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	<title>Musical America Blogs &#187; New York Philharmonic</title>
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		<title>Is there an artist in the house?</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8649</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8649#comments</comments>
		<pubDate>Thu, 06 Dec 2012 12:23:50 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Barbara Frittoli]]></category>
		<category><![CDATA[David Alden]]></category>
		<category><![CDATA[elina garanca]]></category>
		<category><![CDATA[Gil Shaham]]></category>
		<category><![CDATA[Harry Bicket]]></category>
		<category><![CDATA[Jean-Pierre Ponnelle]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Peter McClintock]]></category>
		<category><![CDATA[Rachmaninoff]]></category>
		<category><![CDATA[Samuel Barber]]></category>
		<category><![CDATA[steven stucky]]></category>
		<category><![CDATA[Ursel and Karl-Ernest Herrmann]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8649</guid>
		<description><![CDATA[By: Frank Cadenhead Two New York nights, back to back. Two examples of the continuous search for the enchantment, the profoundity, the glory of art. Who is an artist? How do you earn the title? Whether you work with an iPad, a pencil, a brush, a chisel, a baton, a clarinet, your voice or your [...]]]></description>
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		<title>Goin&#8217; Home &#8211; well, New York anyway.</title>
		<link>http://www.musicalamerica.com/mablogs/?p=8551</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=8551#comments</comments>
		<pubDate>Wed, 28 Nov 2012 22:00:28 +0000</pubDate>
		<dc:creator>Frankster</dc:creator>
				<category><![CDATA[An American in Paris]]></category>
		<category><![CDATA[Andrey Boreyko]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[New York Philharmonic]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=8551</guid>
		<description><![CDATA[By: Frank Cadenhead It was appropriate. A visit to New York over the Thanksgiving holiday started off musically with Dvorak&#8217;s New World Symphony with its famed Largo  -  the one with the &#8220;Goin&#8217; Home&#8221; tune. It has been years since my last visit with the New York Philharmonic in their hall and I did not [...]]]></description>
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		<title>New York Rites</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7453</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7453#comments</comments>
		<pubDate>Fri, 21 Sep 2012 17:11:32 +0000</pubDate>
		<dc:creator>rschmid</dc:creator>
				<category><![CDATA[Berlin Times]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[Ives]]></category>
		<category><![CDATA[Kurtag]]></category>
		<category><![CDATA[Leif Ove Andsnes]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Rebecca Schmid]]></category>
		<category><![CDATA[Stockhausen]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[The Rite of Spring]]></category>
		<category><![CDATA[Vaslav Nijinsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7453</guid>
		<description><![CDATA[By Rebecca Schmid In Berlin, where contemporary music thrives from the Philharmonie to off spaces, it is a widespread perception that New York’s mainstream institutions are afraid to program anything past Stravinsky. A look at Alan Gilbert’s recent undertakings with the New York Philharmonic, notably in a hugely successful “360” concert of Mozart, Stockhausen, Boulez [...]]]></description>
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		<title>Finding the Right Gimmick</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4184</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4184#comments</comments>
		<pubDate>Wed, 14 Mar 2012 16:01:21 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[alex ross]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[Leinsdorf]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[metropolitan opera]]></category>
		<category><![CDATA[musical america]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[verdi]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4184</guid>
		<description><![CDATA[by Sedgwick Clark Shaham’s 1939 Dark Horse Gil Shaham had an epiphany. After years of recognition as one of the brightest young lights of the concert circuit, the Israeli-American violinist conjured one of the most imaginative programming concepts in years. He had been struck by how many violin concertos written in the 1930s had entered [...]]]></description>
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		<title>A Genuine Jolt at the NY Phil</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3847</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3847#comments</comments>
		<pubDate>Wed, 08 Feb 2012 19:31:59 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[Boulez]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[Clark]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[Frank Peter Zimmermann]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[Kurt Masur]]></category>
		<category><![CDATA[leonard bernstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[Magnus Lindberg]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philadelphia orchestra]]></category>
		<category><![CDATA[Sedgwick]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3847</guid>
		<description><![CDATA[by Sedgwick Clark Alan Gilbert and the New York Philharmonic are on a European tour for a couple of weeks, and for a change I didn’t roll my eyes in despair when I saw the list of repertoire. His predecessors as music director, Kurt Masur and Lorin Maazel, for all their superb work at building [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Masterly Mann at Manhattan</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3574</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3574#comments</comments>
