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	<title>Musical America Blogs &#187; Peter Martins</title>
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		<title>The Seven Deadly Sins at City Ballet</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1213</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1213#comments</comments>
		<pubDate>Tue, 24 May 2011 23:54:39 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[After the Rain]]></category>
		<category><![CDATA[Allegra Kent]]></category>
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		<category><![CDATA[The Seven Deadly Sins]]></category>
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		<description><![CDATA[New York City Ballet’s new staging of  “The Seven Deadly Sins ,” which had its premiere at the company’s spring gala on May 11,  puts Kurt Weill and Bertolt Brecht’s dark, sinister “ballet chanté” of 1933 into a new context:  a tinsel-town soundstage, complete with unison hoofers in the grand finale.  Choreographer Lynn Taylor-Corbett, whose credits include Broadway’s “Swing,” has essentially created a Cliff Notes version of this irony-laced yarn, dragging  principal dancer Wendy Whelan and guest artist Patti Lapone through seven shallow scenes of human transgression and stripping the work of its brooding soul.]]></description>
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		<title>A New Apollo: Chase Finlay of New York City Ballet</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1045</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1045#comments</comments>
		<pubDate>Mon, 09 May 2011 20:31:12 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Ana Sophia Scheller]]></category>
		<category><![CDATA[Apollo]]></category>
		<category><![CDATA[Bruce Webber]]></category>
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		<description><![CDATA[There is no better way to anoint a rising male ballet star than to award him the title role in George Balanchine’s “Apollo.” On May 5 at David R. Koch Theater, New York City Ballet corps dancer Chase Finlay hit the big time with “Apollo,” receiving three curt]]></description>
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