{"id":35174,"date":"2016-09-15T01:47:34","date_gmt":"2016-09-15T05:47:34","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=35174"},"modified":"2016-09-15T01:47:44","modified_gmt":"2016-09-15T05:47:44","slug":"how-do-you-advocate-for-new-music","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=35174","title":{"rendered":"How Do You Advocate for New Music?"},"content":{"rendered":"

So many presenters are resistant towards the programming of new music. How does an artist that’s passionate about new music advocate for the presentation of that work? In this segment with Noted Endeavors’ Eugenia Zukerman and Emily Ondracek-Peterson, pianist Bruce Levingston talks about how programming within context can make presenters enthusiastic about the proposition.<\/p>\n

\"Noted_Endeavors_Logo\"<\/a>Bruce Levingston is a concert pianist and one of the country\u2019s leading figures in contemporary classical music. He is known for his \u201cextraordinary gifts as a colorist and a performer who can hold attention rapt with the softest playing\u201d (MusicWeb International). Many of the world\u2019s most important composers have written works for him, and his Carnegie Hall and Lincoln Center world premiere performances have won notable critical acclaim. The New York Times has praised his \u201cmastery of color and nuance” and called him one of \u201ctoday\u2019s most adventurous musicians\u201d; the New Yorker has called him \u201ca force for new music\u201d and \u201ca poetic pianist with a gift for inventive \u2014 and glamorous \u2014 programming.\u201d<\/p>\n

For more about Bruce, go to:
\nbrucelevingston.com<\/a><\/p>\n

For more Noted Endeavors videos, go to:
\nnotedendeavors.com<\/a><\/p>\n