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	<title>Musical America Blogs &#187; Peter Whitehead</title>
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		<title>A Lustrous 25th Anniversary Season: Susan Marshall &amp; Company</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1618</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1618#comments</comments>
		<pubDate>Tue, 14 Jun 2011 13:28:34 +0000</pubDate>
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				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Adamantine]]></category>
		<category><![CDATA[Baryshnikov Arts Center]]></category>
		<category><![CDATA[International Festival of the Arts]]></category>
		<category><![CDATA[Jeremy Lydic]]></category>
		<category><![CDATA[Joseph Poulson]]></category>
		<category><![CDATA[Mark Stanley]]></category>
		<category><![CDATA[Peter Whitehead]]></category>
		<category><![CDATA[Petra Van Noort]]></category>
		<category><![CDATA[Susan Marshall]]></category>

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		<description><![CDATA[To understand the power of a good title, look no further than Susan Marshall’s “Adamantine.” In the dance work—which had its New York premiere at the Baryshnikov Arts Center on June 9 in celebration of the Susan Marshall  &#38; Company’s quarter-century mark—six performers are bathed by and dressed in an adamantine luster. That is a brilliant, non-metallic shade of gray, whose chameleon-like qualities becomes a metaphor for the paradoxes of urban living. With Mark Stanley’s lighting and Jeremy Lydic’s set design, one minute the stage space is darkly diluvian, like a bad subway ride. In the next it’s heavenly, like the setting sun transforming a nondescript building’s façade into a golden field of light.]]></description>
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