{"id":2019,"date":"2011-07-14T00:15:17","date_gmt":"2011-07-14T04:15:17","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=2019"},"modified":"2012-02-14T16:43:33","modified_gmt":"2012-02-14T20:43:33","slug":"making-a-name-for-yourself","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=2019","title":{"rendered":"Making a Name for Yourself"},"content":{"rendered":"<p><strong>By Edna Landau<\/strong><\/p>\n<p><strong>To ask a question, please write\u00a0<a href=\"mailto:askedna@musicalamerica.com\">Ask Edna<\/a>.<\/strong><\/p>\n<p><em>Dear Edna:<\/em><\/p>\n<p><em>I am a student at a music conservatory in the U.S. with a strong interest in chamber music. This coming year will be my last one at the conservatory. Several friends of mine and I formed a string quartet this past February and we would like to devote serious time to it this coming year, in hopes of maybe entering some competitions. We have yet to choose a name for our quartet. Do you have any advice for us?\u00a0 \u2014Alison<\/em><\/p>\n<p>Dear Alison:<\/p>\n<p>Thank you for submitting this question, which has given me an opportunity to do a little research that I found both fascinating and entertaining.\u00a0 Hopefully, my explorations will fill your quartet\u2019s minds with many great ideas.<\/p>\n<p>Let\u2019s start close to home (for me) with the Calidore Quartet, which formed at the Colburn Conservatory and a few months ago won the Grand Prize and Gold Medal in the Senior String Division at the Fischoff Competition. One of their violinists, Pasha Tseitlin, told me that he started out by going through a complete list of artists and poets on Wikipedia but any interesting name was already taken. When the group was exhausted from rejecting a massive number of ideas, their cellist, Estelle Choi, came up with Calidore, after reading a poem by that name by John Keats. The group admired the poem and particularly loved the idea that <em>Cali<\/em> could also be a reference to California, \u00a0where they are based, and <em>d\u2019or <\/em>in French means of gold. (The choice of name seems to have been prescient in light of the recent competition.)<\/p>\n<p>It seems that some groups arrive at a name for themselves rather easily and others agonize over it. If they studied or formed their ensemble in a location that lends itself to an ensemble name, that may provide a simple solution. Examples would be the Juilliard Quartet, the Tokyo String Quartet, the Shanghai Quartet, the Colorado Quartet, and the Borromeo Quartet, who played their first concerts together in northern Italy (lucky them!), where the Borromeo islands emerge from Lago Maggiore. The Jasper Quartet did some brainstorming about things they mutually enjoyed, which led them to the outdoors. Jasper National Park in Alberta, Canada, brought to mind extraordinarily beautiful vistas. The decision was clinched upon the realization that <em>Jasper<\/em> contained the first initial of the first names of all of the quartet members!<\/p>\n<p>Sometimes an ensemble has chosen a particularly memorable landmark associated with the city in which they studied, such as the Parker String Quartet, who studied at New England Conservatory and named themselves after the famous Parker House Hotel in Boston. The Pacifica Quartet\u2019s members all hail from the West Coast of the U. S. and explain that they take their name from \u201cthe awe-inspiring Pacific Ocean.\u201d \u00a0The Amstel Saxophone Quartet met while touring with the Dutch National Youth Orchestra. According to their website, they chose to name themselves after Holland\u2019s Amstel River (not after Amstel beer!) because \u201cit is not only the historical birthplace of the city of Amsterdam, but also an ever-changing waterscape, reflecting the changes in life along its shores. It was an obvious choice for a quartet grounded in the traditions of chamber music but ready to meet new and ever-changing creative challenges.\u201d<\/p>\n<p>Another popular choice for ensemble names has been composers, writers and artists who proved a source of inspiration.\u00a0 Among such groups are the Borodin Quartet, the Emerson String Quartet, and the Vermeer, Mir\u00f3, Calder and Rossetti quartets. Often, the work of the artist or writer has particularly resonated with the ethos of the ensemble. The Escher String Quartet\u2019s bio states that they chose to name themselves after the Dutch artist, M.C. Escher, because they \u201cdrew inspiration from the artist\u2019s method of interplay between individual components working together as a whole.\u201d Things become a little less obvious when it comes to groups such as the Afiara Quartet, the Chiara Quartet and Imani Winds. The Afiara takes its name from the Spanish <em>fiar<\/em>, meaning to trust, which they feel \u201cis a basic element that is vital to the depth and joy of their musicmaking.