Posts Tagged ‘composition’
Thursday, February 18th, 2016
By Brian Taylor Goldstein, Esq. I haven’t found an example that matches the situation of a 501(c)(3) I am familiar with. They throw a once-yearly art festival that spans a weekend (2days). They don’t charge the public any admittance. They raise money by charging fees for booth (10×10) spaces for (visual) arts vendors to […]
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Tags: artist, ascap, bmi, composer, composers, composition, copyright, copyright act, copyright infringement, copyright law, Education, Festival, Liable, license, music, musical composition, musician, non profits, original music, performance license, performer, permission, presenter, promoter, publishing company, risk, sesac, venue
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Non-Profits, Presenters, Publishing, Venues | Comments Off on Who Has To Pay The Likes of ASCAP, BMI, Etc?
Thursday, July 9th, 2015
By Brian Taylor Goldstein, Esq. We spent a lot of money making a CD to promote our orchestra. Now the composer’s publisher wants mechanical royalties. I just don’t understand why I have to pay mechanical royalties for a CD I am not selling, just giving to donors. Doesn’t the Composer want people to listen […]
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Tags: artist, ascap, bmi, CD, commission fee, commissions, composer, composers, composition, entertainment industry, license, mechanical royalties, money, music, musician, orchestra, performance license, performer, playwright, recording, royalty, sesac, work
Posted in Contracts, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings | Comments Off on When Is A Plumber Worth More Than A Violinist?
Thursday, November 20th, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: What rights does a translator have? I translated a non-English script into English. All of the prior translations were very bad, which is why I did my own. Everyone agrees mine is the best, even the original author. However, now that I am getting offers […]
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Tags: artist, composition, copy, copyright, copyright infringement, Copyrights, music, ownership, permission, royalties
Posted in Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Liability, Licensing, Music Rights, Publishing | Comments Off on How Is Copyright Infringement Like An Ugly Car?
Thursday, April 3rd, 2014
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: I have written a one-man show. Do I need to get a dramatic license for background music? Just to make sure we’re all on the same page, let’s review: In order for music to be “performed” (either live or via a recording) in a public […]
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Tags: artist, bmi, Brian Taylor, composer, composition, dance, dramatic license, Goldstein, music, orchestrations, performance license, performance rights, recording, sesac, venue
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Music Rights, Publishing, Venues | Comments Off on Does Background Music Require A Dramatic License?
Thursday, January 23rd, 2014
By Brian Taylor Goldstein, Esq. Greetings, I have recently been contacted by ASCAP asking for fees based on music played by live musicians. Are we required to pay if we do not pay the musicians? Any musician who plays at the location is not compensated for their efforts. Is anyone else who works at or […]
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Tags: artist, ascap, bmi, Brian Taylor, composer, composers, composition, copyright, copyright law, Goldstein, license, music, musical composition, musician, original music, performance license, permission, recording, sesac, venue
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Publishing, Recordings, Venues | Comments Off on What Do You Mean I Need To PAY For Music?
Thursday, December 12th, 2013
By Brian Taylor Goldstein, Esq. An orchestra wants to commission a composer we represent to create an arrangement of a piece they want to perform. We were hoping that our composer would retain ownership of the arrangement so that in the future if the orchestra, or anyone else, ever wanted to play his arrangement, he […]
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Tags: Brian Taylor, composer, composition, conflict, contract, copyright, copyright law, Goldstein, orchestra, royalty, work
Posted in Agents, Artist Management, Arts Management, Contracts, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings | Comments Off on Is The Term “Work-For-Hire” A Magic Phrase?
Wednesday, April 10th, 2013
By Brian Taylor Goldstein, Esq. Dear Law and Disorder: A few weeks ago you wrote a great article about how to obtain a mechanical license when someone wants to record music. But what about using a recording that already exists? We would like to promote an upcoming concert at our venue by putting some recordings […]
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Tags: artist, Brian Taylor, composer, composition, compositions, copyright, copyright law, Film, Goldstein, license, mechanical license, music, musician, payment, permission, public domain, record label, recording, venue
Posted in Artist Management, Arts Management, Copyrights, Law and Disorder: Performing Arts Division, Licensing, Music Rights, Presenters, Publishing, Recordings, Venues | Comments Off on Using Existing Recordings–Not So Fast!