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	<title>Musical America Blogs &#187; The Joyce Theater</title>
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		<title>Underwear in Underland: Stephen Petronio Dance Company</title>
		<link>http://www.musicalamerica.com/mablogs/?p=930</link>
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		<pubDate>Mon, 11 Apr 2011 21:05:25 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Mike Daly]]></category>
		<category><![CDATA[Nick Cave]]></category>
		<category><![CDATA[Stephen Petronio Dance Company]]></category>
		<category><![CDATA[Sydney Dance Company]]></category>
		<category><![CDATA[Tara Subkoff/Imitation of Christ]]></category>
		<category><![CDATA[The Joyce Theater]]></category>

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		<description><![CDATA[By Rachel Straus Stephen Petronio likes underwear. His steely and mellifluous skeins of movement—via the bare legs and buttocks of talented dancers—can be transporting. In Petronio&#8217;s New York premiere of &#8220;Underland,&#8221; the first ten minutes was beautiful. But as time progressed on April 10 at the Joyce Theater, &#8220;Underland&#8221; became an aerobic workout for the eyes. The [...]]]></description>
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		<title>April Dance Happenings: New York City</title>
		<link>http://www.musicalamerica.com/mablogs/?p=909</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=909#comments</comments>
		<pubDate>Tue, 29 Mar 2011 16:49:11 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Armitage Gone! Dance]]></category>
		<category><![CDATA[Dance Theater Workshop]]></category>
		<category><![CDATA[DanceNOW]]></category>
		<category><![CDATA[Flamenco]]></category>
		<category><![CDATA[Joe's Pub]]></category>
		<category><![CDATA[Kyle Abraham]]></category>
		<category><![CDATA[Museum of Art and Design]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[P.S. 122]]></category>
		<category><![CDATA[Paradigm]]></category>
		<category><![CDATA[St. Mark's Church]]></category>
		<category><![CDATA[The Joyce Theater]]></category>

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		<description><![CDATA[By Rachel Straus  March 29 &#8211; April 9 Eiko &#38; Koma The Japanese avant-garde artists, whose home has been the U.S. since 1976, present the New York premiere of Naked at the Baryshnikov Arts Center. They will be intermittently naked, but what will stand out are their glacially slow movement tableaus that change one’s perception [...]]]></description>
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		<title>Club Kids Don&#8217;t Cry: A New Work by Keigwin + Company</title>
		<link>http://www.musicalamerica.com/mablogs/?p=893</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=893#comments</comments>
		<pubDate>Mon, 14 Mar 2011 16:32:55 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Jerome Begin]]></category>
		<category><![CDATA[Larry Keigwin]]></category>
		<category><![CDATA[The Joyce Theater]]></category>

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		<description><![CDATA[The first generation of American concert choreographers distanced themselves from the dance club and fashion world. They wanted to elevate dance, not point out its relationship to entertainment and consumerism. Not Larry Keigwin, who came of age in the late 1980s. The New York-born choreographer’s world premiere of Exit at The Joyce Theater (March 8-13) [...]]]></description>
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