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	<title>Musical America Blogs &#187; Schulhoff</title>
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		<title>Rediscovered Voices in the Studio: ‘Es geht wohl anders’ and ‘Czech Flute Music’</title>
		<link>http://www.musicalamerica.com/mablogs/?p=6804</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=6804#comments</comments>
		<pubDate>Sun, 19 Aug 2012 22:53:59 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Anne Midgette]]></category>
		<category><![CDATA[Avie Records]]></category>
		<category><![CDATA[Charles Abramovic]]></category>
		<category><![CDATA[Christian Immler]]></category>
		<category><![CDATA[Danny Driver]]></category>
		<category><![CDATA[Dvorak]]></category>
		<category><![CDATA[Exilarte]]></category>
		<category><![CDATA[Feld]]></category>
		<category><![CDATA[Jeffrey Khaner]]></category>
		<category><![CDATA[Martinu]]></category>
		<category><![CDATA[Rebecca Nelsen]]></category>
		<category><![CDATA[Schulhoff]]></category>
		<category><![CDATA[The Washington Post]]></category>
		<category><![CDATA[Walter Arlen]]></category>

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		<description><![CDATA[by Rebecca Schmid The historical forces that decide which composers enter the canon often seem beyond our control. Why Brahms should become hackneyed while chamber music enthusiasts are not familiar with the name Martinu continues to frustrate musicians and critics alike, and yet a refreshing trend seems to be emerging. As Anne Midgette writes this [...]]]></description>
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