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	<title>Musical America Blogs &#187; regie</title>
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		<title>What went wrong?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3459</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3459#comments</comments>
		<pubDate>Fri, 09 Dec 2011 16:58:28 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[english national opera]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[houston grand opera]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[willy decker]]></category>

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		<description><![CDATA[By James Jorden After putting off for a week trying to make some sense of the horrific mess that is the Met&#8217;s new Faust, I&#8217;m finally just going to give up. There are some disasters that bear writing about as what you might call teaching opportunities: this season&#8217;s Don Giovanni, for example, as a cautionary [...]]]></description>
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		<title>Ring Recycle</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3243</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3243#comments</comments>
		<pubDate>Fri, 18 Nov 2011 22:44:48 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[ann ziff]]></category>
		<category><![CDATA[benedikt von peter]]></category>
		<category><![CDATA[blogs]]></category>
		<category><![CDATA[blu-ray]]></category>
		<category><![CDATA[bryn terfel]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[deconstruction]]></category>
		<category><![CDATA[eva-maria westbroek]]></category>
		<category><![CDATA[fabio luisi]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[gwyneth jones]]></category>
		<category><![CDATA[hd]]></category>
		<category><![CDATA[james levine]]></category>
		<category><![CDATA[jonas kaufmann]]></category>
		<category><![CDATA[julian crouch]]></category>
		<category><![CDATA[lady gaga]]></category>
		<category><![CDATA[lehman's syndrome]]></category>
		<category><![CDATA[martin kusej]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[phelim mcdermott]]></category>
		<category><![CDATA[pundits]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[richard croft]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[satyagraha]]></category>
		<category><![CDATA[stefan herheim]]></category>
		<category><![CDATA[the enchanted island]]></category>
		<category><![CDATA[the fortress of solitude]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3243</guid>
		<description><![CDATA[By James Jorden Now that it has become apparent that Robert Lepage&#8217;s production of the Ring at the Met is a fiasco (too soon? Nah.)&#8230; well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn&#8217;t killed anyone yet, and since, let&#8217;s face it, [...]]]></description>
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		<title>The Unglamorous Life</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2612</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2612#comments</comments>
		<pubDate>Sat, 08 Oct 2011 18:40:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
		<category><![CDATA[atys]]></category>
		<category><![CDATA[black and white]]></category>
		<category><![CDATA[Black Swan]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[david mcvicar]]></category>
		<category><![CDATA[donizetti]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[glamour]]></category>
		<category><![CDATA[john dexter]]></category>
		<category><![CDATA[josef svoboda]]></category>
		<category><![CDATA[joseph volpe]]></category>
		<category><![CDATA[la traviata]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[live performance]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[new york observer]]></category>
		<category><![CDATA[period costume]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[repertoire]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2612</guid>
		<description><![CDATA[By James Jorden The Metropolitan Opera debut of Donizetti&#8217;s Anna Bolena, an amazing 180 years into the work&#8217;s history, won mostly respectful reviews last week—in between snipes at Anna Netrebko&#8217;s momentary breaking of character during the &#8220;Tower Scene.&#8221; A common thread in both published and popular opinion, though, was that the piece itself was not [...]]]></description>
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		<title>Horse play</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1172</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1172#comments</comments>
		<pubDate>Thu, 19 May 2011 17:46:21 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[bryn terfel]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[frammistans]]></category>
		<category><![CDATA[hd]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[robert lepage]]></category>
		<category><![CDATA[the machine]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[wagner]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1172</guid>
		<description><![CDATA[By James Jorden The critics&#8217; reaction to Robert Lepage’s new production of Die Walküre at the Met leaves this contrarian reviewer in something of a quandary. Not only was pretty much everybody underwhelmed, but there was a consensus about what (they thought) was wrong: the clunkiness of The Machine, the lack of poetry in the [...]]]></description>
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		<title>She sees dead people</title>
		<link>http://www.musicalamerica.com/mablogs/?p=954</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=954#comments</comments>
		<pubDate>Thu, 28 Apr 2011 15:52:53 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[alban berg]]></category>
		<category><![CDATA[clowns]]></category>
