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	<title>Musical America Blogs &#187; philharmonic</title>
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		<title>New York Was His &#8220;Howieland&#8221;</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4114</link>
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		<pubDate>Wed, 29 Feb 2012 17:04:29 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Christine Brewer]]></category>
		<category><![CDATA[Clark]]></category>
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		<category><![CDATA[Eric Owens]]></category>
		<category><![CDATA[Howard Kissel]]></category>
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		<category><![CDATA[lincoln center]]></category>
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		<category><![CDATA[Michelle DeYoung]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[philharmonic]]></category>
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		<category><![CDATA[sedgwick clark]]></category>
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		<description><![CDATA[by Sedgwick Clark It’s a most improbable New York story: Broadway salutes a theater critic, of all things, by dimming its lights during prime box-office time prior to curtain. How often has that happened? No one would have been more astonished to receive this honor than its recipient, Howard Kissel, theater critic of the New [...]]]></description>
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		<title>Choosing the Right Moment</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2422</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2422#comments</comments>
		<pubDate>Thu, 08 Sep 2011 04:15:00 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[american music center]]></category>
		<category><![CDATA[artistic administrator]]></category>
		<category><![CDATA[bit]]></category>
		<category><![CDATA[Ed Yim]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Steve Reich]]></category>

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		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Dear Edna: As it is now late August and booking season is heading our way, I was wondering when you think is the best time to catch orchestra executive directors. I will be sending out materials through regular mail and e-mail. If I move [...]]]></description>
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		<title>What We&#8217;ve Been Doing Lately</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1483</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1483#comments</comments>
		<pubDate>Tue, 07 Jun 2011 15:50:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Anne-Sophie Mutter]]></category>
		<category><![CDATA[Budapest]]></category>
		<category><![CDATA[Daniel Boico]]></category>
		<category><![CDATA[Doug Fitch]]></category>
		<category><![CDATA[Leipzig]]></category>
		<category><![CDATA[Ligeti]]></category>
		<category><![CDATA[Lisa Batiashvili]]></category>
		<category><![CDATA[Macabre]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Sebastian Currier]]></category>

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		<description><![CDATA[By Alan Gilbert Those of us who were involved in preparing for last year’s production of Ligeti’s Le Grand Macabre are remembering the great excitement we all felt in this very same rehearsal room as we prepare for our upcoming performances of Janáček’s opera The Cunning Little Vixen, but are also amazed at how different [...]]]></description>
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		<title>A Reluctant Blogger Joins the Fray</title>
		<link>http://www.musicalamerica.com/mablogs/?p=429</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=429#comments</comments>
		<pubDate>Tue, 24 Feb 2009 21:14:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[Charles Rosen]]></category>
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		<category><![CDATA[classical music]]></category>
		<category><![CDATA[Elliott Carter]]></category>
		<category><![CDATA[Franz Welser-Möst]]></category>
		<category><![CDATA[Gustavo Dudamel]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[music director]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>

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		<description><![CDATA[My publisher made me do this. I’ve always been leery of blogs, from the disgusting sound of the word to the colossal self-importance of the act. Still, I admit to a good read and insight courtesy of bloggers Alex Ross and Alan Rich, and I’m sure I’d find others out there if I took the [...]]]></description>
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