{"id":37837,"date":"2017-03-12T20:14:25","date_gmt":"2017-03-13T00:14:25","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=37837"},"modified":"2017-03-12T20:14:25","modified_gmt":"2017-03-13T00:14:25","slug":"yet-another-festival-from-rene-martin","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=37837","title":{"rendered":"Yet Another Festival from Ren\u00e9 Martin."},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-37840\" alt=\"Unknown-2\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2017\/03\/Unknown-2.jpeg\" width=\"191\" height=\"143\" \/><\/p>\n<p>By: Frank Cadenhead<\/p>\n<p>Indefagatable. That might be the word. Ren\u00e9 Martin already has plenty on his plate but still wants more. His latest creation is a festival which debuts from September 21 to 24 which will\u00a0unfold in and around iconic Mont-Saint-Michel. The abbey of this tiny island town, whose famed image is only slightly less well-known that the Eiffel Tower, will host the final concert, described by Martin as a \u201cmusical and spiritual apotheosis.\u201d Earlier events will be in towns in the area, Avranches, Carolles, Gen\u00eats, Granville and Pontorson. Details will be announced on May 18.<\/p>\n<p>His wildly popular La Folle Journ\u00e9e de Nantes, now in its fifteenth year, has five days of nine-to-midnight concerts and the city of Nantes becomes a crowded mecca for classical music\u00a0junkies. This year\u2019s splash was from Feb 1 to 5 and the 140,000 tickets sold filled 94% of the seats. Martin originally created the International Piano Festival La Roque d\u2019Anth\u00e9ron in the south of France. It started as an idea of the town\u2019s mayor and a young apprentice, Martin, who has continued it for now 37 years. The festival will be from July 21 to August 19 with the schedule announced next month. Piano giants like Martha Argerich, Nelson Freire, Evgeny Kissin, Nikolai Lugansky and H\u00e9l\u00e8ne Grimaud are often on the program plus the best of the newer generation.<\/p>\n<p>He additional activities in producing short concert series in a number of other French cities and internationally in Tokyo, Warsaw, Bilbao and Rio de Janeiro will fill any normal calendar and all of that is listed in his extensive Folle Journ\u00e9e bio. If you are an agent of a soloist, chamber group, etc. and hear that Ren\u00e9 Martin was on the phone, you will likely take the call.<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=37837\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By: Frank Cadenhead Indefagatable. That might be the word. Ren\u00e9 Martin already has plenty on his plate but still wants more. His latest creation is a festival which debuts from September 21 to 24 which will\u00a0unfold in and around iconic Mont-Saint-Michel. The abbey of this tiny island town, whose famed image is only slightly less [&hellip;]<\/p>\n","protected":false},"author":24,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1637],"tags":[4041,4040,4039,4038],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/37837"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37837"}],"version-history":[{"count":3,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/37837\/revisions"}],"predecessor-version":[{"id":37842,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/37837\/revisions\/37842"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37837"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}