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	<title>Musical America Blogs &#187; Philippe Jordan</title>
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		<title>Two Scandals in Paris</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8952</link>
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		<pubDate>Sun, 23 Dec 2012 16:32:07 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Anna Catherina Antonacci]]></category>
		<category><![CDATA[Dominique Meyer]]></category>
		<category><![CDATA[Gerard Mortier]]></category>
		<category><![CDATA[Michel Franck]]></category>
		<category><![CDATA[Nadja Michael]]></category>
		<category><![CDATA[Nicolas Joel]]></category>
		<category><![CDATA[Philippe Jordan]]></category>

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		<description><![CDATA[By: Frank Cadenhead The two Parisian scandals on everyone&#8217;s lips in December were operatic in scope but also happened to be about opera. After all, Paris is still a city where artists are the center of continuing debate with their audiences. How timely this is since, in a few days, 2013 arrives with the centenary [...]]]></description>
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		<title>In Bayreuth, Persisting with the New</title>
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		<pubDate>Fri, 31 Aug 2012 11:11:17 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[bayreuth festival]]></category>
		<category><![CDATA[Burkhard Fritz]]></category>
		<category><![CDATA[Camilla Nylund]]></category>
		<category><![CDATA[Christian Marthaler]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Irène Theorin]]></category>
		<category><![CDATA[katharina wagner]]></category>
		<category><![CDATA[Kwangchul Youn]]></category>
		<category><![CDATA[Michael Nagy]]></category>
		<category><![CDATA[Michele Breedt]]></category>
		<category><![CDATA[Peter Schneider]]></category>
		<category><![CDATA[Philippe Jordan]]></category>
		<category><![CDATA[Robert Dean Smith]]></category>
		<category><![CDATA[Sebastian Baumgarten]]></category>
		<category><![CDATA[stefan herheim]]></category>
		<category><![CDATA[Susan Maclean]]></category>
		<category><![CDATA[Torsten Kerl]]></category>
		<category><![CDATA[Wolfgang Wagner]]></category>

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		<description><![CDATA[By Rebecca Schmid „Kinder, schaff Neues,“ (Children, create something new) Wagner wrote in an adage frequently quoted by stage directors in Germany. In Bayreuth, 136 years after the founding of his festival, the spirit is alive and well. Provocatively-minded Regietheater, for lack of a better blanket term, has come to stamp the recently installed administration [...]]]></description>
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