Posts Tagged ‘composer’
Thursday, December 12th, 2013
By Brian Taylor Goldstein, Esq. An orchestra wants to commission a composer we represent to create an arrangement of a piece they want to perform. We were hoping that our composer would retain ownership of the arrangement so that in the future if the orchestra, or anyone else, ever wanted to play his arrangement, he […]
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Tags: Brian Taylor, composer, composition, conflict, contract, copyright, copyright law, Goldstein, orchestra, royalty, work
Posted in Agents, Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings | Comments Off on Is The Term “Work-For-Hire” A Magic Phrase?
Wednesday, April 10th, 2013
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: A few weeks ago you wrote a great article about how to obtain a mechanical license when someone wants to record music. But what about using a recording that already exists? We would like to promote an upcoming concert at our venue by putting some recordings […]
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Tags: artist, Brian Taylor, composer, composition, compositions, copyright, copyright law, Film, Goldstein, license, mechanical license, music, musician, payment, permission, public domain, record label, recording, venue
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings, Venues | Comments Off on Using Existing Recordings–Not So Fast!
Wednesday, February 13th, 2013
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: May we borrow music for an orchestral performance from another organization that purchased this music, but is currently not using it? When you write that the other organization “purchased this music”, do you mean that they actually purchased all performance rights to the music or merely […]
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Tags: ascap, bmi, Brian Taylor, composer, copyright, Copyrights, excerpts, Goldstein, images, license, music, orchestra, orchestral performance, ownership, performance rights, performing rights society, physical possession, purchasing music, sesac, sheet music
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing | Comments Off on Dad, May I Borrow the Car?
Wednesday, January 23rd, 2013
By Brian Taylor Goldstein, Esq. Dear Law & Disorder: When a composer/songwriter is commissioned to write a song, who owns the copyright to the song? The commissioner or the writer? And for either party, when the other owns the copyright, what kind of controls and/or royalties does the holder have? As with just about everything […]
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Tags: Brian Taylor, commission fee, composer, copyright, copyright law, entertainment industry, Goldstein, music, ownership, recording, royalties, songwriter
Posted in Artist Management, Arts Management, Contracts, Copyrights, Employees, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing | Comments Off on Commissioners Beware!
Wednesday, January 9th, 2013
By Brian Taylor Goldstein, Esq. Dear Law and Disorder, I am a music professor at a medium-sized state college. We have two questions with regard to live streaming some of our concerts and recitals. We, of course, have paid the ASCAP and BMI licenses/fees to cover the rights for live performances. I believe the licensing […]
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Tags: ascap, bmi, Brian Taylor, composer, copyright, Education, Goldstein, license, Licensing, live performance, live performances, music, Non-Profits, performer, permission, recitals
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Recordings | Comments Off on Ask, and Ye “May” Receive…or Not
Wednesday, June 27th, 2012
By Brian Taylor Goldstein Do we legally have to have a music license if we have bands performing in our Country Club at weddings, social events, etc.? Yes. Anytime music is publically performed, either live or by playing a recording through a sound system, a “performance license” is required. A “performance license” is a fee […]
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Tags: ascap, bmi, Brian Taylor, composer, Goldstein, legal responsibility, license, Licensing, music, necessary licenses, performance license, performance rights, performance space, private party, public venue, wedding band, wedding guests
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights | Comments Off on Is That A Music License I Hear?
Wednesday, June 13th, 2012
By Brian Taylor Goldstein Dear FTM Arts Law: Could owning copyrights individually (as opposed to being owned by a corporate entity) ever be a personal liability? I understand that if copyrights are held in the name of a S-corp, C-corp, or possibly LLC, the corporate veil would shield my personal assets. There is no liability in […]
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Tags: breaches, Brian Taylor, c corp, composer, copyright infringement, Copyrights, corporate entity, corporate veil, debts, ftm, Goldstein, license, limited liability company, manager, permission, personal assets, personal liability, publishing company, s corp, torts
Posted in Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Limited Liability Companies | Comments Off on How Do I Protect My Personal Assets From Claims of Copyright Infringement?
Tuesday, May 1st, 2012
By Brian Taylor Goldstein HELLO – How can an organization that presents music programs, and puts some of them on the Internet, find a good general release form for artists/speakers to sign? The tricky part about forms is not finding them, but choosing which one is right. There are lots of sources for good general […]
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Tags: Brian Taylor, composer, Contracts, ftm, general release form, Goldstein, music programs, musician, performer, permission, recording, release
Posted in Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Recordings, Venues | Comments Off on Generic Forms: A Prescription For Trouble