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By ANDREW POWELL MUNICH \u2014 Can music be sincere and ironic at the same time? Ask Peter Dijkstra<\/a>, the artistic leader of the BR Chor<\/a> who last weekend (Oct. 26) led Rossini\u2019s Petite messe solennelle<\/i> as billed. Solemnly. The result sounded not much like Rossini. Nobody smiled, and the musicians looked tense on the stage of the Prinz-Regenten-Theater<\/a>, even as they sang and played expertly.<\/p>\n But perhaps the composer was smiling, wherever he is. The famously social 71-year-old used the tuneful giddy Mass \u2014 his only complete setting of the Ordinary \u2014 to demand admission to Paradise, describing for God its ingredients: \u201c[un] peu de science, un peu de coeur.\u201d<\/i> The year was 1863 and Paris was digesting Darwin\u2019s De l\u2019origine des esp\u00e8ces, ou Des lois du progr\u00e8s chez les \u00eatres organiz\u00e9s<\/i>, in its first French edition. Rossini may have viewed his demand as only natural. Ditto his casting stipulation: \u201cchanteurs des trois sexes \u2013 hommes, femmes et castrats.\u201d<\/i><\/p>\n If Dijkstra\u2019s straight face precluded irony, and with it a few musical plaisanteries<\/i>, at least he secured a tidy performance. His choristers, forty strong, mustered volume sparingly, reveling most of the time in transparent textures, soft floated tones and expressive accents. The evening burst into life in their spry counterpoint for Cum Sancto Spiritu<\/i>, but choral virtuosity was just as apparent in Rossini\u2019s contrasted, wistful Sanctus.<\/p>\n BR Chor members could have been assigned as quartet soloists, as the composer planned. Instead, BR (Bayerischer Rundfunk) hired glamorous outsiders. Regula M\u00fchlemann<\/a> and (mezzo-soprano) Anke Vondung<\/a> paired exquisitely in the soprano and alto duet Qui tollis peccata mundi<\/i>. M\u00fchlemann\u2019s sweet, light sound and the charm of her phrasing added luster to the Thomas Aquinas hymn, O salutaris hostia<\/i>, interpolated after the Sanctus by Rossini (in 1867) to press musically his case for an agreeable afterlife. Vondung attuned herself to all colleagues, singing with dynamic sensitivity and great poise. She even adjusted neatly to the sudden weight of the Agnus Dei, pleading earnestly for mercy and peace against the score\u2019s quirky aura of melodrama.<\/p>\n Eric Cutler<\/a> and (baritone) Michael Volle<\/a> made heavy work of the tenor and bass solo parts. Cutler, alarmingly, bellowed through the Domine Deus<\/i>, but he brought finesse to the ensembles. Performing on a break from a run of Les v\u00eapres siciliennes<\/i> in London, Volle brightly characterized his words.<\/p>\n Mordant musical wit in the Petite messe solennelle<\/i> mirrors Rossini\u2019s droll remarks in its d\u00e9dicace<\/i> to God and on the manuscript\u2019s flyleaf. In a skillful reading, particularly one using the original scoring for two pianos and harmonium, as on this occasion, a thread of humor helps link the incongruous styles and moods of the individual sections, ranging as they do from jaunty to buffo<\/i> to melodramatic to properly solemn.<\/p>\n Dijkstra erred anyway on the side of objectivity, also slowness, and passive accompaniment from the duo pianists belabored his approach. Andreas Groethuysen<\/a> (principal) and Yaara Tal<\/a> (second piano) hovered below the music\u2019s surface much of the time. The bubbly rhythmic figurations in the Kyrie passed by unremarkably. The instrumental Offertorio, waggishly labeled Pr\u00e9lude religieux<\/i> lest anyone find it misplaced, lacked shape and in fact dragged. Groethuysen faltered technically now and then as well.<\/p>\n In a nod to the Verdi bicentennial, Dijkstra began the concert with the unaccompanied, seldom-heard Pater noster (O Padre nostro che ne\u2019 cieli stai)<\/i> of 1878, sung mellifluously in clear Italian with restrained power. Here his straightforwardness paid off. (Mariss Jansons<\/a> is chief conductor of the BR Chor.)<\/p>\n Photo \u00a9 Johannes Rodach<\/p>\n Related posts:
\nPublished: November 2, 2013<\/span><\/p>\n
\nBR\u2019s Full-Bodied Vin Herb\u00e9<\/a>
\nBR Chor\u2019s St Matthew Passion<\/a>
\nMuti Taps the Liturgy<\/a>
\nMariotti North of the Alps<\/a>
\nJansons Extends at BR<\/a><\/p>\n