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	<title>Musical America Blogs &#187; norma desmond</title>
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		<title>The One-Eyed Man</title>
		<link>http://www.musicalamerica.com/mablogs/?p=754</link>
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		<pubDate>Thu, 04 Nov 2010 20:34:35 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[alden]]></category>
		<category><![CDATA[cecil b demille]]></category>
		<category><![CDATA[financial times]]></category>
		<category><![CDATA[glimmerglass]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[new york city opera]]></category>
		<category><![CDATA[new york observer]]></category>
		<category><![CDATA[norma desmond]]></category>
		<category><![CDATA[quiet place]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[stephen wadsworth]]></category>

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		<description><![CDATA[By James Jorden The New York City Opera’s production of the Bernstein/Wadsworth A Quiet Place won what are called &#8220;mixed&#8221; reviews. A few critics hosannaed “Thanks be to Great God Lenny for smooching us once more with his plump, moist genius,” but the majority echoed Cecil B. DeMille’s tactful reaction to Norma Desmond’s bizarre comeback [...]]]></description>
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