{"id":26397,"date":"2015-04-17T15:12:57","date_gmt":"2015-04-17T19:12:57","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=26397"},"modified":"2018-02-18T10:50:13","modified_gmt":"2018-02-18T14:50:13","slug":"brso-adopts-speedier-website","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=26397","title":{"rendered":"BRSO Adopts Speedier Website"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2015\/04\/brsoNewWebsite2.jpg\" alt=\"New website for the Bavarian Radio Symphony Orchestra\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: April 17, 2015<\/span><\/p>\n<p>MUNICH \u2014 Although no news release hailed its arrival, a revamped website was launched today for the <a href=\"http:\/\/www.br-so.de\">Bavarian Radio Symphony Orchestra<\/a>. It is faster, navigationally flatter, and better geared to mobile platforms than the old pages, <a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=15820\">criticized here<\/a>. To enable the advance, domains have been set up liberating the orchestra from the giant <a href=\"http:\/\/www.br.de\">br.de<\/a>, which until today hosted all three BR Klassik entities \u2014 the BRSO, the <a href=\"http:\/\/www.br.de\/radio\/br-klassik\/br-chor\/index.html\">BR Chor<\/a> and the <a href=\"http:\/\/www.br.de\/radio\/br-klassik\/muenchner-rundfunkorchester\/index.html\">M\u00fcnchner Rundfunk-Orchester<\/a> \u2014 as well as a panoply of services of parent Bavarian Broadcasting. In the bureaucratic context, this is revolutionary. Domain <a href=\"http:\/\/www.br-so.de\">br-so.de<\/a> will serve German readers while <a href=\"http:\/\/www.br-so.com\">br-so.com<\/a> is for everyone else. Simple tasks, such as finding the orchestra\u2019s managers, are now as easy as they should be. Corresponding domains <a href=\"http:\/\/www.br-chor.de\">br-chor.de<\/a> and <a href=\"http:\/\/www.br-chor.com\">br-chor.com<\/a> have been established for the excellent chorus but for the moment resolve elsewhere. The MRO, currently on a two-week homeland tour playing operetta behind Jonas Kaufmann, retains its present site arrangement.<\/p>\n<p>Screenshot \u00a9 Bayerischer Rundfunk<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=26619\">Berlin\u2019s Dark Horse<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=11432\">Jansons Extends at BR<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=15820\">BR Campaign Runs Out of Gas<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=40430\">Bretz\u2019s Dutchman, Alas Miked<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=9268\">Jansons! Petrenko! Gergiev!<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=26397\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: April 17, 2015 MUNICH \u2014 Although no news release hailed its arrival, a revamped website was launched today for the Bavarian Radio Symphony Orchestra. It is faster, navigationally flatter, and better geared to mobile platforms than the old pages, criticized here. To enable the advance, domains have been set up liberating [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[1859,2964,1863,1864,2256,2340,4511,2341,4034],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/26397"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26397"}],"version-history":[{"count":16,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/26397\/revisions"}],"predecessor-version":[{"id":43924,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/26397\/revisions\/43924"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26397"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26397"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26397"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}