Posts Tagged ‘Wolfgang Amadeus Mozart’

Horses for Mozartwoche

Friday, February 24th, 2017

By ANDREW POWELL Published: February 24, 2017 SALZBURG — The gimmicky proposition of Mozart’s Requiem enhanced with equine ballet dominated this year’s Mozartwoche schedule, and no doubt budget. It capped, in a way, five iterations of the festival lavishly managed by Marc Minkowski and his front-office counterpart Matthias Schulz, and it brought in for the […]

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Flitting Thru Prokofiev

Wednesday, November 30th, 2016

By ANDREW POWELL Published: November 30, 2016 MUNICH — As fluent as Valery Gergiev is in Prokofiev, he had precious little to say with a cycle of the symphonies here this month. Fluency meant wise tempos, a feel for the boldness in the scores’ structures, a facility in cuing the two orchestras on duty. It […]

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Mozartwoche: January’s Peace

Monday, February 15th, 2016

By ANDREW POWELL Published: February 15, 2016 SALZBURG — There is a pleasure in arriving in Salzburg with snow on the ground. Or maybe the word is reassurance: the city will be real, not a theme park; the people mostly locals, despite the hollowing out of property ownership here; the profile quiet, even intimate, affording […]

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Maestro, 62, Outruns Players

Sunday, November 22nd, 2015

By ANDREW POWELL Published: November 22, 2015 MUNICH — At five o’clock last Sunday afternoon, Munich time, three Mariinsky Orchestras began to play. Two of them launched into Pikovaya dama and Die Zauberflöte at the Mariinsky complex in St Petersburg. The third, here at the Gasteig, opened the accompaniment to a witty Shchedrin vocalise. Such […]

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Mariotti North of the Alps

Sunday, April 26th, 2015

By ANDREW POWELL Published: April 26, 2015 MUNICH — He will always be attached to Rossini, but Michele Mariotti (36) can probe and illuminate a vast repertory besides. This much was evident March 23 in a refreshing return engagement with the Münchner Symphoniker. The Pesaro-born maestro’s podium technique and constructive manner recall another Rossinian, the […]

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Winter Discs

Tuesday, March 31st, 2015

By ANDREW POWELL Published: March 31, 2015 MUNICH — Arts projects in Europe with any visual aspect to them nowadays migrate to DVD whether or not there is a need, partly to justify public subsidy through distribution. Many are operas filmed too often, like Nationaltheater Mannheim’s just-released Der Ring des Nibelungen, which joins DVD tetralogies […]

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Salzburg Coda

Friday, October 31st, 2014

By ANDREW POWELL Published: October 31, 2014 SALZBURG — Alexander Pereira is now gone from the main festival here, and two tenuous summers are in the offing before Markus Hinterhäuser replaces him as Intendant in 2017. His exit, under a cloud, ends a budget tempest but threatens reversals of worthy initiatives he took: lengthening the […]

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Festive Sides

Friday, August 29th, 2014

By ANDREW POWELL Published: August 29, 2014 MUNICH — Staged works and the legendary Lied evenings hold the limelight here at the annual Opernfestspiele, begun 139 years ago. But veins of chamber music and, since 2008, choral programming run through the five-week schedule, lending scope and affirming organizer Bayerische Staatsoper’s depth of musicianship. The chamber […]

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Don Giovanni Shipped

Saturday, May 4th, 2013

By ANDREW POWELL Published: May 4, 2013 MUNICH — Ádám Fischer keenly propelled a revival here last night (May 3) of Stephan Kimmig’s 3½-year-old, shipping-container staging of Don Giovanni for Bavarian State Opera. Predictably the music fared better than the dramma. Hanna-Elisabeth Müller brought an evenly produced, warmly intoned Zerlina. After a tenuous start coping […]

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A Stirring Evening (and Music)

Wednesday, April 24th, 2013

By ANDREW POWELL Published: April 24, 2013 MUNICH — Members of the Bavarian Radio Symphony Orchestra venture six times a year to Lake Starnberg, some 20 miles southwest of here, to play chamber music at the Evangelische Akademie Tutzing, or EAT, as its website favicon reads. A mid-season program (Feb. 24) paired quintets by Mozart […]

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