{"id":8750,"date":"2012-12-10T11:04:42","date_gmt":"2012-12-10T15:04:42","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=8750"},"modified":"2015-10-13T19:26:44","modified_gmt":"2015-10-13T23:26:44","slug":"at-the-awards-maestro-jose-antonio-abreu","status":"publish","type":"page","link":"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=8750","title":{"rendered":"At The Awards: Maestro Jos\u00e9 Antonio Abreu"},"content":{"rendered":"<p>Jos\u00e9 Antonio Abreu has been hailed as a visionary, not only in his native Venezuela but throughout the world, as architect of the extraordinary music-education program called El Sistema. He is quick to point out that &#8220;Venezuela&#8217;s musical miracle&#8221; is not a musical project, but a social action project. Some of his students, 80 percent of whom have come from low-income backgrounds, have gone on to be performers and music teachers, but many are politicians, diplomats, academics, teachers, doctors, lawyers, civil servants, and community leaders\u2014in short, pillars of society. El Sistema represents education in the widest possible sense, and Abreu, at 74, is still lit from within by the fire of its possibility.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.musicalamerica.com\/features\/?fid=188&#038;fyear=2013\">Read Clemency Burton-Hill&#8217;s tribute to Maestro Jos\u00e9 Antonio Abreu<\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small;\"><strong>Musical America&#8217;s Edna Landau, left,<\/strong><\/span><br \/>\n<strong>interviews Jos\u00e9 Antonio Abreu, 2013 Educator of the Year.<\/strong><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"460\" height=\"269\" src=\"http:\/\/www.youtube.com\/embed\/n1AnF7c93E0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: small;\"><strong>2013 Educator of the Year Jos\u00e9 Antonio Abreu<\/strong><\/span><br \/>\n<strong>accepts his award<\/strong><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"460\" height=\"269\" src=\"http:\/\/www.youtube.com\/embed\/jiiwN7ZSwQI\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<div id=\"attachment_8788\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8788\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981-300x199.jpg\" alt=\"\" title=\"80981\" width=\"300\" height=\"199\" class=\"size-medium wp-image-8788\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/80981.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8788\" class=\"wp-caption-text\">2013 Musician of the Year Gustavo Dudamel, 2013 Educator of the Year Jos\u00e9 Antonio Abreu<\/p><\/div><\/p>\n<div id=\"attachment_8796\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81071.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8796\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81071-300x199.jpg\" alt=\"\" title=\"81071\" width=\"300\" height=\"199\" class=\"size-medium wp-image-8796\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81071-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81071.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8796\" class=\"wp-caption-text\">Features Editor Sedgwick Clark presents 2013 Educator of the Year Jos\u00e9 Antonio Abreu with his award<\/p><\/div>\n<div id=\"attachment_8797\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81167.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8797\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81167-300x199.jpg\" alt=\"\" title=\"81167\" width=\"300\" height=\"199\" class=\"size-medium wp-image-8797\" srcset=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81167-300x199.jpg 300w, http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2012\/12\/81167.jpg 550w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-8797\" class=\"wp-caption-text\">2013 Educator of the Year Jos\u00e9 Antonio Abreu with Features Editor Sedgwick Clark<\/p><\/div>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=8750\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9 Antonio Abreu has been hailed as a visionary, not only in his native Venezuela but throughout the world, as architect of the extraordinary music-education program called El Sistema. He is quick to point out that &#8220;Venezuela&#8217;s musical miracle&#8221; is not a musical project, but a social action project. Some of his students, 80 percent [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":29062,"menu_order":1013,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/8750"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8750"}],"version-history":[{"count":5,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/8750\/revisions"}],"predecessor-version":[{"id":29072,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/8750\/revisions\/29072"}],"up":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/29062"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}