{"id":2226,"date":"2011-07-28T15:19:55","date_gmt":"2011-07-28T19:19:55","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=2226"},"modified":"2011-10-11T00:18:10","modified_gmt":"2011-10-11T04:18:10","slug":"god-save-the-queen%e2%80%99s-composer","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=2226","title":{"rendered":"God Save the Queen\u2019s Composer"},"content":{"rendered":"<p><strong>by Keith Clarke<\/strong><\/p>\n<p>The Master of the Queen\u2019s Music is at it again. Republican-turned monarchist Sir Peter Maxwell Davies likes nothing more than upsetting the apple cart with his views on life and the universe, and now he has shared with Daily Telegraph readers his thoughts on the British national anthem. \u201cBooooooring,\u201d he says. Nothing controversial about that, you might think, and it would take a Daily Telegraph reader to disagree. The paper\u2019s Tim Walker gets into the spirit of things, referring to \u201ccomments which some may regard as tantamount to treason.\u201d<\/p>\n<p>It\u2019s not the first time Mad Max has been fingered for treason. Six years ago he was visited by the constabulary after he took home a dead swan to make a terrine. By law, British swans all belong to Her Majesty the Queen, so when police with a search warrant raided the composer\u2019s Orkney home and seized the swan carcass as evidence, he told the Times:  \u201cI was cautioned and told that anything I said could be given in evidence. Naturally I\u2019ve informed Buckingham Palace. Now I\u2019m just hoping I\u2019ll not be locked up in the Tower of London.\u201d <\/p>\n<p>Maybe his views on the national anthem are fuelled by a desire to write a better one. It probably rankled that despite his courtly duties he was not asked to write so much as a bar of music for this year\u2019s royal wedding.<\/p>\n<p>>>><\/p>\n<p>It\u2019s not the only pasting the national anthem has taken this week. Formula 1 racing driver Lewis Hamilton was asking for a longer one \u2013 not for musical reasons, but because he felt he should have been given a longer opportunity to savour his moment of glory at the German Grand Prix last Sunday. <\/p>\n<p>The longer drivers are kept from all that idiotic champagne spraying the better, but a new anthem is not the only answer. The Telegraph\u2019s Ivan Hewett pointed out that God Save the Queen could be doubled in length by including the second verse. It is not much sung nowadays, perhaps because even the most bulging-eyed, red-faced, stiff-upper-lipped patriotic of Britishers would struggle to reconcile the jingoism with these multicultural times.<\/p>\n<p>All together now:<\/p>\n<p>Lord, our God, arise<br \/>\nScatter her enemies<br \/>\nAnd make them fall.<br \/>\nConfound their politics<br \/>\nFrustrate their knavish tricks<br \/>\nOn Thee our hopes we fix,<br \/>\nGod save us all. <\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=2226\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>by Keith Clarke The Master of the Queen\u2019s Music is at it again. Republican-turned monarchist Sir Peter Maxwell Davies likes nothing more than upsetting the apple cart with his views on life and the universe, and now he has shared with Daily Telegraph readers his thoughts on the British national anthem. \u201cBooooooring,\u201d he says. Nothing [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/2226"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2226"}],"version-history":[{"count":3,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/2226\/revisions"}],"predecessor-version":[{"id":2783,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/2226\/revisions\/2783"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2226"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}