Posts Tagged ‘sedgwick clark’
Thursday, March 28th, 2013
by Sedgwick Clark PK turned to me last Friday (3/22) at Carnegie Hall when the applause had died down for intermission and asked, “Where did he come from? He’s so musical. Where did he train?” Moments later, she continued animatedly to friends who had joined us, “He seems relaxed with the piano – it’s not […]
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Tags: carnegie hall, Gustavo Dudamel, isoldes liebestod, Jeremy Denk, sedgwick clark, sonetto 123 del petrarca
Posted in Why I Left Muncie | Comments Off on “He’s So Musical”
Thursday, March 7th, 2013
by Sedgwick Clark NOTE: MY BLOG IS NOW POSTED ON THURSDAYS AT NOON RATHER THAN WEDNESDAYS. Why? The kids aren’t jaded. No repertoire is too daunting. Their enthusiasm nearly always makes up for any momentary technical shortcoming. One skips concerts at Juilliard at his or her peril and often encounters first-rate conductors that the Philharmonic has neglected. […]
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Tags: carnegie hall, Clark, kennedy center, Mahler, pierre boulez, sedgwick clark, Shostakovich, Stravinsky, The Rite of Spring, Valery Gergiev
Posted in Why I Left Muncie | Comments Off on I Love Youth Orchestras
Thursday, February 21st, 2013
by Sedgwick Clark NOTE: BEGINNING THIS WEEK, I’LL BE POSTING MY BLOG ON THURSDAYS AT NOON RATHER THAN WEDNESDAYS. Amsterdam’s Royal Concertgebouw Orchestra and its current music director, Mariss Jansons, stopped by Carnegie Hall last week (2/13 and 14) for a pair of concerts to celebrate the ensemble’s 125th anniversary. They were a great success, […]
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Tags: Bernard Haitink, Boulez, carnegie hall, Furtwängler, james levine, Leonidas Kavakos, Mariss Jansons, metropolitan opera, musical america, Riccardo Chailly, sedgwick clark, Staatskapelle Berlin, Yannick Nézet-Séguin
Posted in Why I Left Muncie | Comments Off on Where does the Concertgebouw Stand?
Wednesday, March 28th, 2012
by Sedgwick Clark Three Operas Far be it for this occasional operagoer to butt heads with Peter G. Davis in a work I barely know. “What are you doing at an Italian opera performance?” he asked me in feigned horror on opening night of the Met’s revival of Verdi’s Macbeth (3/15). “I’m here for the […]
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Tags: Carlo Bergonzi, carnegie, Diana Damrau, Franz Schmidt, leon botstein, Lori Guilbeau, Mariusz, Murray Perahia, Noseda, Paganini, Peter G. Davis, Rachel Barton Pine, Sedgwick, sedgwick clark, Stephen Powell, Thomas Hampson, Wozzeck
Posted in Why I Left Muncie | Comments Off on Short Takes on a Busy Week
Wednesday, March 21st, 2012
by Sedgwick Clark That’s a traditional reader complaint. But it happens to critics too. Russian violinist Vadim Repin and Lithuanian pianist Itamar Golan have solid careers, and their program last Saturday evening (3/17) in Alice Tully Hall was an enticing selection of works by Janáček, Ravel, Grieg, and Chausson. From mid-parquet I found Repin’s sound […]
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Tags: Bates, Cowell, David Del Tredici, David Oistrakh, Gil Shaham, Jeff Spurgeon, Lou Harrison, Lukas Foss, Michael Tilson, Morton Subotnick, Murray Perahia, nyphil, Rachel Barton Pine, sedgwick clark, Stravinsky
Posted in Why I Left Muncie | Comments Off on “We Didn’t Hear the Same Concert”
Wednesday, March 14th, 2012
by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered […]
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Tags: alex ross, alice tully hall, avery fisher hall, BBC, Beethoven, Berg, carnegie hall, chamber music, Clark, Leinsdorf, leon botstein, metropolitan opera, musical america, New York Philharmonic, Sedgwick, sedgwick clark, Stravinsky, verdi
Posted in Why I Left Muncie | Comments Off on Finding the Right Gimmick
Wednesday, February 29th, 2012
by Sedgwick Clark It’s a most improbable New York story: Broadway salutes a theater critic, of all things, by dimming its lights during prime box-office time prior to curtain. How often has that happened? No one would have been more astonished to receive this honor than its recipient, Howard Kissel, theater critic of the New […]
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Tags: Beethoven, carnegie hall, Christine Brewer, Clark, David Merrick, Eric Owens, Howard Kissel, Jeremy Geffen, John Oliver, lincoln center, Maazel, Michelle DeYoung, musical america, New York, philharmonic, Sedgwick, sedgwick clark, Sibelius, Tanglewood, Woody Allen, Zankel
Posted in Why I Left Muncie | Comments Off on New York Was His “Howieland”
Wednesday, February 8th, 2012
by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building […]
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Tags: Alan Gilbert, Beethoven, Berg, Boulez, carnegie hall, Clark, copland, Frank Peter Zimmermann, Juilliard, Kurt Masur, leonard bernstein, Lindberg, Magnus Lindberg, Mahler, Mendelssohn, New York, New York Philharmonic, philadelphia orchestra, Sedgwick, sedgwick clark, Stravinsky, Tchaikovsky
Posted in Why I Left Muncie | Comments Off on A Genuine Jolt at the NY Phil
Wednesday, February 1st, 2012
by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should […]
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Tags: Aaron Kernis, Alicia de Larrocha, Allan Kozinn, Berg, Brian Kellow, carnegie hall, Christopher Hunt, Clark, classical music, Deborah Borda, Festival, Jane Moss, Juilliard, Kirk Varnedoe, lincoln center, Mary Lou Falcone, mozart, musical america, New York, new york times, orchestra, performer, Schmidt, Sedgwick, sedgwick clark, symphony, Town Hall
Posted in Why I Left Muncie | Comments Off on Omus in Person
Wednesday, January 18th, 2012
by Sedgwick Clark Many years ago I was sitting next to the p.r. director of the Berlin Philharmonic at Carnegie Hall when a cellphone went off as Simon Rattle conducted. When the piece ended I asked him if that happened in Berlin. “Everywhere,” he said sadly. I left for vacation two days after the cellphone brouhaha at the New […]
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Tags: Alan Gilbert, Berlin, carnegie, Carter Brey, Clark, Herbert von Karajan, Kurt Masur, Mahler, New York, Newark, orchestra, Sedgwick, sedgwick clark, Sibelius, Simon Rattle, Sir Thomas Beecham, symphony, Tony Tommasini, Valery Gergiev
Posted in Why I Left Muncie | Comments Off on Cellphones and Their Ilk