{"id":36324,"date":"2016-12-06T09:53:06","date_gmt":"2016-12-06T13:53:06","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=36324"},"modified":"2018-02-05T07:14:00","modified_gmt":"2018-02-05T11:14:00","slug":"bramall-to-gartnerplatz","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=36324","title":{"rendered":"Bramall to G\u00e4rtnerplatz"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2016\/12\/birkigtAnthonyBramall.jpg\" alt=\"Anthony Bramall in rehearsal at Oper Leipzig\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: December 6, 2016<\/span><\/p>\n<p>MUNICH \u2014 London-born conductor <a href=\"http:\/\/www.anthony-bramall.de\/bio_engl.html\">Anthony Bramall<\/a>, 59, has been appointed <em>Chefdirigent<\/em> of the <a href=\"https:\/\/www.gaertnerplatztheater.de\/\"><\/a>Staatstheater am G\u00e4rtnerplatz here, effective next season. He succeeds <a href=\"http:\/\/www.opera4u.com\/en\/artists\/detail\/comin\/\">Marco Comin<\/a>.<\/p>\n<p>Bramall studied singing at the <a href=\"http:\/\/www.gsmd.ac.uk\/about_the_school\/\">Guildhall School of Music and Drama<\/a>, and conducting with <a href=\"https:\/\/www.theguardian.com\/news\/2004\/mar\/19\/guardianobituaries.artsobituaries\">Vil\u00e9m Tausk\u00fd<\/a>. He has already led several productions with the Munich company, lauding the way its orchestra combines \u201cbrilliant sound body with impressive flexibility.\u201d<\/p>\n<p>The choice was announced today by <a href=\"https:\/\/de.wikipedia.org\/wiki\/Josef_Ernst_K%C3%B6pplinger\">Josef K\u00f6pplinger<\/a>, the company\u2019s <em>Intendant<\/em>, following advocacy by the musicians themselves. Bramall presently serves as deputy general music director at <a href=\"http:\/\/www.oper-leipzig.de\/en\/\">Oper Leipzig<\/a>, where he is pictured.<\/p>\n<p><a href=\"https:\/\/www.gaertnerplatztheater.de\/\">Staatstheater am G\u00e4rtnerplatz<\/a>, devoted to opera, operetta, musicals, and occasional orchestral concerts, remains itinerant while its modest and elegant home undergoes a multi-season and <a href=\"https:\/\/www.br-klassik.de\/audio\/josef-koepplinger-zur-verschobenen-wiedereroeffnung-des-gaertnerplatztheaters-100.html\">seemingly interminable<\/a> backstage retrofit.<\/p>\n<p>Photo \u00a9 Andreas Birkigt<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=31362\">Six Husbands in Tow<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=30071\">Poulenc Heirs v. Staatsoper<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=13890\">Portraits For a Theater<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=22729\">Pollini Seals His Beethoven<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=27723\">Petrenko to Extend in Munich<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=36324\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: December 6, 2016 MUNICH \u2014 London-born conductor Anthony Bramall, 59, has been appointed Chefdirigent of the Staatstheater am G\u00e4rtnerplatz here, effective next season. He succeeds Marco Comin. Bramall studied singing at the Guildhall School of Music and Drama, and conducting with Vil\u00e9m Tausk\u00fd. He has already led several productions with the [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[3963,3962,2380,1194,2341,1853],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/36324"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36324"}],"version-history":[{"count":5,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/36324\/revisions"}],"predecessor-version":[{"id":43921,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/36324\/revisions\/43921"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36324"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}