{"id":430,"date":"2009-02-27T18:58:56","date_gmt":"2009-02-27T22:58:56","guid":{"rendered":"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=430"},"modified":"2015-10-13T19:25:14","modified_gmt":"2015-10-13T23:25:14","slug":"ma-blogs","status":"publish","type":"page","link":"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=430","title":{"rendered":"MA Blogs"},"content":{"rendered":"<p><strong><a title=\"Edna Landau\"><\/a><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=213\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-807  aligncenter\" title=\"ejl-_home_1\" src=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2011\/01\/ejl-_home_1.jpg\" alt=\"Ask Edna\" width=\"120\" height=\"150\" \/><\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #cc0020;\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=213\"><span style=\"font-size: medium;\"><strong>ASK EDNA<\/strong><\/span><\/a><\/span><br \/>\n<span style=\"color: #000000;\"><strong>Career Advice for<\/strong><\/span><br \/>\n<span style=\"color: #000000;\"><strong>the Performing Arts<\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #cc0020;\"><strong>\u00a0<a href=\"mailto:AskEdna@MusicalAmerica.com\"><strong>Write to Ask Edna<\/strong><\/a><\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #cc0020;\"><strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/wp-content\/uploads\/2011\/09\/Getting_Noticed_Web.pdf\">Getting Noticed in the 21st Century<\/a><\/strong><\/span><\/p>\n<p style=\"text-align: center;\"><strong>*******************<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=579\"><strong>Latest Roster Changes<\/strong><\/a><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #000000;\">Updates to artist manager rosters<\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: medium;\"><span style=\"color: #cc0020;\"><strong>MA BLOGS<\/strong><\/span><\/span><\/p>\n<p><strong>FTM Arts Law<\/strong><br \/>\n<style=\"text-align: center;\"><strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=872\">Law and Disorder: Performing Arts Division<\/a><\/strong><br \/>\n<em>Posted Wednesdays<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Rebecca Schmid<\/strong><br \/>\n<strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=927\">Berlin Times<\/a><\/strong><br \/>\n<em>Posted Fridays<\/em><\/p>\n<p style=\"text-align: center;\"><strong>James Conlon<\/strong><br \/>\n<strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=781\">A Rich Possession<\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #000000;\">James Jorden<\/span><\/strong><br \/>\n<strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=101\">Rough and Regie<\/a><\/strong><br \/>\n<em>Posted Fridays<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Sedgwick Clark<\/strong><br \/>\n<strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=10\/\" target=\"new\">Why I Left Muncie<\/a><\/strong><br \/>\n<em>Posted Wednesdays<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Rachel Straus<\/strong><br \/>\n<strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=83\/\" target=\"new\">The Torn Tutu<\/a><\/strong><br \/>\n<em>Posted Tuesdays<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Alan Gilbert<\/strong><br \/>\n<strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?cat=100\/\" target=\"new\">Curiously Random<\/a><\/strong><br \/>\n<em>Posted Tuesdays<\/em><\/p>\n<p style=\"text-align: center;\"><strong>Eugenia Zukerman<\/strong><br \/>\n<strong><a href=\"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=1567\">Verbier Vlog<\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"color: #cc0020;\"><span style=\"text-decoration: underline;\"><strong>Editor&#8217;s Blog Picks<\/strong><\/span><\/span><br \/>\n<a href=\"http:\/\/www.adaptistration.com\/\" target=\"new\"><strong>Adaptistration<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.philly.com\/philly\/blogs\/artswatch\/\" target=\"new\"><strong>ArtsWatch<\/strong><\/a><br \/>\n<a href=\"http:\/\/chicagoclassicalreview.com\/\" target=\"new\"><strong>Chicago Classical Review<\/strong><\/a><br \/>\n<a href=\"http:\/\/weblogs.baltimoresun.com\/entertainment\/classicalmusic\/\" target=\"new\"><strong>Clef Notes<\/strong><\/a><br \/>\n<a href=\"http:\/\/jessicamusic.blogspot.com\/\" target=\"new\"><strong>Jessica Duchen&#8217;s Classical Music Blog<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.ccaggiano.typepad.com\/\" target=\"new\"><strong>Everything I Know I Learned from Musicals<\/strong><\/a><br \/>\n<a href=\"http:\/\/operachic.typepad.com\/\" target=\"new\"><strong>Opera Chic<\/strong><\/a><br \/>\n<a href=\"http:\/\/parterre.com\/\" target=\"new\"><strong>Parterre Box<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.nightafternight.com\/\" target=\"new\"><strong>Night After Night<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.therestisnoise.com\" target=\"new\"><strong>The Rest is Noise<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.sequenza21.com\/\" target=\"new\"><strong>Sequenza 21<\/strong><\/a><br \/>\n<a href=\"http:\/\/necmusic.edu\/blogs\/tonys-blog\/\" target=\"new\"><strong>Tony&#8217;s blog<\/strong><\/a><br \/>\n<a href=\"http:\/\/www.joycedidonato.com\/blog\/\"><strong>Yankeediva<\/strong><\/a><\/p>\n<div id=\"wp_fb_like_button\" style=\"margin:5px 0;float:none;height:34px;\"><script src=\"http:\/\/connect.facebook.net\/en_US\/all.js#xfbml=1\"><\/script><fb:like href=\"http:\/\/www.musicalamerica.com\/mablogs\/?page_id=430\" send=\"false\" layout=\"standard\" width=\"450\" show_faces=\"false\" font=\"arial\" action=\"like\" colorscheme=\"light\"><\/fb:like><\/div>","protected":false},"excerpt":{"rendered":"<p>ASK EDNA Career Advice for the Performing Arts \u00a0Write to Ask Edna Getting Noticed in the 21st Century ******************* Latest Roster Changes Updates to artist manager rosters MA BLOGS FTM Arts Law Law and Disorder: Performing Arts Division Posted Wednesdays Rebecca Schmid Berlin Times Posted Fridays James Conlon A Rich Possession James Jorden Rough and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":29062,"menu_order":1139,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/430"}],"collection":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=430"}],"version-history":[{"count":325,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/430\/revisions"}],"predecessor-version":[{"id":35186,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/430\/revisions\/35186"}],"up":[{"embeddable":true,"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=\/wp\/v2\/pages\/29062"}],"wp:attachment":[{"href":"http:\/\/www.musicalamerica.com\/mablogs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}