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	<title>Musical America Blogs &#187; wagner</title>
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		<title>Infektion! ‘Europeras 3&amp;4’ and Rihm’s ‘Dionysus’ at the Staatsoper</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6029</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6029#comments</comments>
		<pubDate>Thu, 12 Jul 2012 17:56:53 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Akademie der Künste]]></category>
		<category><![CDATA[Alfredo Daza]]></category>
		<category><![CDATA[Carl Darlhaus]]></category>
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		<category><![CDATA[Darmstadt]]></category>
		<category><![CDATA[Die Zauberflöte]]></category>
		<category><![CDATA[Dionysus]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Elin Rombo]]></category>
		<category><![CDATA[Esther Lee]]></category>
		<category><![CDATA[Europeras]]></category>
		<category><![CDATA[Frankfurt]]></category>
		<category><![CDATA[Günther Albers]]></category>
		<category><![CDATA[Infektion!]]></category>
		<category><![CDATA[Ingo Metzmacher]]></category>
		<category><![CDATA[Isabel Ostermann]]></category>
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		<category><![CDATA[Staatsoper Berlin]]></category>
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		<category><![CDATA[wagner]]></category>
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		<category><![CDATA[Wolfgang Rihm]]></category>

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		<description><![CDATA[By Rebecca Schmid Infektion!, the name of the Staatsoper’s annual Festival for New Music Theater could easily extend to describe the presence of John Cage in Germany this year. No other country outside the U.S. has planned as many events for his centenary of his birth, and Berlin is in some people’s minds already ‘Caged [...]]]></description>
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		<title>Opening words…</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4470</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4470#comments</comments>
		<pubDate>Thu, 05 Apr 2012 15:52:55 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[DAAD]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Don Giovanni]]></category>
		<category><![CDATA[Karl Scheffler]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Offenbach]]></category>
		<category><![CDATA[Potsdamer Platz]]></category>
		<category><![CDATA[wagner]]></category>
		<category><![CDATA[Zürich Mozart]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4470</guid>
		<description><![CDATA[By Rebecca Schmid The author Karl Scheffler famously described Berlin as condemned to forever becoming but never being. When I arrived here nearly two years ago as a DAAD grantee in journalism, the city sprawled out like an unfinished collage. The Philharmonie on the gleaming, rebuilt Potsdamer Platz where I heard Daniel Barenboim perform and [...]]]></description>
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		<title>Twilight of the Machine</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3827</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3827#comments</comments>
		<pubDate>Fri, 03 Feb 2012 21:48:34 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Anthony Tommasini]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[james jorden]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[new york times]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[wagner]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3827</guid>
		<description><![CDATA[By James Jorden Revelation comes in the strangest places. Like, for example, I had this eventual moment of clarity about what it was that went wrong in the Lepage Ring, and what do you think sparked it? Of all things, last night’s performance of Ernani at the Met.  Now, this is not to say that [...]]]></description>
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		<title>Ring Recycle</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3243</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3243#comments</comments>
		<pubDate>Fri, 18 Nov 2011 22:44:48 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[ann ziff]]></category>
		<category><![CDATA[benedikt von peter]]></category>
		<category><![CDATA[blogs]]></category>
		<category><![CDATA[blu-ray]]></category>
		<category><![CDATA[bryn terfel]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[deconstruction]]></category>
		<category><![CDATA[eva-maria westbroek]]></category>
		<category><![CDATA[fabio luisi]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[gwyneth jones]]></category>
		<category><![CDATA[hd]]></category>
		<category><![CDATA[james levine]]></category>
		<category><![CDATA[jonas kaufmann]]></category>
		<category><![CDATA[julian crouch]]></category>
		<category><![CDATA[lady gaga]]></category>
		<category><![CDATA[lehman's syndrome]]></category>
		<category><![CDATA[martin kusej]]></category>
		<category><![CDATA[metropolitan opera]]></category>
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		<category><![CDATA[peter gelb]]></category>
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		<category><![CDATA[richard croft]]></category>
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		<category><![CDATA[satyagraha]]></category>
		<category><![CDATA[stefan herheim]]></category>
		<category><![CDATA[the enchanted island]]></category>
		<category><![CDATA[the fortress of solitude]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3243</guid>
		<description><![CDATA[By James Jorden Now that it has become apparent that Robert Lepage&#8217;s production of the Ring at the Met is a fiasco (too soon? Nah.)&#8230; well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn&#8217;t killed anyone yet, and since, let&#8217;s face it, [...]]]></description>
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		<title>Horse play</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1172</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1172#comments</comments>
		<pubDate>Thu, 19 May 2011 17:46:21 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[bryn terfel]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[frammistans]]></category>
		<category><![CDATA[hd]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

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		<description><![CDATA[By James Jorden The critics&#8217; reaction to Robert Lepage’s new production of Die Walküre at the Met leaves this contrarian reviewer in something of a quandary. Not only was pretty much everybody underwhelmed, but there was a consensus about what (they thought) was wrong: the clunkiness of The Machine, the lack of poetry in the [...]]]></description>
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