\/strong><\/h2>\n<h2 style=\"text-align: center\"><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 26pt;color: #800080\">&amp; Updates<\/span><\/strong><\/h2>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-76129\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/05\/Stomach-Ache-scaled.jpg\" alt=\"\" width=\"303\" height=\"202\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/05\/Stomach-Ache-scaled.jpg 2560w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/05\/Stomach-Ache-300x200.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/05\/Stomach-Ache-1024x683.jpg 1024w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/05\/Stomach-Ache-768x512.jpg 768w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/05\/Stomach-Ache-1536x1024.jpg 1536w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/05\/Stomach-Ache-2048x1365.jpg 2048w\" sizes=\"(max-width: 303px) 100vw, 303px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">Most of you know by now that between December 2023 and April 2024, USCIS implemented a number of new filing fees and policies purportedly designed to \u201cmaintain adequate service.\u201d Please Note: I did not make that part up. This is <strong>direct quote<\/strong> from the preamble to the Final Rule issued by USCIS on January 31, 2024 in which it sets out the goals of its new rules and policies: Not to \u201cimprove service\u201d or even \u201cincrease processing times,\u201d but to aspire to the lofty and inspired goal of \u201cmaintain adequate service.\u201d You can read it for yourself <a href=\"https:\/\/www.ftc.gov\/system\/files\/ftc_gov\/pdf\/noncompete-rule.pdf\">HERE. <\/a><\/span>That&#8217;s only slightly less disingenuous than a mobile service touting a 6G upgrade of two tin cans and piece of string.<\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">USCIS, far from its delusions of adequacy, instead has taken an already broken system, smashed it into more pieces, glued it back together with spit and crushed graham crackers, and tossed it into a soggy carboard box of berserk cane toads. After two months in the toad box, here\u2019s where we are:<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 16pt\">1. Standard Processing Times Are Getting Slower\u00a0<\/span><\/strong><\/p>\n<p>Processing times are getting longer, slower, and more intense, which is good news only for those of you who fantasize about USCIS visa examiners. Though we have seen a few instances of standard processed petitions taking 4 months or longer, most seem to be taking 2 \u2013 4 months from the date of filing. Whilst the Vermont Service Center appears to be processing more quickly than the California Service, as USCIS is no longer assigning petitions to service centers based on jurisdiction, there is no way to know where your petition will wind up or exactly how long it will take to be processed.<\/p>\n<p>Premium Processing appears to be taking 7 &#8211; 15 business days, with, again, Vermont processing more quickly than California.<\/p>\n<p><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 16pt\">2. USCIS Is Losing P Petitions<\/span><\/strong><\/p>\n<p>For those of you unfortunately forced to file multiple P petition to cover large groups, such as four P-1 Petitions to cover an orchestra of 80 musicians, USCIS is splitting them up and sending them to different service centers who adjudicate them at different times. Even when a single P-1 Petition is filed concurrently with a single P-1S Petition or an O-1 Petition is filed with an O-2 Petition, USCIS is splitting them up and sending them to different examiners at different service centers. In the interest of further proving that they aren\u2019t even competent enough to trust with scissors, USCIS is also losing a few along the way. In one particular case, three P-1 Petitions for a large group were filed concurrently with premium processing. USCIS approved 2 and lost 1. Eventually, they found it 30 days after it had been filed, emailed the receipt notice with a thoughtful note saying, \u201cthanks for your patience,\u201d and approved it 2 days later. (Yes, USCIS has to refund the premium processing fee for that one.) So, allow even more time when filing petitions for large groups.<\/p>\n<p><span style=\"color: #800080\"><strong>TIP:<\/strong> If you do not receive an I-979 Receipt Notice for a filed petition, then go to your bank and see if USCIS cashed the filing fee check. If so, on the back of the cancelled check will be the receipt number for the petition. You can then use this to deride them when they try to claim it was never filed.\u00a0<\/span><\/p>\n<p><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 16pt\">3. USCIS Is Improperly Rejecting Petitions<\/span><\/strong><\/p>\n<p>There have been numerous instances reported of USCIS rejecting petitions for incorrect filing fees even where the filing fees were correct. This appears to be due to the fact the separating the total filing fee of a petition into multiple different fees based on the business status of the petitioner has not worked as seamlessly as they had hoped. USCIS reports that this is a \u201ctraining issue,\u201d which presumably means this will improve with rolled newspaper and better treats.<\/p>\n<p><span style=\"color: #800080\"><strong>TIP:<\/strong> If you are a non-profit of an employer of 1 \u2013 25 employees, then be sure to address this in your cover letter and explain why you qualify for a reduced fee. Also remember to provide the appropriate documentation of your status.