		<pubDate>Wed, 11 Jan 2012 17:19:34 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[alice tully hall]]></category>
		<category><![CDATA[avery fisher hall]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Berg]]></category>
		<category><![CDATA[carnegie]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[colin davis]]></category>
		<category><![CDATA[Juilliard]]></category>
		<category><![CDATA[leon botstein]]></category>
		<category><![CDATA[Lindberg]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[sedgwick clark]]></category>
		<category><![CDATA[Stravinsky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3574</guid>
		<description><![CDATA[by Sedgwick Clark In their wildest dreams, the six string quartets couldn’t have asked for more. Nor could music lovers, as the Manhattan School of Music rang in the New Year with what it called the “Inaugural Robert Mann String Quartet Institute.” Yes, this is why I left Muncie, but this time my hometown friends [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Thinking About the Future</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3566</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3566#comments</comments>
		<pubDate>Mon, 09 Jan 2012 17:38:45 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Matthew VanBesien]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[nyphil]]></category>
		<category><![CDATA[Zarin Mehta]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3566</guid>
		<description><![CDATA[By Alan Gilbert On January 4 the Philharmonic made a very important announcement: Matthew VanBesien has been named the next Executive Director of the Orchestra. I feel very positive about this choice, as I was quoted as saying, but here I want to discuss some of the thoughts that have come to my mind in [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Music and 9/11</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2439</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2439#comments</comments>
		<pubDate>Tue, 13 Sep 2011 13:24:41 +0000</pubDate>
		<dc:creator>parksm</dc:creator>
				<category><![CDATA[Curiously Random]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[A Concert for New York]]></category>
		<category><![CDATA[Alan Gilbert]]></category>
		<category><![CDATA[Mahler]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[Resurrection]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2439</guid>
		<description><![CDATA[On Saturday, September 10 2011, Alan Gilbert spoke before the New York Philharmonic performed Mahler&#8217;s Symphony No. 2, Resurrection, on A Concert for New York. Following are his reflections that preceded the performance, which was telecast nationally on PBS and can be watched in full at http://www.pbs.org/wnet/gperf/episodes/a-concert-for-new-york/watch-the-fully-edited-broadcast-program-with-tom-brokaw/1182/. We are faced, on this anniversary, with the responsibility [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Choosing the Right Moment</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2422</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2422#comments</comments>
		<pubDate>Thu, 08 Sep 2011 04:15:00 +0000</pubDate>
		<dc:creator>Edna Landau</dc:creator>
				<category><![CDATA[Ask Edna]]></category>
		<category><![CDATA[Managing Your Own Career]]></category>
		<category><![CDATA[american music center]]></category>
		<category><![CDATA[artistic administrator]]></category>
		<category><![CDATA[bit]]></category>
		<category><![CDATA[Ed Yim]]></category>
		<category><![CDATA[Edna Landau]]></category>
		<category><![CDATA[John Adams]]></category>
		<category><![CDATA[musicalamerica]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[philharmonic]]></category>
		<category><![CDATA[Steve Reich]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2422</guid>
		<description><![CDATA[by Edna Landau To ask a question, please write Ask Edna. Dear Edna: As it is now late August and booking season is heading our way, I was wondering when you think is the best time to catch orchestra executive directors. I will be sending out materials through regular mail and e-mail. If I move [...]]]></description>
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		</item>
		<item>
		<title>Taking Chances in the Spring</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2082</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=2082#comments</comments>
		<pubDate>Fri, 15 Jul 2011 04:51:53 +0000</pubDate>
		<dc:creator>sedgwickclark@aol.com</dc:creator>
				<category><![CDATA[Why I Left Muncie]]></category>
		<category><![CDATA[albany symphony]]></category>
		<category><![CDATA[appalachian spring]]></category>
		<category><![CDATA[carnegie hall]]></category>
		<category><![CDATA[copland]]></category>
		<category><![CDATA[dallas symphony]]></category>
		<category><![CDATA[david alan miller]]></category>
		<category><![CDATA[gene scheer]]></category>
		<category><![CDATA[jaap van zweden]]></category>
		<category><![CDATA[New York Philharmonic]]></category>
		<category><![CDATA[spirituals]]></category>
		<category><![CDATA[steven stucky]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=2082</guid>
		<description><![CDATA[by Sedgwick Clark It seems odd that Carnegie Hall’s 2010-11 season concluded in mid May and that the New York Philharmonic continued into the last week of June, with the final concert of its Summertime Classics coda at the end of last week. It also seems to me that the official seasons in both halls concluded in [...]]]></description>
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