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		<title>Not Even God Can Act Without A Contract!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8260</link>
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		<pubDate>Wed, 14 Nov 2012 06:54:26 +0000</pubDate>
		<dc:creator>ggartslaw</dc:creator>
				<category><![CDATA[Acts of God]]></category>
		<category><![CDATA[Artist Management]]></category>
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		<category><![CDATA[Contracts]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
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		<category><![CDATA[Brian Taylor]]></category>
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		<description><![CDATA[By Brian Taylor Goldstein, Esq. No sooner had Super Storm Sandy begun crashing into the East Coast when my phone started ringing with cancellations. The most common question went something like this: “The presenter needs to cancel, but they already paid a deposit. Do we have to give it back? What the protocol?” The second [...]]]></description>
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		<title>I Want To Engage A Foreign Artist. Tell Me Everything I Need To Know!</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4953</link>
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		<pubDate>Wed, 30 May 2012 05:47:07 +0000</pubDate>
		<dc:creator>ftmartslaw</dc:creator>
				<category><![CDATA[Central Withholding Agreements]]></category>
		<category><![CDATA[Law and Disorder: Performing Arts Division]]></category>
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		<description><![CDATA[By Brian Taylor Goldstein Dear FTM: What needs to be done to bring a performing artist from a foreign country to play in a US concert? How is their pay reported to the IRS? Is withholding required? Do they have to pay taxes on the money that they earn in the US? Etc. Wow, this [...]]]></description>
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		<title>Ten Do&#8217;s and Dont&#8217;s of Career Building</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4121</link>
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		<pubDate>Thu, 01 Mar 2012 04:15:10 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
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		<category><![CDATA[career]]></category>
		<category><![CDATA[carnegie hall]]></category>
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		<category><![CDATA[Edna Landau]]></category>
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		<category><![CDATA[Susana Galli]]></category>
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		<description><![CDATA[By: Edna Landau To ask a question, please write Ask Edna. Dear Edna: In this fast paced changeable world we live in, we artists feel like a little boat in a vast ocean, many times lost and orphans of good guidance. A wonderful legacy, and a practical one from an accomplished pro like you, would be [...]]]></description>
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		<title>To Thine Own Self Be True</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1217</link>
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		<pubDate>Thu, 26 May 2011 04:16:50 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Listening to Your Inner Voice]]></category>
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		<description><![CDATA[by Edna Landau  To ask a question, please write Ask Edna. This column was prepared with the assistance of Neale Perl, President of the Washington Performing Arts Society, and Ruth Felt, President of San Francisco Performances. Both are valued longtime colleagues, to whom I am very grateful. Dear Edna: I am a pianist and have [...]]]></description>
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