<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; symbols</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=symbols" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Thu, 17 Jan 2013 04:15:38 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>She sees dead people</title>
		<link>http://www.musicalamerica.com/mablogs/?p=954</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=954#comments</comments>
		<pubDate>Thu, 28 Apr 2011 15:52:53 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[alban berg]]></category>
		<category><![CDATA[clowns]]></category>
		<category><![CDATA[deconstruction]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[lulu]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[stefan herheim]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[tennessee williams]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[tone rows]]></category>
		<category><![CDATA[vienna school]]></category>
		<category><![CDATA[wooster group]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=954</guid>
		<description><![CDATA[It&#8217;s fortunate that Lulu at Den Norske Opera was the last stop on the &#8220;Regietournee,&#8221; because honestly anything after that would have amounted to an anticlimax. If there is a more brilliant director working in opera today than Stefan Herheim, well, maybe I shouldn&#8217;t see any of his work, because it might be too much [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=954</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Regie in its natural habitat</title>
		<link>http://www.musicalamerica.com/mablogs/?p=940</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=940#comments</comments>
		<pubDate>Tue, 19 Apr 2011 21:23:38 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[journey of a thousand miles]]></category>
		<category><![CDATA[leather trench coats]]></category>
		<category><![CDATA[parsifal]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[revivals]]></category>
		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[staatsoper stuttgart]]></category>
		<category><![CDATA[symbols]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=940</guid>
		<description><![CDATA[By James Jorden The Staatsoper Stuttgart may be called the cradle of Regietheater, or at least a cradle of Regietheater. Strong theatrical values have characterized this company from the opening of the theater in 1912 (the world premiere of Ariadne auf Naxos, helmed by megaregisseur Max Reinhardt) through the 1950s, when Wieland Wagner&#8217;s frequent projects [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=940</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Berlin Diary</title>
		<link>http://www.musicalamerica.com/mablogs/?p=925</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=925#comments</comments>
		<pubDate>Sun, 10 Apr 2011 01:58:37 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[barrie kosky]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[doris doerrie]]></category>
		<category><![CDATA[eurotrash]]></category>
		<category><![CDATA[komische oper]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[revivals]]></category>
		<category><![CDATA[staatsoper unter den linden]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=925</guid>
		<description><![CDATA[By James Jorden I apologize for long period (two months!) of radio silence: it&#8217;s been a very busy spring season in New York, broken up by a two week vacation my traveling companion and I called the &#8220;Regietournee,&#8221; a sampling of some of the opera direction going on in Germany (and other northern European theaters.) [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=925</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Myth, Matched</title>
		<link>http://www.musicalamerica.com/mablogs/?p=800</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=800#comments</comments>
		<pubDate>Fri, 07 Jan 2011 21:35:41 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[willy decker]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=800</guid>
		<description><![CDATA[By James Jorden New Year’s Eve may have marked a significant turning point for the Gelb administration at the Metropolitan Opera. The replacement of the “beloved” Franco Zeffirelli Traviata extravaganza with a lean, mean non-literal staging has garnered rapturous reviews and strongly positive audience reactions. The single reported boo for director Willy Decker’s production team [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=800</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>