		<category><![CDATA[deconstruction]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[lulu]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[stefan herheim]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[tennessee williams]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[tone rows]]></category>
		<category><![CDATA[vienna school]]></category>
		<category><![CDATA[wooster group]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=954</guid>
		<description><![CDATA[It&#8217;s fortunate that Lulu at Den Norske Opera was the last stop on the &#8220;Regietournee,&#8221; because honestly anything after that would have amounted to an anticlimax. If there is a more brilliant director working in opera today than Stefan Herheim, well, maybe I shouldn&#8217;t see any of his work, because it might be too much [...]]]></description>
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		<title>Regie in its natural habitat</title>
		<link>http://www.musicalamerica.com/mablogs/?p=940</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=940#comments</comments>
		<pubDate>Tue, 19 Apr 2011 21:23:38 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[gesamtkunstwerk]]></category>
		<category><![CDATA[journey of a thousand miles]]></category>
		<category><![CDATA[leather trench coats]]></category>
		<category><![CDATA[parsifal]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[revivals]]></category>
		<category><![CDATA[richard wagner]]></category>
		<category><![CDATA[staatsoper stuttgart]]></category>
		<category><![CDATA[symbols]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=940</guid>
		<description><![CDATA[By James Jorden The Staatsoper Stuttgart may be called the cradle of Regietheater, or at least a cradle of Regietheater. Strong theatrical values have characterized this company from the opening of the theater in 1912 (the world premiere of Ariadne auf Naxos, helmed by megaregisseur Max Reinhardt) through the 1950s, when Wieland Wagner&#8217;s frequent projects [...]]]></description>
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		<title>Berlin Diary</title>
		<link>http://www.musicalamerica.com/mablogs/?p=925</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=925#comments</comments>
		<pubDate>Sun, 10 Apr 2011 01:58:37 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[barrie kosky]]></category>
		<category><![CDATA[calixto bieito]]></category>
		<category><![CDATA[doris doerrie]]></category>
		<category><![CDATA[eurotrash]]></category>
		<category><![CDATA[komische oper]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[revivals]]></category>
		<category><![CDATA[staatsoper unter den linden]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=925</guid>
		<description><![CDATA[By James Jorden I apologize for long period (two months!) of radio silence: it&#8217;s been a very busy spring season in New York, broken up by a two week vacation my traveling companion and I called the &#8220;Regietournee,&#8221; a sampling of some of the opera direction going on in Germany (and other northern European theaters.) [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Fair and square</title>
		<link>http://www.musicalamerica.com/mablogs/?p=872</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=872#comments</comments>
		<pubDate>Sat, 19 Feb 2011 00:48:08 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[tennessee williams]]></category>
		<category><![CDATA[wooster group]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=872</guid>
		<description><![CDATA[By James Jorden I&#8217;m not the type to say &#8220;my head is still reeling,&#8221; but, go figure, my head is still reeling from seeing Vieux Carré performed by the Wooster Group last night. I&#8217;m not going to pretend to review this masterpiece (what could I say besides &#8220;oh, my God!&#8221; over and over again), but [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The better is the enemy of the good</title>
		<link>http://www.musicalamerica.com/mablogs/?p=815</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=815#comments</comments>
		<pubDate>Fri, 14 Jan 2011 21:44:30 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[barbra streisand]]></category>
		<category><![CDATA[garson kanin]]></category>
		<category><![CDATA[karita mattila]]></category>
		<category><![CDATA[lighting]]></category>
		<category><![CDATA[luc bondy]]></category>
		<category><![CDATA[montserrat caballe]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=815</guid>
		<description><![CDATA[By James Jorden Garson Kanin wrote this novel a clef called Smash, a tale of a ruggedly handsome director&#8217;s trials in getting ready for Broadway a musical based on the life of a legendary vaudeville star, featuring a difficult young diva in the leading role—well, as you can see, the clef is pretty much a [...]]]></description>
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		<title>Myth, Matched</title>
		<link>http://www.musicalamerica.com/mablogs/?p=800</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=800#comments</comments>
		<pubDate>Fri, 07 Jan 2011 21:35:41 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[symbols]]></category>
		<category><![CDATA[the met]]></category>
		<category><![CDATA[willy decker]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=800</guid>
		<description><![CDATA[By James Jorden New Year’s Eve may have marked a significant turning point for the Gelb administration at the Metropolitan Opera. The replacement of the “beloved” Franco Zeffirelli Traviata extravaganza with a lean, mean non-literal staging has garnered rapturous reviews and strongly positive audience reactions. The single reported boo for director Willy Decker’s production team [...]]]></description>
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