{"id":29991,"date":"2015-12-30T15:53:12","date_gmt":"2015-12-30T19:53:12","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=29991"},"modified":"2018-03-21T12:51:13","modified_gmt":"2018-03-21T16:51:13","slug":"trifonovs-rach-3-cocktail","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=29991","title":{"rendered":"Trifonov\u2019s Rach 3 Cocktail"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2015\/12\/mphilDaniilTrifonov4.jpg\" alt=\"Daniil Trifonov greets concertgoers at a Munich Philharmonic Jugendkonzert\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: December 30, 2015<\/span><\/p>\n<p>MUNICH \u2014 The first-movement cadenza exploded out of its context in <a href=\"http:\/\/www.daniiltrifonov.com\/\">Daniil Trifonov<\/a>\u2019s novel reading here Dec. 14 of Rachmaninoff\u2019s Third Piano Concerto. This meant, among other compromises, a slight suppression of everything that preceded it, including the 130-measure development. Trifonov understated the folksy first subject and sped without emphasis through the unsettled transition to the second, whose <em>cantabile<\/em> theme he traced affectionately. Along the way, conductor <a href=\"http:\/\/www.mariinsky.ru\/en\/company\/conductors\/gergiev\/\">Valery Gergiev<\/a> held in check the <a href=\"http:\/\/www.mphil.de\/\">Munich Philharmonic<\/a>\u2019s volume of sound, tidily echoing for instance the soloist\u2019s restatement of that <em>cantabile<\/em>, while Trifonov supported his experiment with astonishing skill in the fast runs and big chords as well as phrasing of graceful expression. But refining down the dynamics, and careening through swaths of material as if the sound picture mattered more than argument, reduced much of the movement\u2019s rhetoric to impotent frenzy. The remainder of the concerto went more conventionally, still with terrific playing. Trifonov burst into the Intermezzo with due drama and, together with Gergiev, expertly pointed the rhythms of the Finale. If anything hampered him, it was a deficit of tension resulting from the slighted statements in his opening movement.<\/p>\n<p>In a brief onstage interview afterwards at this <em>Jugendkonzert<\/em> in the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Gasteig\">Gasteig<\/a>, the somewhat nerdy pianist deflected awkward questions from emcee <a href=\"http:\/\/andreaskorn.info\/\">Andreas Korn<\/a> \u2014 \u201cCan we see your hands? Are they big?\u201d \u2014 with smart observations about what Rachmaninoff could achieve as a player, before running dreamily through <em>Alla reminiscenza<\/em> from Medtner\u2019s Opus 38. For Scriabin\u2019s glittery, glowing <em>Po\u00e8me de l\u2019extase<\/em> after the break, the MPhil mustered welcome refinement, not least in its brass. The concert opened with the Act I Prelude from <em>Lohengrin<\/em>, nicely propelled but without ideal sheen in the strings.<\/p>\n<p>Photo \u00a9 Christian Beuke for MPhil<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=29599\">Maestro, 62, Outruns Players<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=16807\">Stravinsky On Autopilot<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=17499\">Honeck Honors Strauss<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=13763\">Modern Treats, and Andsnes<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=29588\">With Viotti, MRO Looks Back<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=29991\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: December 30, 2015 MUNICH \u2014 The first-movement cadenza exploded out of its context in Daniil Trifonov\u2019s novel reading here Dec. 14 of Rachmaninoff\u2019s Third Piano Concerto. This meant, among other compromises, a slight suppression of everything that preceded it, including the 130-measure development. Trifonov understated the folksy first subject and sped [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[3772,3774,3770,1195,3773,3771,2380,2384,1194,1808,401,2339,3635,794],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/29991"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29991"}],"version-history":[{"count":11,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/29991\/revisions"}],"predecessor-version":[{"id":44681,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/29991\/revisions\/44681"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29991"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}