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	<title>Musical America Blogs &#187; Riccardo Chailly</title>
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		<title>An Italian, and possibly a Swiss, Symphony at the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9149</link>
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		<pubDate>Fri, 11 Jan 2013 16:00:13 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andreas Ottensamer]]></category>
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		<category><![CDATA[musical america]]></category>
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		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Switzerland]]></category>

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		<description><![CDATA[By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits [...]]]></description>
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		<title>Season of Concessions</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7747</link>
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		<pubDate>Thu, 11 Oct 2012 15:35:02 +0000</pubDate>
		<dc:creator>Andrew Powell</dc:creator>
				<category><![CDATA[Munich Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
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		<category><![CDATA[Riccardo Chailly]]></category>
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		<description><![CDATA[By ANDREW POWELL Published: October 11, 2012 MUNICH — Arts groups here present a compromised 2012–13 season, facing pros and cons not always aligned with those in America. Funding holds steady. City and state (Bavaria) play their part, and local powerhouses — Siemens, BMW, Audi, Allianz, and Linde among them — step up habitually to [...]]]></description>
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		<title>Hillary Hahn and Hauschka join Forces on &#8216;Silfra&#8217;; Riccardo Chailly and the Gewandhausorchester Leipzig</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4846</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4846#comments</comments>
		<pubDate>Fri, 18 May 2012 11:02:28 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Christina Landshamer]]></category>
		<category><![CDATA[concerti]]></category>
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		<category><![CDATA[Hillary Hahn]]></category>
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		<category><![CDATA[mozart]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Silfra]]></category>
		<category><![CDATA[Tom Brosseau]]></category>
		<category><![CDATA[Yellow Lounge]]></category>

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		<description><![CDATA[By Rebecca Schmid Hillary Hahn’s taste for the unconventional has in recent years taken her career onto a trajectory unlike that of most violin prodigies. Last October, she appeared on NPR’s Tiny Desk Concert Series improvising to traditional American melodies that inspired the works of Charles Ives, donning a fedora for the occasion. She maintains [...]]]></description>
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