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	<title>Musical America Blogs &#187; new york observer</title>
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		<title>The Unglamorous Life</title>
		<link>http://www.musicalamerica.com/mablogs/?p=2612</link>
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		<pubDate>Sat, 08 Oct 2011 18:40:00 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
		<category><![CDATA[anna netrebko]]></category>
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		<category><![CDATA[david mcvicar]]></category>
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		<category><![CDATA[josef svoboda]]></category>
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		<description><![CDATA[By James Jorden The Metropolitan Opera debut of Donizetti&#8217;s Anna Bolena, an amazing 180 years into the work&#8217;s history, won mostly respectful reviews last week—in between snipes at Anna Netrebko&#8217;s momentary breaking of character during the &#8220;Tower Scene.&#8221; A common thread in both published and popular opinion, though, was that the piece itself was not [...]]]></description>
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		<title>The One-Eyed Man</title>
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		<pubDate>Thu, 04 Nov 2010 20:34:35 +0000</pubDate>
		<dc:creator>James Jorden</dc:creator>
				<category><![CDATA[Rough and Regie]]></category>
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		<category><![CDATA[norma desmond]]></category>
		<category><![CDATA[quiet place]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[regie]]></category>
		<category><![CDATA[stephen wadsworth]]></category>

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		<description><![CDATA[By James Jorden The New York City Opera’s production of the Bernstein/Wadsworth A Quiet Place won what are called &#8220;mixed&#8221; reviews. A few critics hosannaed “Thanks be to Great God Lenny for smooching us once more with his plump, moist genius,” but the majority echoed Cecil B. DeMille’s tactful reaction to Norma Desmond’s bizarre comeback [...]]]></description>
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