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	<title>Musical America Blogs &#187; repertoire</title>
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		<title>Tooting Your Own Horn</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2914</link>
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		<pubDate>Thu, 13 Oct 2011 04:33:34 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Publicity and Promotion]]></category>
		<category><![CDATA[askedna]]></category>
		<category><![CDATA[Caitlin Mehrtens]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[Oberlin]]></category>
		<category><![CDATA[repertoire]]></category>

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		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Hi, Edna. My name is Caitlin Mehrtens and I’m a first year harp student at the Oberlin Conservatory. I have a question about being humble and marketing oneself as a musician. I have struggled in part with balancing being humble and writing a bio or [...]]]></description>
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		<title>The Unglamorous Life</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2612</link>
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		<pubDate>Sat, 08 Oct 2011 18:40:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[atys]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[Black Swan]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[david mcvicar]]></category>
		<category><![CDATA[donizetti]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[glamour]]></category>
		<category><![CDATA[john dexter]]></category>
		<category><![CDATA[josef svoboda]]></category>
		<category><![CDATA[joseph volpe]]></category>
		<category><![CDATA[la traviata]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[live performance]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[new york observer]]></category>
		<category><![CDATA[period costume]]></category>
		<category><![CDATA[regie]]></category>
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		<description><![CDATA[By James Jorden The Metropolitan Opera debut of Donizetti&#8217;s Anna Bolena, an amazing 180 years into the work&#8217;s history, won mostly respectful reviews last week—in between snipes at Anna Netrebko&#8217;s momentary breaking of character during the &#8220;Tower Scene.&#8221; A common thread in both published and popular opinion, though, was that the piece itself was not [...]]]></description>
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		<title>Getting to Know You (writing a good bio)</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1350</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1350#comments</comments>
		<pubDate>Thu, 02 Jun 2011 04:15:51 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Publicity and Promotion]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[repertoire]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1350</guid>
		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Please note that in the months of June, July and August, I will be posting new entries to this blog on a bi-weekly basis. I am grateful to all of you for your interest in “Ask Edna” and wish you a very pleasant summer. Dear [...]]]></description>
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		<title>To Thine Own Self Be True</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1217</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1217#comments</comments>
		<pubDate>Thu, 26 May 2011 04:16:50 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
		<category><![CDATA[Alkan]]></category>
		<category><![CDATA[Armstrong]]></category>
		<category><![CDATA[Benabdallah]]></category>
		<category><![CDATA[Benabdeljalil]]></category>
		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Clementi]]></category>
		<category><![CDATA[concerto]]></category>
		<category><![CDATA[conservatory]]></category>
		<category><![CDATA[edna]]></category>
		<category><![CDATA[Fantaisie]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[Fugue]]></category>
		<category><![CDATA[Gabetta]]></category>
		<category><![CDATA[Impromptus]]></category>
		<category><![CDATA[Kreeger]]></category>
		<category><![CDATA[Landau]]></category>
		<category><![CDATA[Liszt]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[performer]]></category>
		<category><![CDATA[presenter]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[repertoire]]></category>
		<category><![CDATA[Schmidt]]></category>
		<category><![CDATA[Schubert]]></category>
		<category><![CDATA[Servais]]></category>
		<category><![CDATA[solo]]></category>
		<category><![CDATA[Sonata]]></category>
		<category><![CDATA[Sorgen]]></category>
		<category><![CDATA[Variations]]></category>
		<category><![CDATA[Weill]]></category>
		<category><![CDATA[Zankel]]></category>

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		<description><![CDATA[by Edna Landau  To ask a question, please write Ask Edna. This column was prepared with the assistance of Neale Perl, President of the Washington Performing Arts Society, and Ruth Felt, President of San Francisco Performances. Both are valued longtime colleagues, to whom I am very grateful. Dear Edna: I am a pianist and have [...]]]></description>
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