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	<title>Musical America Blogs &#187; youtube</title>
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		<title>Plonk</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7610</link>
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		<pubDate>Sun, 30 Sep 2012 06:06:57 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[beni montresor]]></category>
		<category><![CDATA[Dmitri Tcherniakov]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[il trovatore]]></category>
		<category><![CDATA[Mariusz Kwiecien]]></category>
		<category><![CDATA[oliver messel]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[Robert Wilson]]></category>
		<category><![CDATA[South Pacific]]></category>
		<category><![CDATA[the met]]></category>
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		<description><![CDATA[By James Jorden Of hundreds of juicy anecdotes in Ken Mandelbaum’s indispensable volume Not Since Carrie: 40 Years of Broadway Flops, one stands out perhaps a little more than the others. It’s about a show called Reuben Reuben which closed out of town in 1955. This was a through-composed absurdist piece by Mark Blitzstein, and [...]]]></description>
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		<title>Posting Musical Performances on YouTube</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4440</link>
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		<pubDate>Wed, 04 Apr 2012 05:24:21 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Copyrights]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
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		<category><![CDATA[Music Rights]]></category>
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		<category><![CDATA[ftm]]></category>
		<category><![CDATA[law and disorder]]></category>
		<category><![CDATA[musical performance]]></category>
		<category><![CDATA[performance license]]></category>
		<category><![CDATA[Robyn Guilliams]]></category>
		<category><![CDATA[synchronization license]]></category>
		<category><![CDATA[videotape]]></category>
		<category><![CDATA[youtube]]></category>

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		<description><![CDATA[By Robyn Guilliams Dear Law and Disorder, What are the copyright issues in posting a performance of a piece of music on YouTube for global streaming?  And, since people can easily download YouTube content, what are the implications for the person who&#8217;s posted it, or the downloaders for that matter? Before answering your question, I [...]]]></description>
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