{"id":40473,"date":"2017-07-06T10:53:15","date_gmt":"2017-07-06T14:53:15","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=40473"},"modified":"2018-02-09T11:46:35","modified_gmt":"2018-02-09T15:46:35","slug":"mphil-asserts-bruckner-legacy","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=40473","title":{"rendered":"MPhil Asserts Bruckner Legacy"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2017\/07\/herzenbergerGergievSanktFlorian.jpg\" alt=\"Valery Gergiev and orchestra at the Stiftsbasilika St Florian\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: July 6, 2017<\/span><\/p>\n<p>MUNICH \u2014 Under the incongruous stewardship of <a href=\"https:\/\/www.mariinsky.ru\/en\/company\/conductors\/gergiev\">Valery Gergiev<\/a>, the <a href=\"https:\/\/www.mphil.de\/orchester\/geschichte-des-orchesters.html\">Munich Philharmonic<\/a> intends to stress its Bruckner credentials the next three Septembers with filmed visits to the <a href=\"http:\/\/www.stift-st-florian.at\/stift-st-florian\/stiftsbasilika.html\">Stiftsbasilika St Florian<\/a>. There, where the composer worked and rests, just south of Linz, the MPhil will record for DVD his numbered symphonies, three per visit, the orchestra said Friday.<\/p>\n<p>Gergiev: \u201cIn the Munich Philharmonic, dazzling technique is combined with a deep common experience on the subject of Bruckner \u2026 . I want people around the world to [hear this].\u201d The partnership recorded the Fourth Symphony for <a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=33241\">CD<\/a> in 2015 in Nowak\u2019s 1953 edition.<\/p>\n<p>Orchestra statement: \u201cThe MPhil has a special and unique relationship to the symphonic work of Anton Bruckner, going back to its founding as the <a href=\"https:\/\/de.wikipedia.org\/wiki\/Franz_Kaim\">Kaim-Orchester<\/a>, and over the years has \u2026 developed a specific Bruckner tradition.<\/p>\n<p>\u201cConductors such as <a href=\"http:\/\/www.allmusic.com\/artist\/hermann-levi-mn0001672259\">Hermann Levi<\/a>, under whom the [1885 Munich] premiere of the Seventh Symphony went down as a triumph in European music history [before the Kaim-Orchester existed]; <a href=\"http:\/\/www.biographien.ac.at\/oebl\/oebl_L\/Loewe_Ferdinand_1865_1925.xml\">Ferdinand L\u00f6we<\/a>, Bruckner\u2019s pupil [and two-term MPhil chief]; and not least <a href=\"http:\/\/www.independent.co.uk\/news\/people\/obituary-sergiu-celibidache-1309910.html\">Sergiu Celibidache<\/a> [<em>Chefdirigent<\/em> 1979\u20131996], whose Bruckner interpretations are legendary, made major contributions to the [status of these] symphonies \u2026 as a summit of the genre.\u201d<\/p>\n<p>Painfully this supporting rhetoric omits mention of recent MPhil <em>Generalmusikdirektor<\/em> <a href=\"http:\/\/www.staatskapelle-dresden.de\/en\/staatskapelle\/christian-thielemann\/\">Christian Thielemann<\/a>. He led stunning Bruckner concerts here before a foolishly managed struggle resulted in his resignation, and he is now <a href=\"http:\/\/www.cmajor-entertainment.com\/catalogue\/?fwp_search_text=bruckner%20thielemann\">filming his own Bruckner cycle<\/a> in various cities \u2014 including Munich! \u2014 with the Dresden Staatskapelle.<\/p>\n<p>Filming at St Florian (pictured) begins Sept. 25 and 26, when Symphonies Nos. 1, 3 and 4 are scheduled; identical programs will be played at the orchestra\u2019s <a href=\"https:\/\/www.gasteig.de\/\">Gasteig<\/a> home days earlier. Details were unclear as to the editions. The project will open Gergiev\u2019s third through fifth (of five <a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=17390\">contracted<\/a>) seasons as MPhil <em>Chefdirigent<\/em>.<\/p>\n<p>Photo \u00a9 Christian Herzenberger<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=43374\">MPhil Bosses Want Continuity<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=17390\">Gergiev, Munich\u2019s Mistake<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=36226\">Flitting Thru Prokofiev<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=19188\">MPhil Vacuum: Maazel Out<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=40641\">Blomstedt\u2019s Lucid Bruckner<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=40473\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: July 6, 2017 MUNICH \u2014 Under the incongruous stewardship of Valery Gergiev, the Munich Philharmonic intends to stress its Bruckner credentials the next three Septembers with filmed visits to the Stiftsbasilika St Florian. There, where the composer worked and rests, just south of Linz, the MPhil will record for DVD his [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[2154,1130,4120,1822,4121,3160,2384,1808,2341,4119,4118,794],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/40473"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40473"}],"version-history":[{"count":16,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/40473\/revisions"}],"predecessor-version":[{"id":44142,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/40473\/revisions\/44142"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40473"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}