<\/span><\/p>\n<p><span style=\"color: #800080\"><strong>REMINDER:<\/strong> To qualify as a \u201csmall employer\u201d you must have at least 1 full-time employee on a payroll and from whose pay checks taxes are withheld. Otherwise, you are a \u201csmall business\u201d or \u201cself-employed\u201d and must pay the maximum filing fees.<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif;font-size: 16pt;color: #800080\">4. USCIS Is Issuing Barmier RFEs<\/span><\/p>\n<p>USCIS has always been renowned for issuing tragically comical Requests for Evidence (RFEs) when it comes to displays of their obliviousness of anything that occurs on a stage\u2014which, of course, always raises the question of whose idea it was to give them the final say on the casting and booking decisions of major opera companies, theatres, and presenters in the first place. Nonetheless, unattended USCIS Examiners have recently been burrowing into new depths of obtusity in their soiled sand box and issuing more preposterous RFEs. In particular, we have seen a disturbing increase in RFEs for P-1S (Essential Support Staff) Petitions in which they are asking for individual employment contracts for each person with specific employment terms and conditions, more information on why the services provided are necessary for a performance, and why the group can\u2019t just hire US workers to do the same thing. To pluck just a few pearls:<\/p>\n<ul>\n<li>What do stage managers do and why are they necessary for a performance?<\/li>\n<li>Why can&#8217;t an orchestra engage a US-based Orchestra Manager to manage their orchestra when they perform in the US?<\/li>\n<li>If the group is performing in New York City, will the group\u2019s lighting designer and stage technicians be providing their services at the same venue at the same time?<\/li>\n<\/ul>\n<p>Other notable RFE\u2019s we have seen over the last few months include USCIS contending that:<\/p>\n<ul>\n<li>An &#8220;audience prize&#8221; given to an artist at a competition does not count as an \u201caward\u201d because he was selected by the audience and not by experts, critics, or judges in his field.<\/li>\n<li>Competitions for \u201cYoung Artists\u201d do not count as significant awards or competitions because young artists are only competing against other young artists. For such an award to be \u201csignificant\u201d, the competition must include older artists.<\/li>\n<li>An opera conductor is not in the same field as an orchestral conductor because one conducts orchestras and one conducts operas, thereby requiring two union consultation letters.<\/li>\n<li>An artist performing at a festival cannot be a \u201clead and starring artist\u201d if there are other artists also performing at the same festival. To be a \u201clead and starring artist,\u201d the artist must be the only artist performing at the festival.<\/li>\n<\/ul>\n<p>And my personal favourite: a request for \u201cindependent, third-party proof\u201d of the formal name and full street address of Carnegie Hall, as well as proof that, just because the artist has been engaged to perform at Carnegie Hall they will physically be performing on-site.<\/p>\n<p>Fortunately, all of these petitions were ultimately approved, but not without extra expense, lost time, and digging ever deeper into the repository of linguistic condescension in responding to the RFEs\u2014including printing out Google Maps driving directions from the address of the California Service Center to the front door of Carnegie Hall.<\/p>\n<p><span style=\"color: #800080\"><strong>TIP:<\/strong> Trying to explain or induce USCIS to appreciate the impact of their ineptness on the Performing Arts will produce only slightly less meaningful results than a zip log bag of toenail clippings. Rather, work around them. Know that they are extraordinarily paranoid, as well as painfully literal. Never explain or make them think. Give them what they want to know, regardless of how stupid or rudimentary it may seem, and in the simplest of terms possible. If what they want doesn\u2019t exist, draft simple, specific documents just for USCIS that addresses the specific things they want to know.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<h3 style=\"text-align: center\" data-pm-slice=\"1 1 []\"><span class=\"sqsrte-text-color--custom\" style=\"font-size: 26pt;color: #800080\"><strong><span style=\"font-family: 'times new roman', times, serif\">Want To Listen To More About Contracts?<\/span> <\/strong><\/span><\/h3>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-76418 \" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Colby-Podcast.jpg\" alt=\"\" width=\"276\" height=\"275\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Colby-Podcast.jpg 998w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Colby-Podcast-300x300.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Colby-Podcast-150x150.jpg 150w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2024\/06\/Colby-Podcast-768x765.jpg 768w\" sizes=\"(max-width: 276px) 100vw, 276px\" \/><\/p>\n<p>My friend and longtime client, Laura Colby, a performing arts manager based in New York City, hosts a podcast entitled <em>The Middle Woman.<\/em> In <em>The Middle Woman<\/em>, Laura discusses best practices for managing, touring, and presenting the performing arts from the lens of a working artist and shares her collected learnings with the new generation of performing arts professionals.