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	<title>Musical America Blogs &#187; Philharmonie</title>
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		<title>An Italian, and possibly a Swiss, Symphony at the Philharmonie</title>
		<link>http://www.musicalamerica.com/mablogs/?p=9149</link>
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		<pubDate>Fri, 11 Jan 2013 16:00:13 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Andreas Ottensamer]]></category>
		<category><![CDATA[Berlin Philharmonic]]></category>
		<category><![CDATA[bruckner]]></category>
		<category><![CDATA[Daishin Kashimoto]]></category>
		<category><![CDATA[Dvorak]]></category>
		<category><![CDATA[Gauguin]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Riccardo Chailly]]></category>
		<category><![CDATA[Switzerland]]></category>

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		<description><![CDATA[By Rebecca Schmid Journeys have provided powerful inspiration to writers, painters and composers alike, opening eyes to new ways of seeing the world. The broadening of artists’ palettes has sometimes allowed them to capture a landscape more vividly than the natives could themselves. One only has to think of Dvorak’s New World Symphony, Gauguin’s portraits [...]]]></description>
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		<title>The San Francisco Symphony Youth Orchestra takes the Philharmonie</title>
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		<pubDate>Fri, 06 Jul 2012 13:15:43 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
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		<category><![CDATA[Midori]]></category>
		<category><![CDATA[Omar Shelly]]></category>
		<category><![CDATA[Philharmonie]]></category>
		<category><![CDATA[Ronald Gallman]]></category>
		<category><![CDATA[San Francisco Symphony]]></category>
		<category><![CDATA[San Francisco Symphony Youth Orchestra]]></category>
		<category><![CDATA[Shaker Loops]]></category>
		<category><![CDATA[Sir Simon Rattle]]></category>
		<category><![CDATA[Yo-Yo Ma]]></category>

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		<description><![CDATA[By Rebecca Schmid A timpanist just tall enough to rumble his mallets over the kettle drums stares out from beneath his specs as Lars Vogt slides onto the bench for the opening chords of Grieg’s Piano Concerto. “I like that sound!” says Music Director Donato Cabrera to the young percussionist as he walks out into [...]]]></description>
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