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	<title>Musical America Blogs &#187; Staatskapelle Berlin</title>
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		<title>‘The Magic Flute’ regains its Classical Garb</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8286</link>
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		<pubDate>Fri, 16 Nov 2012 13:37:44 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adriane Queiroz]]></category>
		<category><![CDATA[Alina Anca]]></category>
		<category><![CDATA[Anna Lapkovskaja]]></category>
		<category><![CDATA[August Everding]]></category>
		<category><![CDATA[Aurelius Sängerknaben]]></category>
		<category><![CDATA[Carola Höhn]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Die Zauberflöte]]></category>
		<category><![CDATA[Emmanuel Schikaneder]]></category>
		<category><![CDATA[Friedrich Wilhelm]]></category>
		<category><![CDATA[Julien Salemkour]]></category>
		<category><![CDATA[Karl Friedrich Schinkel]]></category>
		<category><![CDATA[Konzerthaus Berlin]]></category>
		<category><![CDATA[Kyungho Kim]]></category>
		<category><![CDATA[Narine Yeghiyan]]></category>
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		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[René Pape]]></category>
		<category><![CDATA[Roman Trekel]]></category>
		<category><![CDATA[Rowan Hellier]]></category>
		<category><![CDATA[Schiller Theater]]></category>
		<category><![CDATA[Staatskapelle Berlin]]></category>
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		<category><![CDATA[The Magic Flute]]></category>
		<category><![CDATA[W.A. Mozart]]></category>

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		<description><![CDATA[By Rebecca Schmid As Regietheater becomes the norm on opera stages in Germany, it is a pleasant, if not shocking, surprise to see a production of Die Zauberflöte that looks like a throwback to the time of its world premiere. The Staatsoper Berlin has revived a 1994 staging modelled after designs by the nineteenth-century Prussian [...]]]></description>
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		<title>Festtage 2012 as Barenboim Fiesta</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4533</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4533#comments</comments>
		<pubDate>Fri, 13 Apr 2012 13:06:07 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alisa Weilerstein]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Daniel Barenboim]]></category>
		<category><![CDATA[Festtage]]></category>
		<category><![CDATA[Filarmonica della Scala]]></category>
		<category><![CDATA[Staatskapelle Berlin]]></category>

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		<description><![CDATA[By Rebecca Schmid The Staatsoper’s annual spring Festtage has become an even more distinguished event now that Daniel Barenboim serves as music director to La Scala in addition to his Berlin opera house. The festival, originally launched by the maestro in 1996 with Harry Kupfer’s Ring, features coveted soloists and premiere productions, as well as [...]]]></description>
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