{"id":23451,"date":"2015-01-25T18:53:22","date_gmt":"2015-01-25T22:53:22","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=23451"},"modified":"2018-02-07T08:56:38","modified_gmt":"2018-02-07T12:56:38","slug":"eduseis-slick-elias","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=23451","title":{"rendered":"Edusei\u2019s Slick Elias"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2015\/01\/borggreveMSymph3.jpg\" alt=\"M\u00fcnchner Symphoniker members at Munich\u2019s Olympic Park\" width=\"400\" height=\"300\" \/><\/p>\n<p><span style=\"font-size: xx-small\">By ANDREW POWELL <br \/>Published: January 25, 2015<\/span><\/p>\n<p>MUNICH \u2014 Although it brings together skilled players, the <a href=\"http:\/\/www.muenchner-symphoniker.de\/\">M\u00fcnchner Symphoniker<\/a> has operated as something of a fifth wheel in the musical scene here. That may be about to change. <a href=\"http:\/\/www.kevinjohnedusei.com\/\">Kevin John Edusei<\/a>, the orchestra\u2019s new Bielefeld-born chief conductor, 38, revealed impressive capacities as musician and personality in a Dec. 17 <em>Elias (Elijah)<\/em> at the Herkulessaal, suggesting he will garner more attention for Symphoniker projects. Elegant and precise, Edusei is cool as a cucumber on the podium. He gestured his wishes for Mendelssohn\u2019s 130-minute oratorio (1846) with startling economy, finding crisp tempos that flattered the lyricism of the Victorian score, and he moved almost seamlessly between its many numbers without conveying haste. He did not, however, appear much interested in dynamic nuance or in probing below the work\u2019s surface, at cost to the drama. The orchestra\u2019s strings lacked unity in their body of sound, something Edusei might improve over time, but the winds responded to his beat with ample virtuosity. <em>Elias<\/em> showcases any chorus; here the freelance <a href=\"http:\/\/www.kammerchor-muenchen.de\/\">Kammerchor M\u00fcnchen<\/a> were on luminous form. <a href=\"http:\/\/sophiabrommer.com\/\">Sophia Brommer<\/a>, <a href=\"http:\/\/ursulathurmair.com\/\">Ursula Thurmaier<\/a>, <a href=\"http:\/\/www.artistainternational.com\/en\/tenor\/attilioglaser\/\">Attilio Glaser<\/a>, and the more senior (and more tonally expressive) <a href=\"http:\/\/www.marco-buhrmester.de\/\">Alejandro Marco-Buhrmester<\/a> made up the firm-voiced and agile principal vocal quartet. Impeccable boy soloists, possibly from the <a href=\"https:\/\/www.toelzerknabenchor.de\/\">T\u00f6lzer Knabenchor<\/a> but uncredited, sang the Drei Engel.<\/p>\n<p>On Friday (Jan. 23) it was announced that Edusei will take over as <em>Chefdirigent des Musiktheaters<\/em> at the <a href=\"http:\/\/www.konzerttheaterbern.ch\/\">Konzert Theater Bern<\/a>, the opera company of the quaint capital city of Switzerland, starting this fall. He has worked there since 2012 and is currently leading a production of <em>Salome<\/em>. Pit ensemble for the job is the <a href=\"http:\/\/www.konzerttheaterbern.ch\/bso\/das-berner-symphonieorchester\/\">Berner Symphonie-Orchester<\/a>, which gives concerts at the <a href=\"https:\/\/www.kulturcasino.ch\/\">Kultur Casino Bern<\/a> under its own <em>Chefdirigent<\/em>, <a href=\"http:\/\/www.mariovenzago.com\/\">Mario Venzago<\/a>. No contract end date for either conductor is publicly shown.<\/p>\n<p>Photo \u00a9 Marco Borggreve<\/p>\n<p>Related posts:<br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=26521\">Mariotti North of the Alps<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=22811\">Zimerman Plays Munich<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=27277\">N\u00e9zet-S\u00e9guin: Hit, Miss<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=30195\">Muti Crowns Charles X<\/a><br \/>\n<a href=\"https:\/\/www.musicalamerica.com\/mablogs\/?p=10391\">BR Chor\u2019s St Matthew Passion<\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=23451\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By ANDREW POWELL Published: January 25, 2015 MUNICH \u2014 Although it brings together skilled players, the M\u00fcnchner Symphoniker has operated as something of a fifth wheel in the musical scene here. That may be about to change. Kevin John Edusei, the orchestra\u2019s new Bielefeld-born chief conductor, 38, revealed impressive capacities as musician and personality in [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1598],"tags":[3470,3469,3472,130,1860,3466,3471,131,2380,1880,1194,2339,3467,3468],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/23451"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/23"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23451"}],"version-history":[{"count":27,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/23451\/revisions"}],"predecessor-version":[{"id":43976,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/23451\/revisions\/43976"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23451"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}