{"id":32608,"date":"2016-05-19T01:33:17","date_gmt":"2016-05-19T05:33:17","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=32608"},"modified":"2016-05-19T01:33:17","modified_gmt":"2016-05-19T05:33:17","slug":"anthony-de-mare-social-media-and-project-success","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=32608","title":{"rendered":"Anthony de Mare: Social Media and Project Success"},"content":{"rendered":"<p>As pianist Anthony de Mare&#8217;s fabulous project, LIAISONS: Re-Imagining Sondheim from the Piano, took shape, he found that he could advance the project&#8217;s prospects for success through the use of Twitter, e-mailing lists, and an updated and effective website. Here, Mr. de Mare discusses with Eugenia Zukerman and Emily Ondracek-Peterson (founders of Noted Endeavors) points for effective social media use.<\/p>\n<p><a href=\"http:\/\/notedendeavors.com\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-21682\" alt=\"Noted Endeavors\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2014\/10\/Noted_Endeavors_Logo_Small_Musical_America.png\" width=\"150\" height=\"142\" \/><\/a>ANTHONY DE MARE is one of the world\u2019s foremost champions of contemporary music. Praised by The New York Times for his \u201cmuscularly virtuosic, remarkably uninhibited performance [and] impressive talents\u201d, his versatility has inspired the creation of over 60 new works by some of today\u2019s most distinguished artists, especially in the speaking-singing pianist genre, which he pioneered over 25 years ago with the premiere of Frederic Rzewski\u2019s groundbreaking &#8216;De Profundis&#8217;.<\/p>\n<p>He has performed Liaisons programs across the U.S., Canada and Cuba including Virginia Tech Center for the Arts, The Ravinia Festival, the Gilmore Keyboard Festival, the Virginia Arts Festival, the Clarice Smith Performing Arts Center, Schubert Club in Minneapolis, Mondavi Center at UC Davis, Rockport Music Festival, the Cliburn Series in Fort Worth, and Music at Meyer in San Francisco.<\/p>\n<p>For more about Anthony, go to:<br \/>\n<a href=\"http:\/\/anthonydemare.com\">anthonydemare.com<\/a><\/p>\n<p>For more about Noted Endeavors (including more videos), go to:<br \/>\n<a href=\"http:\/\/notedendeavors.com\">notedendeavors.com<\/a><\/p>\n<p><iframe loading=\"lazy\" width=\"448\" height=\"252\" src=\"https:\/\/www.youtube.com\/embed\/sTri6aGtjbA?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=32608\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>As pianist Anthony de Mare&#8217;s fabulous project, LIAISONS: Re-Imagining Sondheim from the Piano, took shape, he found that he could advance the project&#8217;s prospects for success through the use of Twitter, e-mailing lists, and an updated and effective website. Here, Mr. de Mare discusses with Eugenia Zukerman and Emily Ondracek-Peterson (founders of Noted Endeavors) points [&hellip;]<\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3273],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/32608"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32608"}],"version-history":[{"count":2,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/32608\/revisions"}],"predecessor-version":[{"id":32610,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/32608\/revisions\/32610"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=32608"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=32608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}