<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:series="http://unfoldingneurons.com/"
	>

<channel>
	<title>Musical America Blogs &#187; New York City Ballet</title>
	<atom:link href="http://www.musicalamerica.com/mablogs/Index.php?feed=rss2&#038;tag=new-york-city-ballet" rel="self" type="application/rss+xml" />
	<link>http://www.musicalamerica.com/mablogs</link>
	<description></description>
	<lastBuildDate>Wed, 16 Jan 2013 16:01:59 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0.6</generator>
		<item>
		<title>Music and Dance Partnerships</title>
		<link>http://www.musicalamerica.com/mablogs/?p=7515</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=7515#comments</comments>
		<pubDate>Wed, 26 Sep 2012 15:53:29 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Alexei Ratmansky]]></category>
		<category><![CDATA[Alice Tully]]></category>
		<category><![CDATA[Apollon Musagète]]></category>
		<category><![CDATA[Ashley Bouder]]></category>
		<category><![CDATA[Chinese Zodiac]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Doris Humphrey]]></category>
		<category><![CDATA[El Sistema]]></category>
		<category><![CDATA[Ellen Bar]]></category>
		<category><![CDATA[Enjoy Your Rabbit]]></category>
		<category><![CDATA[Francisco Ruvalcaba]]></category>
		<category><![CDATA[Gabriela Poler-Buzali]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[Guggenheim Museum]]></category>
		<category><![CDATA[Igor Stravinsky]]></category>
		<category><![CDATA[Jose Limon]]></category>
		<category><![CDATA[Justin Peck]]></category>
		<category><![CDATA[Kathryn Alter]]></category>
		<category><![CDATA[Limon Dance Company]]></category>
		<category><![CDATA[Michael Atkinson]]></category>
		<category><![CDATA[Missa Brevis]]></category>
		<category><![CDATA[Monte Carlo]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Peter B. Lewis Theater]]></category>
		<category><![CDATA[Peters Martins]]></category>
		<category><![CDATA[Simon Bolivar National Youth Choir]]></category>
		<category><![CDATA[Sufjan Stevens]]></category>
		<category><![CDATA[Tiler Peck]]></category>
		<category><![CDATA[Work & Process]]></category>
		<category><![CDATA[Year of the Rabbit]]></category>
		<category><![CDATA[Zoltan Kodaly]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=7515</guid>
		<description><![CDATA[Another event that featured music as much as dance was the September 17 Alice Tully Hall performance of the Simón Bolivar National Youth Choir and the José Limón Dance Company. The highlight of the one-night only occasion, celebrating Venezuala’s El Sistema, was Missa Brevis. ]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=7515</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lifting Ballerinas</title>
		<link>http://www.musicalamerica.com/mablogs/?p=4749</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=4749#comments</comments>
		<pubDate>Mon, 07 May 2012 06:30:19 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Andantino]]></category>
		<category><![CDATA[Fokine]]></category>
		<category><![CDATA[Frederic Chopin]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[In G Major]]></category>
		<category><![CDATA[In the Night]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[Jock Soto]]></category>
		<category><![CDATA[Maria Kowroski]]></category>
		<category><![CDATA[Massine]]></category>
		<category><![CDATA[Nancy McDill]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[New York State Theater]]></category>
		<category><![CDATA[Petipa]]></category>
		<category><![CDATA[Ravel]]></category>
		<category><![CDATA[Robert Fairchild]]></category>
		<category><![CDATA[Sebastian Marcovici]]></category>
		<category><![CDATA[Sterling Hyltin]]></category>
		<category><![CDATA[The Cage]]></category>
		<category><![CDATA[Tyler Angle]]></category>
		<category><![CDATA[Water Flowing Together]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=4749</guid>
		<description><![CDATA[Have you ever wondered what it would take to partner a female ballet dancer? The May 6 matinee at New York City Ballet was an excellent primer for any one considering that question. In each of the four works from the All (Jerome) Robbins program, at the former New York State Theater, the male lead rarely left the side of his female partner.]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=4749</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The joys of the ballet spoof</title>
