{"id":13876,"date":"2013-10-10T17:47:34","date_gmt":"2013-10-10T21:47:34","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?p=13876"},"modified":"2014-03-17T15:39:36","modified_gmt":"2014-03-17T19:39:36","slug":"viva-verdi","status":"publish","type":"post","link":"http:\/\/www.musicalamerica.com\/mablogs\/?p=13876","title":{"rendered":"VIVA VERDI"},"content":{"rendered":"<p>By James Conlon<\/p>\n<p>Today the world is marking the two-hundredth birthday of Giuseppe Verdi. It started already last night (he may have possibly been born in the evening of October 9). In either case, it really has been going on all year, and well it should.<\/p>\n<p>Verdi has been with me my entire life, since hearing my first opera, <em>La Traviata<\/em>, at eleven years old. Not just the composer, but also the man is an immense inspiration.\u00a0 A lifetime of conducting his works has only magnified those feelings.<\/p>\n<p>I treated myself to a weekend in Chicago, to attend the opening night of the Lyric Opera (<em>Otello<\/em>) and a concert performance of <em>Macbeth<\/em> with the Chicago Symphony conducted by Riccardo Muti.<\/p>\n<p>Aside from the magnificent performance, Maestro Muti had some very witty words to say about Verdi and Wagner (whose bicentennial it is as well). There was a r\u00e9sum\u00e9 of those words printed in the program. I quote them in part:<\/p>\n<p>\u201cVerdi is like Mozart&#8211;he speaks to us about our sins, our defects, all our qualities. And he is not like Beethoven, who points his finger and judges&#8211;because Beethoven was always a moralist\u2026Verdi\u2019s music will be of great comfort for generations and generations to come, because he speaks to us like a man speaking to another person.<\/p>\n<p>\u201cWhen Verdi died, Gabriele d\u2019Annunzio, the famous Italian poet, wrote a few lines which I think perfectly express who Verdi was: \u201cDiede una voce alle speranze e ai lutti, pianse ed am\u00f2 per tutti\u201d he gave a voice to all our hopes and struggles, he wept and loved for all of us.\u201d<\/p>\n<p>On the editorial page of today\u2019s <em>New York Times<\/em>, there are five letters to the editor reacting to a front page article from October 4 entitled \u201cFor Better Social Skills, Scientists Recommend a Little Chekhov.\u201d The article, well worth reading, reports studies published in the journal <em>Science<\/em>.\u00a0 The study found that after reading literary fiction or serious non-fiction, people performed better on tests measuring empathy, social perception and emotional intelligence.<\/p>\n<p>The last of the five letters published today, written by Kathleen Crisci, reflected my immediate reaction, that one should make a similar study for various genres of music. She writes, \u201cWho could listen to the pathos of a Beethoven Symphony\u2026and not feel empathy and compassion?\u201d<\/p>\n<p>Art, almost by definition, does not need to justify itself, nor does classical music. But those of us who believe deeply in its value, and who live a life devoted to it, might be enthusiastic to see a similar study conducted, if for no other reason than for it to strengthen the argument for renewed inclusion of the arts in our children\u2019s schools.<\/p>\n<p>I do not know if there is any scientific evidence that listening to classical music has the same effect as was noted by the research cited in the <em>New York Times<\/em>, but my intuition suggests to me that it does. At least I would like to think so. I suspect that a lot of people reading this <em>Musical America<\/em> blog would also like to think so. And were they to conduct such a study, they should include the music of the king of empathy, social perception and emotional intelligence:\u00a0 Giuseppe Verdi.<\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?p=13876\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>By James Conlon Today the world is marking the two-hundredth birthday of Giuseppe Verdi. It started already last night (he may have possibly been born in the evening of October 9). In either case, it really has been going on all year, and well it should. Verdi has been with me my entire life, since [&hellip;]<\/p>\n","protected":false},"author":18,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[781],"tags":[2112,783,192,2683,255,283],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/13876"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13876"}],"version-history":[{"count":2,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/13876\/revisions"}],"predecessor-version":[{"id":16397,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/posts\/13876\/revisions\/16397"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13876"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}