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	<title>Musical America Blogs &#187; puccini</title>
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		<title>Loss, Lust and Repentance at the DSO</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4658</link>
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		<pubDate>Fri, 27 Apr 2012 13:30:18 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[Deutsches Symphonie-Orchester Berlin]]></category>
		<category><![CDATA[Ewa Wolak]]></category>
		<category><![CDATA[Hans Graf]]></category>
		<category><![CDATA[Hindemith]]></category>
		<category><![CDATA[Jana Kurucová]]></category>
		<category><![CDATA[Lioba Braun]]></category>
		<category><![CDATA[Maria Luigia Borsi]]></category>
		<category><![CDATA[Melanie Diener]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[Skryabin]]></category>
		<category><![CDATA[Theodor Adorno]]></category>

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		<description><![CDATA[By Rebecca Schmid Of Berlin’s seven major orchestras, the Deutsches Symphonie-Orchester (DSO) is beloved among connoisseurs for its innovative programming. For the past five seasons, the orchestra has offered “Casual Concerts” concluding with a DJ act in the foyer of the Philharmonie, as initiated by former Music Director Ingo Metzmacher. In what the Berliner Zeitung [...]]]></description>
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		<title>Nixon in Amber</title>
		<link>http://www.musicalamerica.com/mablogs/?p=857</link>
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		<pubDate>Fri, 04 Feb 2011 20:52:16 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Chiang Ching]]></category>
		<category><![CDATA[english national opera]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[houston grand opera]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Mark Morris]]></category>
		<category><![CDATA[new york city opera]]></category>
		<category><![CDATA[peter gelb]]></category>
		<category><![CDATA[peter sellars]]></category>
		<category><![CDATA[ping pong diplomacy]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[republic of china]]></category>
		<category><![CDATA[revivals]]></category>
		<category><![CDATA[the met]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=857</guid>
		<description><![CDATA[By James Jorden It&#8217;s not hard to guess why Peter Gelb would choose to import a recreation of the original production of Nixon in China instead of devising a new staging from scratch. It would hardly be prudent to blow a million dollars on a six-performance run of a work unlikely to be revived any [...]]]></description>
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		<title>Untrue West</title>
		<link>http://www.musicalamerica.com/mablogs/?p=783</link>
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		<pubDate>Fri, 10 Dec 2010 20:54:57 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[joseph volpe]]></category>
		<category><![CDATA[Marcello Giordani]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[Mrs. Donald Harrington]]></category>
		<category><![CDATA[naturalism]]></category>
		<category><![CDATA[Plácido Domingo]]></category>
		<category><![CDATA[puccini]]></category>

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		<description><![CDATA[By James Jorden Of course it’s insanity in the current financial climate to suggest that the Met should have done a new production of La fanciulla del West this year, even though it&#8217;s a very special case: the centennial of the work&#8217;s world premiere, which was also the Met&#8217;s first world premiere. In fact, to [...]]]></description>
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		<title>Beyond the Bathrobe</title>
		<link>http://www.musicalamerica.com/mablogs/?p=743</link>
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		<pubDate>Fri, 22 Oct 2010 04:01:33 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[enrico caruso]]></category>
		<category><![CDATA[eurotrash]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[leather trench coats]]></category>
		<category><![CDATA[luc bondy]]></category>
		<category><![CDATA[puccini]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[standing room]]></category>

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		<description><![CDATA[By James Jorden It’s the laziest of journalistic tropes to lead off with &#8220;this guy I know says&#8230;&#8221; but in this case the guy in question has provided me with what I consider a really handy peg for a first column on opera stage direction. Anyway, this guy—who’s in his 70s now, a retired opera [...]]]></description>
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