		<link>http://www.musicalamerica.com/mablogs/?p=3719</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=3719#comments</comments>
		<pubDate>Thu, 26 Jan 2012 22:13:52 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Amanda Hankes]]></category>
		<category><![CDATA[Andrew Veyette]]></category>
		<category><![CDATA[Cameron Grant]]></category>
		<category><![CDATA[Cedar Lake Contemporary Ballet Theater]]></category>
		<category><![CDATA[concerto in d minor for two violins]]></category>
		<category><![CDATA[Concerto Nuovo]]></category>
		<category><![CDATA[Dancers Responding to AIDS]]></category>
		<category><![CDATA[Danny Kaye]]></category>
		<category><![CDATA[Frederic Chopin]]></category>
		<category><![CDATA[J.S. Bach]]></category>
		<category><![CDATA[Jeremy McQueen]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[Knock on Wood]]></category>
		<category><![CDATA[lincoln center]]></category>
		<category><![CDATA[Maria Kowroski]]></category>
		<category><![CDATA[Michael Kidd]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Paramount Pictures]]></category>
		<category><![CDATA[Russian ballet]]></category>
		<category><![CDATA[The Concert]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=3719</guid>
		<description><![CDATA[There is nothing like a good ballet spoof. At New York City Ballet’s January 21 matinee performance, the company danced at Lincoln Center Jerome Robbins’ “The Concert” (1956). Whether you get the inside jokes regarding specific ballets, Robbins’s jabs at ballet traditions—the good, bad and the ugly—directly communicate. ]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=3719</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Seven Deadly Sins at City Ballet</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1213</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1213#comments</comments>
		<pubDate>Tue, 24 May 2011 23:54:39 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[After the Rain]]></category>
		<category><![CDATA[Allegra Kent]]></category>
		<category><![CDATA[Balanchine]]></category>
		<category><![CDATA[Beowulf Boritt]]></category>
		<category><![CDATA[Bertolt Brecht]]></category>
		<category><![CDATA[Chester Kallman]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Clotilde Otranto]]></category>
		<category><![CDATA[Deborah Jowitt]]></category>
		<category><![CDATA[Elia Kazan]]></category>
		<category><![CDATA[Jason Kantrowitz]]></category>
		<category><![CDATA[John Martin]]></category>
		<category><![CDATA[Karinska]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Lotte Lenya]]></category>
		<category><![CDATA[Lynn Taylor-Corbett]]></category>
		<category><![CDATA[Marlon Brando]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Patty Lapone]]></category>
		<category><![CDATA[Peter Martins]]></category>
		<category><![CDATA[Street Car Named Desire]]></category>
		<category><![CDATA[The Real Housewives of Beverly Hills]]></category>
		<category><![CDATA[The Seven Deadly Sins]]></category>
		<category><![CDATA[Tilly Losch]]></category>
		<category><![CDATA[Vienna Waltzes]]></category>
		<category><![CDATA[W.H. Auden]]></category>
		<category><![CDATA[Wendy Whelan]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1213</guid>
		<description><![CDATA[New York City Ballet’s new staging of  “The Seven Deadly Sins ,” which had its premiere at the company’s spring gala on May 11,  puts Kurt Weill and Bertolt Brecht’s dark, sinister “ballet chanté” of 1933 into a new context:  a tinsel-town soundstage, complete with unison hoofers in the grand finale.  Choreographer Lynn Taylor-Corbett, whose credits include Broadway’s “Swing,” has essentially created a Cliff Notes version of this irony-laced yarn, dragging  principal dancer Wendy Whelan and guest artist Patti Lapone through seven shallow scenes of human transgression and stripping the work of its brooding soul.]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=1213</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A New Apollo: Chase Finlay of New York City Ballet</title>
		<link>http://www.musicalamerica.com/mablogs/?p=1045</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=1045#comments</comments>
		<pubDate>Mon, 09 May 2011 20:31:12 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Ana Sophia Scheller]]></category>
		<category><![CDATA[Apollo]]></category>
		<category><![CDATA[Bruce Webber]]></category>
