Posts Tagged ‘Debussy’
Friday, May 19th, 2017
By ANDREW POWELL Published: May 19, 2017 RAVENNA — Sometimes a musician just needs a good partner. Cellist Alban Gerhardt and pianist Steven Osborne work magically together but have a habit of starting their recitals apart, as if to establish credentials. So it was April 11 here at the Teatro Alighieri, home of the Ravenna […]
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Tags: Alban Gerhardt, Associazione Musicale Angelo Mariani, Bach, Beethoven, Brahms, Cassadó y Moreu, Debussy, Ravenna, Ravenna Musica, Recensione, Review, Steven Osborne, Teatro Alighieri
Posted in Munich Times | Comments Off on Gerhardt, Osborne Team Neatly
Wednesday, November 30th, 2016
By ANDREW POWELL Published: November 30, 2016 MUNICH — As fluent as Valery Gergiev is in Prokofiev, he had precious little to say with a cycle of the symphonies here this month. Fluency meant wise tempos, a feel for the boldness in the scores’ structures, a facility in cuing the two orchestras on duty. It […]
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Tags: Alexandra Conunova, Debussy, Gasteig, Mariinsky Orchestra, Medici TV, München, Münchner Philharmoniker, Munich, Munich Philharmonic, Prokofiev, Review, Valery Gergiev, Vilde Frang, Wolfgang Amadeus Mozart, Yu-Chien Tseng
Posted in Munich Times | Comments Off on Flitting Thru Prokofiev
Monday, June 29th, 2015
By ANDREW POWELL Published: June 29, 2015 MUNICH — Noisy and sustained boos fell upon stage director Christiane Pohle and her team after Pelléas et Mélisande last night here in the Prinz-Regenten-Theater. Though not uncommon in this epoch of Regietheater, the intensity of the scorn for Bavarian State Opera’s new production was alarming coming from […]
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Tags: Alastair Miles, Bavarian State Opera, Bavarian State Orchestra, Bayerische Staatsoper, Bayerisches Staatsorchester, Christiane Pohle, Commentary, Constantinos Carydis, Debussy, Elena Tsallagova, Elliot Madore, Hanno Eilers, Kritik, Markus Eiche, München, Münchner Opernfestspiele, Munich, Munich Opera Festival, Nikolaus Bachler, Okka von der Damerau, Pelléas et Mélisande, Peter Lobert, Prinz-Regenten-Theater, Review, Tölzer Knabenchor
Posted in Munich Times | Comments Off on Mélisande as Hotel Clerk
Sunday, January 4th, 2015
By ANDREW POWELL Published: January 4, 2015 BAMBERG — When the Bamberger Symphoniker replaces its Chefdirigent next year, it could do worse than hiring Constantinos Carydis. The intense but discreet Athenian secured creative and technically superb playing in a Nordic and Impressionist program Nov. 29 here at the Joseph-Keilberth-Saal, confirming skills he has shown in […]
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Tags: Bamberg, Bamberg Symphony Orchestra, Bamberger Symphoniker, Commentary, Constantinos Carydis, Daniela Koch, Daphnis et Chloé, Debussy, Jonathan Nott, Joseph Keilberth, Nielsen, Pan og Syrinx, Prélude à l’après-midi d’un faune, Ravel, Review, Sibelius, Tapiola
Posted in Munich Times | Comments Off on Carydis Woos Bamberg
Friday, December 5th, 2014
Tre Voci Works by Debussy, Takemitsu, and Gubaidulina Marina Piccinini, Flute; Kim Kashkashian, viola; Sivan Magen, harp ECM New Series CD 2345 One of his last completed works, Claude Debussy’s Sonata for Flute, Viola, and Harp (1915) has been variously construed as a crystallization of Impressionism into a neoclassical mold, a nod to Debussy’s […]
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Tags: Debussy, ECM, Gubaidulina, Takemitsu, Tre Voci
Posted in The New Classical | Comments Off on Tre Voci
Friday, July 27th, 2012
By Rebecca Schmid The New York-based composer Annie Gosfield is best known for her synthesis of industrial sounds and other unconventional sampling into rock-inflected, yet often intricately wrought, compositions. As a fellow at the American Academy in Berlin last semester, she researched encrypted radio broadcasts from World War Two—part of a long-standing fascination with archaic […]
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Tags: Almost Truths and Open Deceptions, Andrew Russo, Annie Gosfield, Assaff Weisman, Azica Records, Bartok, Berlin, David Cossin, Debussy, Felix Fan, Israeli Chamber Project, Itamar Zorman, Jorge Luis Borges, Juilliard, Martinu, Matan Porat, Roger Kleier, Saint-Saens, Sivan Magen, Tchaikovsky Competition, The Pearls Before Swine Experience, Tibi Cziger, Tzadik Records
Posted in Berlin Times | Comments Off on New Releases: ‘Almost Truths and Open Deceptions’; ‘Opus 1’
Friday, June 22nd, 2012
By Rebecca Schmid Conducting the Berlin Philharmonic is no small feat for a 37-year-old, and Yannick Nézet-Séguin—returning to the orchestra’s podium for the first time since his 2010 debut—had no intention to the make the event a small affair. The newly minted music director of the Philadelphia Orchestra, seen at the Philharmonie on June 16, […]
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Tags: Apollon Musagète, Berio, Berlin Philharmonic, Cathy Berberian, Daphnis et Chloé, Debussy, Diaghilev, Guy Braunstein, Michael Fokine, Nizhinsky, Orchestre Philharmonique de Monte-Carlo, philadelphia orchestra, Ravel, Romeo and Juliet, Rundfunkchor Berlin, Sir Simon Rattle, Stravinsky, Tchaikovsky, Walter Seyfarth, Yannick Nézet-Séguin
Posted in Berlin Times | Comments Off on Nézet-Séguin performs Epic Romance with the Berlin Philharmonic