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	<title>Musical America Blogs &#187; symphony</title>
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		<title>Ten Do&#8217;s and Dont&#8217;s of Career Building</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4121</link>
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		<pubDate>Thu, 01 Mar 2012 04:15:10 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie hall]]></category>
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		<category><![CDATA[Susana Galli]]></category>
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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: In this fast paced changeable world we live in, we artists feel like a little boat in a vast ocean, many times lost and orphans of good guidance. A wonderful legacy, and a practical one from an accomplished pro like you, would be [...]]]></description>
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		<title>Charles Anthony, No Unsung Hero</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4081</link>
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		<pubDate>Mon, 27 Feb 2012 18:56:54 +0000</pubDate>
		<dc:creator>Alberich2</dc:creator>
				<category><![CDATA[A Rich Possession]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[Charles Anthony]]></category>
		<category><![CDATA[guinness book of world records]]></category>
		<category><![CDATA[James Conlon]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[ripley s believe it or not]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[the met]]></category>

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		<description><![CDATA[by James Conlon On February 15, one of the great men of opera passed away. Charles Anthony will be long remembered for the stunning statistics of his career at the Metropolitan Opera: 2,928 performances of 111 roles in 69 operas in 57 years. He appeared there more than any other artist in the Met’s history. [...]]]></description>
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		<title>Omus in Person</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3775</link>
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		<pubDate>Wed, 01 Feb 2012 16:50:28 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
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		<category><![CDATA[Deborah Borda]]></category>
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		<description><![CDATA[by Sedgwick Clark I first met Omus Hirshbein in Carnegie Hall’s executive offices, where he worked for a brief time in 1973 between tenures at the Hunter College Concert Bureau and the 92nd Street Y. He was walking out of a planning meeting, saying in frustration to anyone nearby, “They won’t listen to me—they should [...]]]></description>
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		<title>Cellphones and Their Ilk</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3617</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3617#comments</comments>
		<pubDate>Wed, 18 Jan 2012 18:12:18 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Carter Brey]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[Herbert von Karajan]]></category>
		<category><![CDATA[Kurt Masur]]></category>
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		<category><![CDATA[Sedgwick]]></category>
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		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[Simon Rattle]]></category>
		<category><![CDATA[Sir Thomas Beecham]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[Tony Tommasini]]></category>
		<category><![CDATA[Valery Gergiev]]></category>

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		<description><![CDATA[by Sedgwick Clark   Many years ago I was sitting next to the p.r. director of the Berlin Philharmonic at Carnegie Hall when a cellphone went off as Simon Rattle conducted. When the piece ended I asked him if that happened in Berlin. &#8220;Everywhere,&#8221; he said sadly.    I left for vacation two days after the cellphone brouhaha at the New [...]]]></description>
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