		<category><![CDATA[Chase Finlay]]></category>
		<category><![CDATA[Four Temperaments]]></category>
		<category><![CDATA[French Vogue]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[Gonzalo Garcia]]></category>
		<category><![CDATA[Igor Stravinsky]]></category>
		<category><![CDATA[Jennie Somogyi]]></category>
		<category><![CDATA[Maria Kowroski]]></category>
		<category><![CDATA[Monumentum Pro Gesualdo]]></category>
		<category><![CDATA[Movements for Piano and Orchestra]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Nietzche]]></category>
		<category><![CDATA[Peter Martins]]></category>
		<category><![CDATA[Sebastian Marcovici]]></category>
		<category><![CDATA[Sterling Hyltin]]></category>
		<category><![CDATA[Tiler Peck]]></category>
		<category><![CDATA[Vitruvian-Man]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=1045</guid>
		<description><![CDATA[There is no better way to anoint a rising male ballet star than to award him the title role in George Balanchine’s “Apollo.” On May 5 at David R. Koch Theater, New York City Ballet corps dancer Chase Finlay hit the big time with “Apollo,” receiving three curt]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=1045</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>May Dance in New York City</title>
		<link>http://www.musicalamerica.com/mablogs/?p=972</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=972#comments</comments>
		<pubDate>Tue, 03 May 2011 00:20:42 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[92nd St. Y]]></category>
		<category><![CDATA[Alexei Ratmansky]]></category>
		<category><![CDATA[Alvin Ailey American Dance Theater]]></category>
		<category><![CDATA[American Ballet Theatre]]></category>
		<category><![CDATA[Andrew Nemr]]></category>
		<category><![CDATA[Antony Tudor]]></category>
		<category><![CDATA[Apollo Theater]]></category>
		<category><![CDATA[BAC Flicks]]></category>
		<category><![CDATA[Balanchine]]></category>
		<category><![CDATA[Baryshnikov Arts Center]]></category>
		<category><![CDATA[Benjamin Millepied]]></category>
		<category><![CDATA[Bharata Natyam]]></category>
		<category><![CDATA[Camille A. Brown]]></category>
		<category><![CDATA[Cedar Lake Contemporary Ballet]]></category>
		<category><![CDATA[Charles Atlas]]></category>
		<category><![CDATA[Christopher Wheeldon]]></category>
		<category><![CDATA[Dances Patrelle]]></category>
		<category><![CDATA[Danza Contemporanea de Cuba]]></category>
		<category><![CDATA[Gilbert & Sullivan]]></category>
		<category><![CDATA[Guggenheim Museum]]></category>
		<category><![CDATA[Gus Solomons]]></category>
		<category><![CDATA[Joyce Theater]]></category>
		<category><![CDATA[Lynne Taylor-Corbett]]></category>
		<category><![CDATA[Marshall Davis]]></category>
		<category><![CDATA[Mats Ek]]></category>
		<category><![CDATA[Mondays with Merce]]></category>
		<category><![CDATA[Movement Research]]></category>
		<category><![CDATA[Nancy Dalva]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[New York City Dance Parade]]></category>
		<category><![CDATA[Odissi]]></category>
		<category><![CDATA[Patti Lupone]]></category>
		<category><![CDATA[Pedro Ruiz]]></category>
		<category><![CDATA[Rafael Bonachela]]></category>
		<category><![CDATA[Sakshi Productions]]></category>
		<category><![CDATA[Sydney Dance Company]]></category>
		<category><![CDATA[Trisha Brown]]></category>
		<category><![CDATA[Wendy Whelan]]></category>
		<category><![CDATA[“Giselle]]></category>
		<category><![CDATA[“Lady of the Camellias]]></category>
		<category><![CDATA[” Dakshina Company]]></category>
		<category><![CDATA[” “Cinderella]]></category>
		<category><![CDATA[” “Coppelia]]></category>
		<category><![CDATA[” “Don Quixote]]></category>
		<category><![CDATA[” “Swan Lake]]></category>
		<category><![CDATA[” “The Sleeping Beauty]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=972</guid>
		<description><![CDATA[By Rachel Straus May 1-2 Guggenheim Museum The popular Works + Process series presents “American Ballet Theatre on to Act II.” Current ABT dancers will perform excerpts from their upcoming Metropolitan Opera House season. ABT alumni will discuss the challenges dancers face in the second act of their careers.  You can watch the event each [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=972</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>April Dance Happenings: New York City</title>
