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	<title>Musical America Blogs &#187; otto schenk</title>
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		<title>Twilight of the Machine</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3827</link>
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		<pubDate>Fri, 03 Feb 2012 21:48:34 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[Anthony Tommasini]]></category>
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		<category><![CDATA[Deborah Voigt]]></category>
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		<description><![CDATA[By James Jorden Revelation comes in the strangest places. Like, for example, I had this eventual moment of clarity about what it was that went wrong in the Lepage Ring, and what do you think sparked it? Of all things, last night’s performance of Ernani at the Met.  Now, this is not to say that [...]]]></description>
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		<title>Ring Recycle</title>
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		<pubDate>Fri, 18 Nov 2011 22:44:48 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
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		<category><![CDATA[the enchanted island]]></category>
		<category><![CDATA[the fortress of solitude]]></category>
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		<description><![CDATA[By James Jorden Now that it has become apparent that Robert Lepage&#8217;s production of the Ring at the Met is a fiasco (too soon? Nah.)&#8230; well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn&#8217;t killed anyone yet, and since, let&#8217;s face it, [...]]]></description>
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		<title>Berlin Diary</title>
		<link>http://www.musicalamerica.com/mablogs/?p=925</link>
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		<pubDate>Sun, 10 Apr 2011 01:58:37 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[barrie kosky]]></category>
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		<category><![CDATA[otto schenk]]></category>
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		<category><![CDATA[staatsoper unter den linden]]></category>
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		<category><![CDATA[the met]]></category>

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		<description><![CDATA[By James Jorden I apologize for long period (two months!) of radio silence: it&#8217;s been a very busy spring season in New York, broken up by a two week vacation my traveling companion and I called the &#8220;Regietournee,&#8221; a sampling of some of the opera direction going on in Germany (and other northern European theaters.) [...]]]></description>
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		<title>The tears of a queen</title>
		<link>http://www.musicalamerica.com/mablogs/?p=789</link>
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		<pubDate>Fri, 17 Dec 2010 20:14:47 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[franco zeffirelli]]></category>
		<category><![CDATA[la boheme]]></category>
		<category><![CDATA[marina poplavskaya]]></category>
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		<category><![CDATA[new york times]]></category>
		<category><![CDATA[otto schenk]]></category>
		<category><![CDATA[peter gelb]]></category>
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		<description><![CDATA[By James Jorden What makes a dedicated opera queen (well, anyway this dedicated opera queen) sad? Well, it goes like this: the General Manager of the Metropolitan Opera hosts a panel discussion to introduce the company’s upcoming new production of La traviata, the first non-Franco Zeffirelli take on Verdi’s tragedy to be seen there in [...]]]></description>
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