Posts Tagged ‘metropolitan opera’
Thursday, February 21st, 2013
by Sedgwick Clark NOTE: BEGINNING THIS WEEK, I’LL BE POSTING MY BLOG ON THURSDAYS AT NOON RATHER THAN WEDNESDAYS. Amsterdam’s Royal Concertgebouw Orchestra and its current music director, Mariss Jansons, stopped by Carnegie Hall last week (2/13 and 14) for a pair of concerts to celebrate the ensemble’s 125th anniversary. They were a great success, […]
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Tags: Bernard Haitink, Boulez, carnegie hall, Furtwängler, james levine, Leonidas Kavakos, Mariss Jansons, metropolitan opera, musical america, Riccardo Chailly, sedgwick clark, Staatskapelle Berlin, Yannick Nézet-Séguin
Posted in Why I Left Muncie | Comments Off on Where does the Concertgebouw Stand?
Sunday, September 30th, 2012
By Rebecca Schmid Many American opera-goers, including New Yorkers, look across the ocean and wish that their home institutions would afford themselves the same liberties of programming. Back in Berlin, the Deutsche Oper kicked off its season with a Lachenmann opera, Das Mädchen mit den Schwefelhölzern, while the Komische Oper launched a Monteverdi trilogy including […]
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Tags: Ambroglio Maestri, anna netrebko, Anne-Catherine Bird, barrie kosky, Bartlett Sher, Berlin, Catherine Zuber, Deutsche Oper, donizetti, Efterklang, Johnny Greenwood, Karsten Fundal, komische oper, Lachenmann, L’Elisir d’Amore, Mariusz Kwiecien, Matthew Polenzani, Maurizio Benini, Met Museum, metropolitan opera, Michael Yeargan, Missy Mazzoli, MONO, NPR, Rebecca Schmid, Worldless Music Orchestra
Posted in Berlin Times | Comments Off on The Elixir fails to work its Magic at Lincoln Center; Efterklang with the Wordless Music Orchestra
Wednesday, March 14th, 2012
by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered […]
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Tags: alex ross, alice tully hall, avery fisher hall, BBC, Beethoven, Berg, carnegie hall, chamber music, Clark, Leinsdorf, leon botstein, metropolitan opera, musical america, New York Philharmonic, Sedgwick, sedgwick clark, Stravinsky, verdi
Posted in Why I Left Muncie | Comments Off on Finding the Right Gimmick
Monday, February 27th, 2012
by James Conlon On February 15, one of the great men of opera passed away. Charles Anthony will be long remembered for the stunning statistics of his career at the Metropolitan Opera: 2,928 performances of 111 roles in 69 operas in 57 years. He appeared there more than any other artist in the Met’s history. […]
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Tags: career, Charles Anthony, guinness book of world records, James Conlon, metropolitan opera, orchestra, ripley s believe it or not, symphony, the met
Posted in A Rich Possession | Comments Off on Charles Anthony, No Unsung Hero
Friday, November 18th, 2011
By James Jorden Now that it has become apparent that Robert Lepage’s production of the Ring at the Met is a fiasco (too soon? Nah.)… well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn’t killed anyone yet, and since, let’s face it, […]
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Tags: ann ziff, benedikt von peter, blogs, blu-ray, bryn terfel, Deborah Voigt, deconstruction, eva-maria westbroek, fabio luisi, gesamtkunstwerk, gwyneth jones, hd, james levine, jonas kaufmann, julian crouch, lady gaga, lehman's syndrome, martin kusej, metropolitan opera, otto schenk, peter gelb, phelim mcdermott, pundits, regie, richard croft, robert lepage, satyagraha, stefan herheim, the enchanted island, the fortress of solitude, the machine, the met, wagner
Posted in Rough and Regie | Comments Off on Ring Recycle
Saturday, October 8th, 2011
By James Jorden The Metropolitan Opera debut of Donizetti’s Anna Bolena, an amazing 180 years into the work’s history, won mostly respectful reviews last week—in between snipes at Anna Netrebko’s momentary breaking of character during the “Tower Scene.” A common thread in both published and popular opinion, though, was that the piece itself was not […]
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Tags: anna netrebko, atys, black and white, Black Swan, carnegie hall, david mcvicar, donizetti, franco zeffirelli, glamour, john dexter, josef svoboda, joseph volpe, la traviata, lincoln center, live performance, metropolitan opera, new york observer, period costume, regie, repertoire
Posted in Rough and Regie | Comments Off on The Unglamorous Life
Thursday, June 2nd, 2011
by Edna Landau To ask a question, please write Ask Edna. Please note that in the months of June, July and August, I will be posting new entries to this blog on a bi-weekly basis. I am grateful to all of you for your interest in “Ask Edna” and wish you a very pleasant summer. Dear […]
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Tags: career, classical music, Edna Landau, metropolitan opera, musicalamerica, performer, pianist, repertoire
Posted in Ask Edna, Publicity and Promotion | Comments Off on Getting to Know You (writing a good bio)
Thursday, April 28th, 2011
It’s fortunate that Lulu at Den Norske Opera was the last stop on the “Regietournee,” because honestly anything after that would have amounted to an anticlimax. If there is a more brilliant director working in opera today than Stefan Herheim, well, maybe I shouldn’t see any of his work, because it might be too much […]
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Tags: alban berg, clowns, deconstruction, gesamtkunstwerk, lighting, lulu, metropolitan opera, realism, regie, stefan herheim, symbols, tennessee williams, the met, tone rows, vienna school, wooster group
Posted in Rough and Regie | Comments Off on She sees dead people
Friday, December 10th, 2010
By James Jorden Of course it’s insanity in the current financial climate to suggest that the Met should have done a new production of La fanciulla del West this year, even though it’s a very special case: the centennial of the work’s world premiere, which was also the Met’s first world premiere. In fact, to […]
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Tags: Deborah Voigt, franco zeffirelli, joseph volpe, Marcello Giordani, metropolitan opera, Mrs. Donald Harrington, naturalism, Plácido Domingo, puccini
Posted in Rough and Regie | Comments Off on Untrue West
Thursday, December 2nd, 2010
By James Jorden The staging of the Metropolitan Opera’s new production of Don Carlo is a triumph of conservatism. Ironic, when you come to think about it, because that’s the tragic action of the opera too: attempts at reform or even basic human compassion among the court of King Philip II are crushed like so many bugs […]
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Tags: don carlo, metropolitan opera, nicholas hytner, peter konwitschny
Posted in Rough and Regie | Comments Off on Stage Right