{"id":1760,"date":"2011-06-30T00:46:28","date_gmt":"2011-06-30T04:46:28","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=1760"},"modified":"2012-02-14T16:20:30","modified_gmt":"2012-02-14T20:20:30","slug":"time-out-for-time-management","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=1760","title":{"rendered":"Time Out for Time Management"},"content":{"rendered":"<p><strong>By Edna Landau<\/strong><\/p>\n<p><strong><strong>To ask a question, please write\u00a0<a href=\"mailto:askedna@musicalamerica.com\">Ask Edna<\/a>.<\/strong><\/strong><\/p>\n<p><em>Dear Edna:<\/em><\/p>\n<p><em>I have thoroughly enjoyed reading your blog. The wealth of information you have to offer is inspiring, encouraging and exciting.<\/em><\/p>\n<p><em>While studying at USC, days, weeks and terms were structured around the immediate demands and deadlines of academic and musical requirements. Preparations for outside competitions and performances, trips home for family time, and summer music festivals filled out the time. As I worked within this structure, I also put a lot of effort into things like developing a contact list, learning how to use a website for publicity, creating programs that sell and teaching myself how to prepare a press packet. Mostly, though, my focus was on my product: making music. Now, out of school and without an agent, I\u2019m faced with an overwhelming amount of logistical and technical tasks that devour my time and energy. I know I\u2019m not as efficient as I could be. Taking time to post updates and keep in touch with my fans often means I don\u2019t practice enough. Do you have any suggestions on how to manage the artistic vs. the logistical parts of one\u2019s career without an agent? &#8211;Hunter Noack<\/em><\/p>\n<p>Dear Hunter:<\/p>\n<p>Thank you for your lovely comments on my blog. Your question is an excellent one and is probably shared by many more of our readers.<\/p>\n<p>It seems to me that time management is a universal challenge, especially in these fast-paced times when it is easy to be engulfed by e-mails and an array of social media. Most people are up against some type of deadlines in their daily life but creative artists, who make their living in the public arena and who are expected to maintain the very high level of performance to which their public has become accustomed, find themselves subject to even greater pressure. From all I have read, and from my own experience, the answer seems to lie in breaking down masses of looming tasks into manageable bits and once they have been prioritized, employing rigorous self-discipline in monitoring one\u2019s progress with dispatching them on a daily basis.<\/p>\n<p>Apart from attending to one\u2019s physical and mental health and family responsibilities, a musician\u2019s first priority must be to lock in enough practice time. If you are a morning person and can start your day that way, you run less of a risk of being distracted by electronic messages that might quickly swallow up hours of your time. You will also benefit from a sense of accomplishment that will enhance your efficiency in tackling the remaining tasks of the day. Those tasks will have ideally been itemized by you in advance in whatever form of calendar system works best for you. Mark McCormack, the legendary chairman of my long time employer, IMG, had a lined yellow pad with his \u201cTo Do\u201d list on his desk every time I met with him.\u00a0 A surprising number of people I know, young and older (myself included), still prefer such a lined yellow pad or notebook. We are never \u201clistless\u201d and we enjoy the satisfaction that comes with crossing out items on the pad. We start each day reviewing our intended plan and at the end of each day, whatever didn\u2019t get done goes on the next day\u2019s list. Many of us also keep a separate list for longer-term goals which we review once or twice a week. Angela Myles Beeching, in her valuable book <em>Beyond Talent <\/em>which devotes a substantial section to time and financial management, writes about \u201cbackward planning\u201d for larger projects. She suggests starting with the date of an upcoming event, such as a performance, and working backwards to establish \u201cbenchmark deadlines\u201d. This entails breaking down the overall work that needs to be done into manageable pieces with their own deadlines. So, for example, you establish deadlines for memorizing the works, running the program through in advance, sending invitations to your contacts, etc. I use a Week-at-a-Glance calendar and find it helpful to assign my longer-term goals to specific days so that they pop<em> <\/em>up when that day rolls around and when I know they can no longer be postponed. A colleague of mine told me that she separates out such objectives by keeping memos with different titles in her Blackberry and updating and adding to them as needed. These types of systems help greatly to reduce stress and make the overall volume of tasks requiring attention seem less overwhelming.<\/p>\n<p>In my opinion, the most important aspect of effective time management is maintaining control of each and every day. Just because someone sent you an e-mail or Facebook message doesn\u2019t mean you have to answer them right away. Try to set aside a consistent time each day to attend to these communications or, if necessary, every other day. You can certainly glance quickly at your messages once or twice a day to make sure you aren\u2019t missing something important but otherwise, don\u2019t allow them to distract you. I find it helpful to mark as \u201cunread\u201d e-mail messages that I know require time and attention that I don\u2019t currently have. I make sure to return to them within a day or two. It is also helpful to print or file attachments that you know you will find informative but that don\u2019t need to be read immediately. They make for great airplane reading! Try to set aside a specific block of time each week for tasks such as website maintenance, Facebook postings (that aren\u2019t time sensitive), updating your contact list, sending out event invitations and uploading videos on YouTube. Of course, we haven\u2019t mentioned phone calls. (Does anyone make them any more?!). Phone calls that you might initiate in an attempt to secure new opportunities for yourself could be added to this weekly block of time, as long as it occurs during business hours. Responding to business-related calls initiated by others should obviously happen in as timely a fashion as possible. If you are unsuccessful in reaching someone, put reminders to try again on your daily \u201cTo Do\u201d list.<\/p>\n<p>Clearly, there is no single time management system that works for everyone. I encourage you to speak with your friends and fellow musicians to see what works for them. I also hope that our readers will write in with specific tips and approaches that they have found effective. We can all benefit from that as I have yet to meet a person who is overly well-organized!<\/p>\n<p><strong>To ask a question, please write\u00a0<a href=\"mailto:askedna@musicalamerica.com\">Ask Edna<\/a>.<\/strong><\/p>\n<p>\u00a9 Edna Landau 2011<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=1760\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By Edna Landau To ask a question, please write\u00a0Ask Edna. Dear Edna: I have thoroughly enjoyed reading your blog. The wealth of information you have to offer is inspiring, encouraging and exciting. While studying at USC, days, weeks and terms were structured around the immediate demands and deadlines of academic and musical requirements. Preparations for [&hellip;]<\/p>\n","protected":false},"author":16,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[213,827],"tags":[496,352],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/1760"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/16"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1760"}],"version-history":[{"count":7,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/1760\/revisions"}],"predecessor-version":[{"id":3941,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/1760\/revisions\/3941"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1760"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1760"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1760"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}