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	<title>Musical America Blogs &#187; South Pacific</title>
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		<title>Plonk</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7610</link>
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		<pubDate>Sun, 30 Sep 2012 06:06:57 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[beni montresor]]></category>
		<category><![CDATA[Dmitri Tcherniakov]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
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		<category><![CDATA[Mariusz Kwiecien]]></category>
		<category><![CDATA[oliver messel]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[Robert Wilson]]></category>
		<category><![CDATA[South Pacific]]></category>
		<category><![CDATA[the met]]></category>
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		<description><![CDATA[By James Jorden Of hundreds of juicy anecdotes in Ken Mandelbaum’s indispensable volume Not Since Carrie: 40 Years of Broadway Flops, one stands out perhaps a little more than the others. It’s about a show called Reuben Reuben which closed out of town in 1955. This was a through-composed absurdist piece by Mark Blitzstein, and [...]]]></description>
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		<title>Post-modern Dance Competition</title>
		<link>http://www.musicalamerica.com/mablogs/?p=716</link>
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		<pubDate>Tue, 14 Sep 2010 18:06:01 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Dance Theater Workshop]]></category>
		<category><![CDATA[Michael Jackson]]></category>
		<category><![CDATA[South Pacific]]></category>

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		<description><![CDATA[Seven minutes can feel like an eternity. Or at least that was my thought halfway through the second night of “Festival Twenty Ten” at Dance Theater Workshop. Now in its 16th year, the September 8-11 event featured ten pieces per night. Curated by Robin Staff, the artistic director of Dance/NOW [NYC], it gave 40 choreographers [...]]]></description>
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