<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; willy decker</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=willy-decker" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Thu, 17 Jan 2013 04:15:38 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>What went wrong?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3459</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3459#comments</comments>
		<pubDate>Fri, 09 Dec 2011 16:58:28 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[english national opera]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[houston grand opera]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[willy decker]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3459</guid>
		<description><![CDATA[By James Jorden After putting off for a week trying to make some sense of the horrific mess that is the Met&#8217;s new Faust, I&#8217;m finally just going to give up. There are some disasters that bear writing about as what you might call teaching opportunities: this season&#8217;s Don Giovanni, for example, as a cautionary [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3459</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Peter&#8217;s Principles</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3167</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3167#comments</comments>
		<pubDate>Fri, 04 Nov 2011 20:13:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[music director]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[period costume]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[pr]]></category>
		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[Street Car Named Desire]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[verdi]]></category>
		<category><![CDATA[willy decker]]></category>
		<category><![CDATA[Zurich]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3167</guid>
		<description><![CDATA[by James Jorden “I&#8217;ve almost come to the conclusion that this Mr. Hitler isn&#8217;t a Christian,” muses merry murderess Abby Brewster early in the first act of Arsenic and Old Lace, and to tell the truth I’m beginning to think I’m almost as far behind the curve as she was. Recent new productions at the [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3167</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Three for Regie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=830</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=830#comments</comments>
		<pubDate>Fri, 28 Jan 2011 21:37:17 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[blogs]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[eurotrash]]></category>
		<category><![CDATA[la traviata]]></category>
		<category><![CDATA[marina poplavskaya]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[willy decker]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=830</guid>
		<description><![CDATA[By James Jorden Instead of beating my brains out trying to make sense of the comings and goings in the final act of Simon Boccanegra at the Met (or am I just deluded to find it unlikely that convicted rebels should be marched to their execution through the Doge&#8217;s unguarded council chamber?), I thought this [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=830</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Myth, Matched</title>
		<link>http://www.musicalamerica.com/mablogs/?p=800</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=800#comments</comments>
		<pubDate>Fri, 07 Jan 2011 21:35:41 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[willy decker]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=800</guid>
		<description><![CDATA[By James Jorden New Year’s Eve may have marked a significant turning point for the Gelb administration at the Metropolitan Opera. The replacement of the “beloved” Franco Zeffirelli Traviata extravaganza with a lean, mean non-literal staging has garnered rapturous reviews and strongly positive audience reactions. The single reported boo for director Willy Decker’s production team [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=800</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>