<\/p>\n<p>She recently invited me to join her in a discussion about contracts in the performing arts.<\/p>\n<p>Here are the links to access the episode on\u00a0<a href=\"https:\/\/open.spotify.com\/episode\/1dNXSyceSgOwiXAvbo8djU?si=lUqIKmrQQee9CbJftGmzRw\" target=\"_blank\" rel=\"noopener noreferrer\">Spotify<\/a>,\u00a0<a href=\"https:\/\/music.amazon.com\/podcasts\/bcc0a3e2-7f4a-49c9-a6a2-e71d30bef469\/episodes\/d41522a7-200f-4950-af3b-1a217baf8a16\/the-middle-woman---a-roadmap-to-managing-the-performing-arts-ep-17-contracts-part-2-with-brian-goldstein\" target=\"_blank\" rel=\"noopener noreferrer\">Amazon Music<\/a>,\u00a0<a href=\"https:\/\/www.audible.com\/podcast\/Ep-17-Contracts-Part-2-with-Brian-Goldstein\/B0D67HCZ7Z?action_code=ASSGB149080119000H&amp;share_location=pdp\" target=\"_blank\" rel=\"noopener noreferrer\">Audible<\/a>, and\u00a0<a href=\"https:\/\/podcasts.apple.com\/us\/podcast\/the-middle-woman-a-roadmap-to-managing-the-performing-arts\/id1713746587?i=1000657949137\" target=\"_blank\" rel=\"noopener noreferrer\">Apple Podcast<\/a>.<\/p>\n<p>Whilst it may or may not be the best thing to listen to before going to bed, it was a great discussion.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>\n<hr \/>\n<\/div>\n<div>\n<h2 style=\"text-align: center\"><strong><span style=\"color: #800080;font-family: 'times new roman', times, serif;font-size: 26pt\">Deep Thoughts<\/span><\/strong><\/h2>\n<\/div>\n<div>\n<hr \/>\n<\/div>\n<h2 style=\"text-align: center\"><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 26pt;color: #800080\"><em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-71780 alignleft\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2023\/04\/deep-thoughts2.png\" alt=\"\" width=\"184\" height=\"143\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2023\/04\/deep-thoughts2.png 854w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2023\/04\/deep-thoughts2-300x233.png 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2023\/04\/deep-thoughts2-768x595.png 768w\" sizes=\"(max-width: 184px) 100vw, 184px\" \/><\/em><\/span><\/strong><\/h2>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: 'times new roman', times, serif\">\u201cRemember, when you are dead, you do not know you are dead. It is only painful for others. <\/span><span style=\"font-family: 'times new roman', times, serif\">The same applies when you are stupid.\u201d<\/span><\/p>\n<p>\u2015 Ricky Gervais<\/p>\n<h2 style=\"text-align: center\"><strong><span style=\"font-family: 'times new roman', times, serif;font-size: 26pt;color: #800080\">\u00a0<\/span><\/strong><\/h2>\n<hr \/>\n<p style=\"text-align: center\"><span style=\"font-size: 12pt\"><a href=\"http:\/\/www.ggartslaw.com\">Send Us Your Questions!\u00a0<\/a><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"color: #800080;font-family: 'times new roman', times, serif;font-size: 12pt\">Let us know what you\u2019d like to hear more about.<\/span><br \/>\n<span style=\"font-size: 12pt\"><a href=\"http:\/\/www.ggartslaw.com\">Send us an email, post on Facebook, mail us a letter, dispatch a messenger, raise a smoke signal, reach out telepathically, or use whatever method works for you.<\/a><\/span><\/p>\n<hr \/>\n<p style=\"text-align: center\"><span style=\"font-family: 'times new roman', times, serif\"><strong>OFFICIAL LEGALESE:<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-family: 'times new roman', times, serif\"><strong>THIS IS NOT LEGAL ADVICE!<\/strong><\/span><\/p>\n<p>T<span style=\"font-family: 'times new roman', times, serif\">he purpose of this blog is to provide general advice and guidance, not legal advice. Please consult with an attorney familiar with your specific circumstances, facts, challenges, medications, psychiatric disorders, past-lives, karmic debt, and anything else that may impact your situation before drawing any conclusions, deciding upon a course of action, sending a threatening email, filing a lawsuit, or basically doing anything that may in any way rely upon an assumption that we know what we are talking about or one size fits all!<\/span><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=76416\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>LAW &amp; DISORDER Performing Arts Division June 25, 2024 \u00a0 INSIDE THIS ISSUE: \u2022 A National Ban on Performance Exclusivity Clauses\u00a0\u00a0 \u2022 Posting Recordings on Websites \u2022 Artist Visa News, Nausea &amp; Updates\u00a0 \u2022 Your Contract Playlist\u00a0 \u00a0\u00a0 &nbsp; Legal Issue of the Month: Will a New National Ban on Non-Compete Agreements\u00a0Also Apply to Performance [&hellip;]<\/p>\n","protected":false},"author":22,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[882,881,875,876,872,879,896,1,873],"tags":[604,4602,4628,4312,4313,4626,4627,2338],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/76416"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/22"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=76416"}],"version-history":[{"count":3,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/76416\/revisions"}],"predecessor-version":[{"id":76421,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/76416\/revisions\/76421"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=76416"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=76416"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=76416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}