{"id":23288,"date":"2015-01-13T12:46:36","date_gmt":"2015-01-13T16:46:36","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=23288"},"modified":"2015-01-13T12:46:36","modified_gmt":"2015-01-13T16:46:36","slug":"noted-endeavors-with-dorothy-lawson-of-ethel-artistic-justification-for-amplification","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=23288","title":{"rendered":"Noted Endeavors with Dorothy Lawson of ETHEL: Artistic Justification for Amplification"},"content":{"rendered":"<p>Eugenia Zukerman and Dr. Emily Ondracek-Peterson of <a href=\"http:\/\/notedendeavors.com\">Noted Endeavors<\/a> talk about the artistic justification for using amplification with cellist\u00a0Dorothy Lawson, a founding member of ETHEL.<\/p>\n<p><a href=\"http:\/\/notedendeavors.com\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-21682\" alt=\"Noted Endeavors\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2014\/10\/Noted_Endeavors_Logo_Small_Musical_America.png\" width=\"150\" height=\"142\" \/><\/a>ETHEL is one of the most acclaimed string quartets in the contemporary classical scene. Formed in1998, ETHEL has kept an eye on tradition and an ear finely tuned to the future. A leading force in multi-genre exploration, ETHEL mixes classical works with cutting-edge repertoire. Commissioning new pieces and creating their own music, the members of ETHEL are all dedicated to collaborations, educational outreach and engagement with audiences. With improvisation and often with amplification, ETHEL\u2019S performances are electrifying. As the New Yorker put it, ETHEL is the \u201c\u2026avatar of \u2018post-classical\u2019 music \u2013 the virtuosic alternative string quartet \u2026vital and brilliant.\u201d<\/p>\n<p>For more about ETHEL please go to:<br \/>\n<a href=\"http:\/\/EthelCentral.org\">EthelCentral.org<\/a><\/p>\n<p>For more Noted Endeavors videos, go to:<br \/>\n<a href=\"http:\/\/notedendeavors.com\">notedendeavors.com<\/a><\/p>\n<p><iframe loading=\"lazy\" width=\"448\" height=\"252\" src=\"http:\/\/www.youtube.com\/embed\/bGrd7u5rRNA?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=23288\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Eugenia Zukerman and Dr. Emily Ondracek-Peterson of Noted Endeavors talk about the artistic justification for using amplification with cellist\u00a0Dorothy Lawson, a founding member of ETHEL. ETHEL is one of the most acclaimed string quartets in the contemporary classical scene. Formed in1998, ETHEL has kept an eye on tradition and an ear finely tuned to the [&hellip;]<\/p>\n","protected":false},"author":30,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3273],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/23288"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=23288"}],"version-history":[{"count":3,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/23288\/revisions"}],"predecessor-version":[{"id":23291,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/23288\/revisions\/23291"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=23288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=23288"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=23288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}