Posts Tagged ‘Peter Martins’
Tuesday, September 16th, 2014
The Slovak National Dance Congress 2014 recently asked me to speak about the state of New York City dance. Since I’ve been living in New York City on and off since 1979, I felt up to the task. In the following slides (which have been converted into a movie), I tease out the changes that have occurred for New York City concert dancers following 9/11. What I found most striking (and dismaying) in my research was that the U.S. capital of Terpsichore is increasingly recognizing dancers and dance organizations not as the obvious—as artists and art groups—but as brands for luxury consumption.
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Tags: 9/11, Dance/NYC, David H. Koch, Jose Limon, Martha Graham, Mayor Michael Bloomberg, nea, New York City, New York City Ballet, Newsies, Paul Taylor, Peter Martins, Rachel Straus, Stephen Petronio, Trisha Brown, Vacheron Constantin
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Tuesday, May 24th, 2011
New York City Ballet’s new staging of “The Seven Deadly Sins ,” which had its premiere at the company’s spring gala on May 11, puts Kurt Weill and Bertolt Brecht’s dark, sinister “ballet chanté” of 1933 into a new context: a tinsel-town soundstage, complete with unison hoofers in the grand finale. Choreographer Lynn Taylor-Corbett, whose credits include Broadway’s “Swing,” has essentially created a Cliff Notes version of this irony-laced yarn, dragging principal dancer Wendy Whelan and guest artist Patti Lapone through seven shallow scenes of human transgression and stripping the work of its brooding soul.
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Tags: After the Rain, Allegra Kent, Balanchine, Beowulf Boritt, Bertolt Brecht, Chester Kallman, Christopher Wheeldon, Clotilde Otranto, Deborah Jowitt, Elia Kazan, Jason Kantrowitz, John Martin, Karinska, Kurt Weill, Lotte Lenya, Lynn Taylor-Corbett, Marlon Brando, New York City Ballet, Patty Lapone, Peter Martins, Street Car Named Desire, The Real Housewives of Beverly Hills, The Seven Deadly Sins, Tilly Losch, Vienna Waltzes, W.H. Auden, Wendy Whelan
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Monday, May 9th, 2011
There is no better way to anoint a rising male ballet star than to award him the title role in George Balanchine’s “Apollo.” On May 5 at David R. Koch Theater, New York City Ballet corps dancer Chase Finlay hit the big time with “Apollo,” receiving three curt
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Tags: Ana Sophia Scheller, Apollo, Bruce Webber, Chase Finlay, Four Temperaments, French Vogue, George Balanchine, Gonzalo Garcia, Igor Stravinsky, Jennie Somogyi, Maria Kowroski, Monumentum Pro Gesualdo, Movements for Piano and Orchestra, New York City Ballet, Nietzche, Peter Martins, Sebastian Marcovici, Sterling Hyltin, Tiler Peck, Vitruvian-Man
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