{"id":8753,"date":"2012-12-10T11:08:15","date_gmt":"2012-12-10T15:08:15","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=8753"},"modified":"2016-09-06T11:46:21","modified_gmt":"2016-09-06T15:46:21","slug":"at-the-awards-maestro-gustavo-dudamel","status":"publish","type":"page","link":"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=8753","title":{"rendered":"At The Awards: Maestro Gustavo Dudamel"},"content":{"rendered":"<p>In eight short years, 31-year-old Gustavo Dudamel has become more in demand than any conductor in the world. He is a household name in Los Angeles, where he is music director of the Philharmonic. He is mobbed in Berlin, Vienna, Milan, London, and Caracas, Venezuela, where he is one of his country&#8217;s best-known and well-loved celebrities. Often compared to Leonard Bernstein, Dudamel shares the American conductor&#8217;s charisma, tireless advocacy for music education, and expressive music-making. Dudamel studied violin as a child, and in his early teens he was invited to study conducting with Jos\u00e9 Antonio Abreu, architect of Venezuela&#8217;s famed El Sistema music-education program. At age 18 he became music director of the Sistema&#8217;s elite Sim\u00f3n Bol\u00edvar Youth Orchestra. In 2004, at age 23, he won the Bamberg Symphony&#8217;s Gustav Mahler Conducting Competition, and in 2007 he began a five-year appointment with Sweden&#8217;s Gothenburg Symphony, which recently ended with his being named honorary conductor. His Los Angeles appointment, which began in September 2009, has been distinguished by the orchestra&#8217;s founding of the Sistema-like Youth Orchestra of Los Angeles (YOLA) and a continuation of the orchestra&#8217;s and his own commitment to new music, notably that of John Adams, who is the LAPhil&#8217;s creative consultant.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.musicalamerica.com\/features\/?fid=184&amp;fyear=2013\">Read Mark Swed&#8217;s tribute to Maestro Gustavo Dudamel<\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small;\"><strong>Musical America&#8217;s Edna Landau, left,<\/strong><\/span><br \/>\n<strong>interviews Gustavo Dudamel, 2013 Musician of the Year.<\/strong><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/PMGPfU5X_zw\" height=\"269\" width=\"460\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small;\"><strong>2013 Musician of the Year Gustavo Dudamel<\/strong><\/span><br \/>\n<strong>accepts his award<\/strong><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/6Pk-FS4Pv84\" height=\"269\" width=\"460\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/p>\n<div id=\"attachment_8785\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81004.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8785\" class=\"size-medium wp-image-8785\" title=\"81004\" alt=\"\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81004-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81004-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81004.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8785\" class=\"wp-caption-text\">Mart\u00edn and Gustavo Dudamel with the Trumpet Ensemble Sim\u00f3n Bol\u00edvar<\/p><\/div>\n<div id=\"attachment_8814\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80949.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8814\" class=\"size-medium wp-image-8814\" title=\"80949\" alt=\"\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80949-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80949-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80949.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8814\" class=\"wp-caption-text\">Event sponsor Deutsche Grammophon\\&#8217;s Gene Yraola, Joseph Oerke, Paul Foley, 2013 Musician of the Year Gustavo Dudamel, Denise McGovern, Olga Makrias<\/p><\/div>\n<div id=\"attachment_8794\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80943.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8794\" class=\"size-medium wp-image-8794\" title=\"80943\" alt=\"\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80943-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80943-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80943.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8794\" class=\"wp-caption-text\">Features Editor Sedgwick Clark, Los Angeles Times critic Mark Swed, 2013 Musician of the Year Gustavo Dudamel<\/p><\/div>\n<div id=\"attachment_8788\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8788\" class=\"size-medium wp-image-8788\" title=\"80981\" alt=\"\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8788\" class=\"wp-caption-text\">2013 Musician of the Year Gustavo Dudamel, 2013 Educator of the Year Jos\u00e9 Antonio Abreu<\/p><\/div>\n<div id=\"attachment_8787\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80979.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8787\" class=\"size-medium wp-image-8787\" title=\"80979\" alt=\"\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80979-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80979-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80979.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8787\" class=\"wp-caption-text\">Los Angeles Philharmonic Chief Executive Director Deborah Borda, 2013 Musician of the Year Gustavo Dudamel<\/p><\/div>\n<div id=\"attachment_8789\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81001.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8789\" class=\"size-medium wp-image-8789\" title=\"81001\" alt=\"\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81001-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81001-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81001.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8789\" class=\"wp-caption-text\">Gustavo Dudamel with family<\/p><\/div>\n<div id=\"attachment_8790\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81178.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8790\" class=\"size-medium wp-image-8790\" title=\"81178\" alt=\"\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81178-300x199.jpg\" width=\"300\" height=\"199\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81178-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81178.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8790\" class=\"wp-caption-text\">Maestro Dudamel with Author Clemency Burton-Hill<\/p><\/div>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=8753\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>In eight short years, 31-year-old Gustavo Dudamel has become more in demand than any conductor in the world. He is a household name in Los Angeles, where he is music director of the Philharmonic. He is mobbed in Berlin, Vienna, Milan, London, and Caracas, Venezuela, where he is one of his country&#8217;s best-known and well-loved [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":34779,"menu_order":595,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/8753"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8753"}],"version-history":[{"count":9,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/8753\/revisions"}],"predecessor-version":[{"id":33615,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/8753\/revisions\/33615"}],"up":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/34779"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}