		<link>http://www.musicalamerica.com/mablogs/?p=909</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=909#comments</comments>
		<pubDate>Tue, 29 Mar 2011 16:49:11 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Armitage Gone! Dance]]></category>
		<category><![CDATA[Dance Theater Workshop]]></category>
		<category><![CDATA[DanceNOW]]></category>
		<category><![CDATA[Flamenco]]></category>
		<category><![CDATA[Joe's Pub]]></category>
		<category><![CDATA[Kyle Abraham]]></category>
		<category><![CDATA[Museum of Art and Design]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[P.S. 122]]></category>
		<category><![CDATA[Paradigm]]></category>
		<category><![CDATA[St. Mark's Church]]></category>
		<category><![CDATA[The Joyce Theater]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=909</guid>
		<description><![CDATA[By Rachel Straus  March 29 &#8211; April 9 Eiko &#38; Koma The Japanese avant-garde artists, whose home has been the U.S. since 1976, present the New York premiere of Naked at the Baryshnikov Arts Center. They will be intermittently naked, but what will stand out are their glacially slow movement tableaus that change one’s perception [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=909</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>February Dance Happenings in New York City</title>
		<link>http://www.musicalamerica.com/mablogs/?p=837</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=837#comments</comments>
		<pubDate>Mon, 31 Jan 2011 22:49:40 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[92nd St. Y]]></category>
		<category><![CDATA[Baryshnikov Arts Center]]></category>
		<category><![CDATA[City Center]]></category>
		<category><![CDATA[Joe's Pub]]></category>
		<category><![CDATA[Joyce Theater]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Town Hall]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=837</guid>
		<description><![CDATA[By Rachel Straus February 4 and 5 @ 8:00 p.m. Miro Magloire&#8217;s New Chamber Ballet at City Center Magloire’s choreographic inspiration is music. Lately, the German-born, composer-choreographer has been inviting emerging dance makers to his evenings at City Center’s studio. The program will include three world premieres: Constantine Baecher&#8217;s Sketches Of A Woman Remembering (a [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=837</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Orchid of New York City Ballet</title>
		<link>http://www.musicalamerica.com/mablogs/?p=820</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=820#comments</comments>
		<pubDate>Mon, 24 Jan 2011 17:57:29 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[Alastair MacAulay]]></category>
		<category><![CDATA[Alexei Ratmansky]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[New York City Ballet]]></category>
		<category><![CDATA[Sara Mearns]]></category>
		<category><![CDATA[Tyler Angle]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=820</guid>
		<description><![CDATA[By Rachel Straus If you’re a ballet lover, you know her name. Sara Mearns. New York Times senior dance critic Alastair MacAulay recently called her “the greatest American ballerina of our time.&#8221; On January 21, she performed in Jerome Robbins’s Dances at a Gathering (1969) and Alexei Ratmansky’s Concerto DSCH (2008) with the New York [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=820</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>P.T. Barnum Move Over</title>
		<link>http://www.musicalamerica.com/mablogs/?p=722</link>
		<comments>http://www.musicalamerica.com/mablogs/?p=722#comments</comments>
		<pubDate>Tue, 21 Sep 2010 17:54:41 +0000</pubDate>
		<dc:creator>rachel.straus@earthlink.net</dc:creator>
				<category><![CDATA[The Torn Tutu]]></category>
		<category><![CDATA[New York City Ballet]]></category>

		<guid isPermaLink="false">http://www.musicalamerica.com/mablogs/?p=722</guid>
		<description><![CDATA[“To the greatest dancers on earth,” said New York City Ballet’s Master in Chief Peter Martins. On September 14 the Danish-born master of ceremonies pronounced this while making his annual, launch-the-season vodka toast. I don’t think Martins knew that his grand words echoed those of America’s most influential circus impresario. P.T. Barnum’s “greatest show on [...]]]></description>
		<wfw:commentRss>http://www.musicalamerica.com/mablogs/?feed=rss2&#038;p=722</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>