\u201d <em>Chiara<\/em> is an Italian word meaning clear, pure or light\u2014all adjectives that typify the finest quartet playing. In the case of Imani Winds, their founder, flutist Valerie Coleman, had the name in mind even before the group was formed. <em>Imani <\/em>\u00a0in Swahili means faith. It characterizes the spirit in which Ms. Coleman set about forming the group and the strength of purpose that has guided them throughout the years. Mariam Adam, clarinetist of Imani Winds, told me that \u201ceven though people sometimes want to call us \u2018Armani Winds\u2019 (keep dreaming!), the fact that the name is slightly unorthodox seems to have been an advantage in reaffirming the group\u2019s slightly off-the-beaten-path angle.\u201d<\/p>\n<p>When a group\u2019s name does not bring to mind any obvious association, it can work to their advantage since they stand out from the pack and may thereby gain a slight marketing edge. Take, for example, the quartet Brooklyn Rider, who explain that \u201ctheir name is inspired in part by the creators, interests and cross-disciplinary visions of the Blue Rider group, an artistic association comprised of artists and composers including Vassily Kandinsky, Arnold Schoenberg and Alexander Scriabin. The quartet also draws additional inspiration from the exploding array of cultures and artistic energy found in the borough of Brooklyn in New York City, a place the quartet calls home\u201d. The JACK Quartet, who first played together as students at the Eastman School of Music, chose a name that is an acronym for the first letters of their first names. Their violist, John Richards, has said: \u201cThere is something so American about it. Four American guys named JACK.\u201d\u00a0 The name of another individualistic string quartet, ETHEL, was elucidated as follows by one of its violinists, Cornelius Dufallo: \u201c We call ourselves ETHEL because it\u2019s just a name. When the group started, they wanted to have a name that didn\u2019t put them in a box. They wanted to name it like you name a rock group.\u201d<\/p>\n<p>So, Alison, the totality of names from which to choose is unlimited and ranges from the artistic, to the philosophical, to the whimsical. (Fortunate is violinist Philippe Quint who was able to call his group the Quint Quintet!). In the end, I think it is important to choose a name that is meaningful to your group. It will enhance the quartet\u2019s profile by giving you a story to tell and it might help to distinguish you from other ensembles. Having said that, the most memorable ensembles are the ones who distinguish themselves time and again through their superb playing. The much admired new music ensemble, eighth blackbird, is known for having derived their name from the Wallace Stevens poem \u201cThirteen Ways of Looking at a Blackbird\u201d which had personal meaning for them, but their true originality and artistic identity have been defined through consistently impressive performances over many years.<\/p>\n<p>If at any point in your quest for a name you still feel you need even more ideas than have been provided above, take a look at Alarm Will Sound\u2019s Facebook post entitled<\/p>\n<p><a href=\"http:\/\/www.facebook.com\/notes\/alarm-will-sound\/we-were-this-close-to-being-called-ear-chow\/10150188339361546\"><em>We Were This Close to Being Called Ear Chow<\/em><\/a><em>, <\/em>where you will find a fascinating and even hilarious list of 147 possibiities from which they chose their current name.<\/p>\n<p>Good luck!<\/p>\n<p><strong>To ask a question, please write\u00a0<a href=\"mailto:askedna@musicalamerica.com\">Ask Edna<\/a>.<\/strong><\/p>\n<p>\u00a9 Edna Landau 2011<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=2019\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By Edna Landau To ask a question, please write\u00a0Ask Edna. Dear Edna: I am a student at a music conservatory in the U.S. with a strong interest in chamber music. This coming year will be my last one at the conservatory. Several friends of mine and I formed a string quartet this past February and [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[213,831],"tags":[496,548,545,352,546,547,542,544,543],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/2019"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2019"}],"version-history":[{"count":6,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/2019\/revisions"}],"predecessor-version":[{"id":3959,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/2019\/revisions\/3959"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2019"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2019"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2019"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}